Film Interview | Culture

<i>M3GAN 2.0</i> director Gerard Johnstone: “It’s less, ‘Is AI dangerous?’ and more, ‘It’s here. Now what?’”
  • Film And TV
  • 27 Jun 25

M3GAN 2.0 director Gerard Johnstone: “It’s less, ‘Is AI dangerous?’ and more, ‘It’s here. Now what?’”

Bong Joon Ho, Robert Pattinson and Naomi Ackie on <i>Mickey 17:</i> "The genre lets you transcend nationality and language, and go straight into dealing with the essence of humanity"
  • Film And TV
  • 07 Mar 25

Bong Joon Ho, Robert Pattinson and Naomi Ackie on Mickey 17: "The genre lets you transcend nationality and language, and go straight into dealing with the essence of humanity"

12 INTERVIEWS OF XMAS: Paul Mescal - "Fear can be very motivating"
  • Film And TV
  • 29 Dec 24

12 INTERVIEWS OF XMAS: Paul Mescal - "Fear can be very motivating"

Jeff Goldblum on <i>Wicked:</i> "I saw Idina Menzel and Kristin Chenoweth live. I won’t go into it what an emotional wreck I was..."
  • Film And TV
  • 29 Nov 24

Jeff Goldblum on Wicked: "I saw Idina Menzel and Kristin Chenoweth live. I won’t go into it what an emotional wreck I was..."

Ariyon Bakare: "I heard a gunshot and whilst simultaneously being petrified thought, ‘Oh my god, I’m in New York living and breathing it!’"
  • Film And TV
  • 21 Nov 24

Ariyon Bakare: "I heard a gunshot and whilst simultaneously being petrified thought, ‘Oh my god, I’m in New York living and breathing it!’"

Paul Mescal: "The problem is that people can’t afford to live in Dublin"
  • Film And TV
  • 15 Nov 24

Paul Mescal: "The problem is that people can’t afford to live in Dublin"

Richard Dormer: "Winning an Oscar can be counterproductive because your fee goes up and you're priced out of certain roles"
  • Film And TV
  • 07 Nov 24

Richard Dormer: "Winning an Oscar can be counterproductive because your fee goes up and you're priced out of certain roles"

Hazel Doupe: "We really are such a resilient country – and the differences make us the country that we are"
  • Film And TV
  • 18 Oct 24

Hazel Doupe: "We really are such a resilient country – and the differences make us the country that we are"

<i>Beetlejuice Beetlejuice</i> Interview: "I remember being hesitant, because the first one is such a classic. You don’t want to ruin anything or mess things up"
  • Film And TV
  • 11 Sep 24

Beetlejuice Beetlejuice Interview: "I remember being hesitant, because the first one is such a classic. You don’t want to ruin anything or mess things up"

Daisy Edgar-Jones on <i>Twisters:</i> "They strapped me into a car and spun it upside down, like I was in a washing machine"
  • Film And TV
  • 24 Jul 24

Daisy Edgar-Jones on Twisters: "They strapped me into a car and spun it upside down, like I was in a washing machine"

Ishana Night Shyamalan on shooting <i>The Watched</i> in Ireland: “I just honestly had the best time"
  • Film And TV
  • 11 Jun 24

Ishana Night Shyamalan on shooting The Watched in Ireland: “I just honestly had the best time"

Neil Hannon on <i>Wonka:</i> "What I was mainly reliant on was my imagination – which became part of the overall <i>Wonka</i> world"
  • Film And TV
  • 08 Dec 23

Neil Hannon on Wonka: "What I was mainly reliant on was my imagination – which became part of the overall Wonka world"

DIFF Making Waves Hong Kong Season – Nate Ki on his debut feature <i>Back Home:</i> "I’ve always been interested in ghosts and urban legends"
  • Film And TV
  • 17 Nov 23

DIFF Making Waves Hong Kong Season – Nate Ki on his debut feature Back Home: "I’ve always been interested in ghosts and urban legends"

Emerald Fennell on <i>Saltburn:</i> Barry Keoghan is "so compelling, beautiful, strange and interesting"
  • Film And TV
  • 17 Nov 23

Emerald Fennell on Saltburn: Barry Keoghan is "so compelling, beautiful, strange and interesting"

David Fincher & <i>The Killer:</i> "The 61-year US director is one of the key artists of the late 20th century and early 21st"
  • Film And TV
  • 13 Nov 23

David Fincher & The Killer: "The 61-year US director is one of the key artists of the late 20th century and early 21st"

Ó Bhéal director Ciara Nic Chormaic: "It’s about speaking your truth – you can’t get away with trying to be someone else in hip-hop"
  • Film And TV
  • 10 Nov 23

Ó Bhéal director Ciara Nic Chormaic: "It’s about speaking your truth – you can’t get away with trying to be someone else in hip-hop"

Susanna Fogel : "The experience of being a woman always contains a base level of fear"
  • Film And TV
  • 06 Nov 23

Susanna Fogel : "The experience of being a woman always contains a base level of fear"

<i>Passages</i> director Ira Sachs: “I’m a gay man, and obviously for my generation, labels were very important – because we needed to fight to be recognised"
  • Film And TV
  • 08 Sep 23

Passages director Ira Sachs: “I’m a gay man, and obviously for my generation, labels were very important – because we needed to fight to be recognised"

Air: "The first step was getting the blessing of Michael Jordan"
  • Film And TV
  • 21 Apr 23

Air: "The first step was getting the blessing of Michael Jordan"

Emily Watson: "There's something about Irish storytelling that makes everyone sit up"
  • Film And TV
  • 24 Mar 23

Emily Watson: "There's something about Irish storytelling that makes everyone sit up"

Claire Foy on <i>Women Talking:</i> "This dynamic on set is nothing like I’ve ever experienced... I’m 38 and this is the first film I’ve made which has felt like that"
  • Film And TV
  • 10 Feb 23

Claire Foy on Women Talking: "This dynamic on set is nothing like I’ve ever experienced... I’m 38 and this is the first film I’ve made which has felt like that"

The Fabelmans' Gabriel LaBelle: "You’re aware that you’re on-set with masters"
  • Film And TV
  • 27 Jan 23

The Fabelmans' Gabriel LaBelle: "You’re aware that you’re on-set with masters"

Charlotte Wells on Aftersun: "The single-father/daughter relationship wasn’t a relationship I’d seen. That was part of what inspired me to make it"
  • Film And TV
  • 06 Dec 22

Charlotte Wells on Aftersun: "The single-father/daughter relationship wasn’t a relationship I’d seen. That was part of what inspired me to make it"

Frank Berry on Aisha: “The system needs to be dismantled – and I don't think any art should exist about Direct Provision that doesn't make that statement”
  • Film And TV
  • 06 Dec 22

Frank Berry on Aisha: “The system needs to be dismantled – and I don't think any art should exist about Direct Provision that doesn't make that statement”

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