Film Interview | Culture

Éanna Hardwicke on <i>Saipan:</i> "This film is going to totally reignite the ‘Who’s fault was it?’ debate"
  • Film And TV
  • 23 Dec 25

Éanna Hardwicke on Saipan: "This film is going to totally reignite the ‘Who’s fault was it?’ debate"

Jessie Buckley on <i>Hamnet:</i> "What Chloé did brought us out of our heads and into our bodies. It made the potential bigger"
  • Film And TV
  • 20 Dec 25

Jessie Buckley on Hamnet: "What Chloé did brought us out of our heads and into our bodies. It made the potential bigger"

Oona Chaplin on <i>Avatar: Fire And Ash</i> – "It's an incredible gift to unite the world at a time when we are so divided"
  • Film And TV
  • 19 Dec 25

Oona Chaplin on Avatar: Fire And Ash – "It's an incredible gift to unite the world at a time when we are so divided"

Paul Mescal, Maggie O'Farrell and Chloé Zhao on <i>Hamnet</i>: "You can't really have love without grief or grief without love"
  • Film And TV
  • 18 Dec 25

Paul Mescal, Maggie O'Farrell and Chloé Zhao on Hamnet: "You can't really have love without grief or grief without love"

Cillian Murphy on <i>Steve:</i> "A lot of these people who are carers, they just give and give until the well runs dry"
  • Film And TV
  • 18 Oct 25

Cillian Murphy on Steve: "A lot of these people who are carers, they just give and give until the well runs dry"

Jim Sheridan on <i>Re-Creation:</i> "Ian didn’t upset me that much. He wasn’t somebody you really wanted to be around, though"
  • Film And TV
  • 14 Oct 25

Jim Sheridan on Re-Creation: "Ian didn’t upset me that much. He wasn’t somebody you really wanted to be around, though"

<i>I Swear:</i> "I could see that it was a complex condition right from the start, and that’s what fascinated me"
  • Film And TV
  • 10 Oct 25

I Swear: "I could see that it was a complex condition right from the start, and that’s what fascinated me"

Kahlil Joseph on <i>BLKNWS: Terms & Conditions:</i> "At a certain point, you realise that the history is fucked"
  • Film And TV
  • 28 Sep 25

Kahlil Joseph on BLKNWS: Terms & Conditions: "At a certain point, you realise that the history is fucked"

Donncha Gilmore on <i>Girls & Boys:</i> "Their relationship is in the middle of a very gendered world... I wanted to show how those pressures make intimacy more complicated"
  • Film And TV
  • 20 Sep 25

Donncha Gilmore on Girls & Boys: "Their relationship is in the middle of a very gendered world... I wanted to show how those pressures make intimacy more complicated"

<i>M3GAN 2.0</i> director Gerard Johnstone: “It’s less, ‘Is AI dangerous?’ and more, ‘It’s here. Now what?’”
  • Film And TV
  • 27 Jun 25

M3GAN 2.0 director Gerard Johnstone: “It’s less, ‘Is AI dangerous?’ and more, ‘It’s here. Now what?’”

Bong Joon Ho, Robert Pattinson and Naomi Ackie on <i>Mickey 17:</i> "The genre lets you transcend nationality and language, and go straight into dealing with the essence of humanity"
  • Film And TV
  • 07 Mar 25

Bong Joon Ho, Robert Pattinson and Naomi Ackie on Mickey 17: "The genre lets you transcend nationality and language, and go straight into dealing with the essence of humanity"

12 INTERVIEWS OF XMAS: Paul Mescal - "Fear can be very motivating"
  • Film And TV
  • 29 Dec 24

12 INTERVIEWS OF XMAS: Paul Mescal - "Fear can be very motivating"

Jeff Goldblum on <i>Wicked:</i> "I saw Idina Menzel and Kristin Chenoweth live. I won’t go into it what an emotional wreck I was..."
  • Film And TV
  • 29 Nov 24

Jeff Goldblum on Wicked: "I saw Idina Menzel and Kristin Chenoweth live. I won’t go into it what an emotional wreck I was..."

Ariyon Bakare: "I heard a gunshot and whilst simultaneously being petrified thought, ‘Oh my god, I’m in New York living and breathing it!’"
  • Film And TV
  • 21 Nov 24

Ariyon Bakare: "I heard a gunshot and whilst simultaneously being petrified thought, ‘Oh my god, I’m in New York living and breathing it!’"

Paul Mescal: "The problem is that people can’t afford to live in Dublin"
  • Film And TV
  • 15 Nov 24

Paul Mescal: "The problem is that people can’t afford to live in Dublin"

Richard Dormer: "Winning an Oscar can be counterproductive because your fee goes up and you're priced out of certain roles"
  • Film And TV
  • 07 Nov 24

Richard Dormer: "Winning an Oscar can be counterproductive because your fee goes up and you're priced out of certain roles"

Hazel Doupe: "We really are such a resilient country – and the differences make us the country that we are"
  • Film And TV
  • 18 Oct 24

Hazel Doupe: "We really are such a resilient country – and the differences make us the country that we are"

<i>Beetlejuice Beetlejuice</i> Interview: "I remember being hesitant, because the first one is such a classic. You don’t want to ruin anything or mess things up"
  • Film And TV
  • 11 Sep 24

Beetlejuice Beetlejuice Interview: "I remember being hesitant, because the first one is such a classic. You don’t want to ruin anything or mess things up"

Daisy Edgar-Jones on <i>Twisters:</i> "They strapped me into a car and spun it upside down, like I was in a washing machine"
  • Film And TV
  • 24 Jul 24

Daisy Edgar-Jones on Twisters: "They strapped me into a car and spun it upside down, like I was in a washing machine"

Ishana Night Shyamalan on shooting <i>The Watched</i> in Ireland: “I just honestly had the best time"
  • Film And TV
  • 11 Jun 24

Ishana Night Shyamalan on shooting The Watched in Ireland: “I just honestly had the best time"

Neil Hannon on <i>Wonka:</i> "What I was mainly reliant on was my imagination – which became part of the overall <i>Wonka</i> world"
  • Film And TV
  • 08 Dec 23

Neil Hannon on Wonka: "What I was mainly reliant on was my imagination – which became part of the overall Wonka world"

DIFF Making Waves Hong Kong Season – Nate Ki on his debut feature <i>Back Home:</i> "I’ve always been interested in ghosts and urban legends"
  • Film And TV
  • 17 Nov 23

DIFF Making Waves Hong Kong Season – Nate Ki on his debut feature Back Home: "I’ve always been interested in ghosts and urban legends"

Emerald Fennell on <i>Saltburn:</i> Barry Keoghan is "so compelling, beautiful, strange and interesting"
  • Film And TV
  • 17 Nov 23

Emerald Fennell on Saltburn: Barry Keoghan is "so compelling, beautiful, strange and interesting"

David Fincher & <i>The Killer:</i> "The 61-year US director is one of the key artists of the late 20th century and early 21st"
  • Film And TV
  • 13 Nov 23

David Fincher & The Killer: "The 61-year US director is one of the key artists of the late 20th century and early 21st"

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