- Music
- 18 Jul 25
New Irish songs To Hear This Week
Check out some of our favourite Irish releases from the past week below
Bricknasty, ‘go get that blade’
Fatboy and co. announced their biggest-ever headline show this week, with Bricknasty set to bring their trippy jazz-inflected tunes to their hometown's Olympia Theatre in December, a triumphant notch in the Dublin band’s collective belt.
If that wasn’t enough good news, they’ve also shared the typically experimental, chaotic and raw ‘go get that blade’. Like its predecessors, this song is a singular constitution; where else would you get guttural mumble rap, the blissful distortion of fuzzed-up guitar, drum fills echoing Tony Williams in full flight, and an emo-screamo shriek?

7th Obi, ‘Geminii’
What makes Waterford rapper 7th Obi's latest banger stand out is its killer bassline. There’s also a laidback bossa groove on the guitar and drums, with a glittering synth creating it’s own little atmosphere in the background. It’s an immaculately produced and laid-back track, with the rapper wearing his heart on his sleeve through his catchy, autotuned romantic proclamations.
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Big Sleep, ‘Ruminate’
There’s not much deep thinking required to understand why Dublin-based rockers Big Sleep’s 'Ruminate' is such a banger. Sexy, brooding lyrics; a tasty arrangement; and a shred-tastic guitar solo are some of the contributing factors. There are also drum and bass-driven verses and a belter chorus, which wouldn't sound out of place among the indie gems you’d find on FIFA soundtracks of yore.

Aaron Rowe, ‘Talking With You’
Aaron Rowe is making moves. The Dublin artist recently made his Glastonbury debut to a packed crowd and is supporting Lewis Capaldi on his UK tour.
Sophomore single 'Talking With You' is an acoustic and melodic, guitar-driven and warm indie pop ballad, with a hint of Irish folk coming through Rowe’s Dublin twang.
According to the songwriter, 'Talking With You' tells the story of his relationship with his uncle Mick.
“I felt a bit guilty about moving away to London to chase my music because I knew that meant I wouldn’t get to spend as much time with him, so this one’s for Mick,” Rowe explains.

Jordan Kelly, ‘Top Of The Morning’ feat. Karis Amber
Opening with smooth as hell keys and angelic R&B vocals, Limerick native Jordan Kelly explodes onto the beat, rapping at a breakneck speed with a delivery that is as clean as once clean and frenetic.
Better known to most as Strange Boy, Kelly is releasing a 20-track mixtape under his own name on July 27, DIASPORA GREEN. Perhaps the use of his actual name is an indication of his music’s authentic content, as heard on ‘Top Of The Morning’, which details the hurleys, halting sites and council-estate-reality of Ireland that’s far removed from Americanised stereotypes.
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Rowan Murphy, ‘Pass The Parcel’
Dundalk indie-folk musician Rowan Murphy today releases her EP Fault On The Line, including the stirringly bright ‘Pass The Parcel', an introspective indie-pop track infused with folk and country flavours of banjo riffs and joyful guitar chords, complimenting the singer’s crystal-clear and perfectly measured vocals.

Scustin, ‘Our Regards’
Dublin post-funk quartet Scustin release their brilliant new single ‘Our Regards’, hailing off their upcoming debut album Confessions Of A Pub Talker, set for release on September 19. With reverbed, languorous guitar chords, accompanying hard-hitting, spoken vocals, the track is a groovy number examining the frustrations of the Dublin youth regarding the city’s changes. It showcases the band’s penchant for hip hop rhythms, their natural funk flair, and also incorporates elements of post punk and trad-inspired guitar motifs.

Final Thirteen, ‘Nicky’s Song’
Northern Irish trio Final Thirteen release their new single ‘Nicky’s Song’, a deeply personal offering blending metal, alternative rock, and indie for a heavy, stirring and ear-catching song. The track channels the band’s anguish, questions, and memories into a cathartic anthem for anyone who’s ever lost someone too soon, and was written for the band’s friend Nicky, who passed away days before Final Thirteen set out on their first UK tour.

Avenue 68, ‘Not That Kinda Girl'
Dublin based 5-piece Avenue 68 release their new single ‘Not That Kinda Girl’, capturing the quiet strength of someone choosing integrity over retaliation. Lead singer, Lauren describes this tune as "a powerful anthem of grace and class" that explores her own experience of times where she has chosen dignity over revenge in the face of betrayal. Described by the band as a "quiet storm", the chorus blends the emotional depth and rich melodies of classic soul with a modern edge. It’s about dignity, self-worth, and choosing silence over scandal.

California Irish, ‘I Am Free’
The closing track to California Irish’s new album The Mountains Are My Friends, 'I Am Free’ is a glistening guitar ballad evoking grand, open spaces and summer sunsets, with its bright guitar melodies and delicately layered harmonies, complete with moving banjo riffs and gentle rhythmic sections, imbuing the track with a magical ‘70s feel.

Dexterity, ‘Raise The Dead’
Alt/prog rock group Dexterity take listeners through dynamic intensity and sonic cataclysms on their new single ‘Raise The Dead’. Blending irresistible rhythms, funky guitars, and haunting melodies, the track is as engaging as it is unpredictable, and was written about grief and loss, examining the experience of putting on a mask for others in order to function in the world.
About the new single, frontwoman and main songwriter Sarah Dexter says, “The mask isn't real, it's ethereal and struggles to maintain its shape. Sometimes the mask breaks to reveal what’s underneath.”

Liadh, ‘Control’
Irish alt-pop artist Liadh releases her new single, 'Control,' marking the third single from her forthcoming debut EP, Illusions. Produced by Lisa Murray, the track finds Liadh exploring themes of mental struggle and the search for release. With its alt-pop framework layered with synth and disco elements, it a candid look at the artist's personal journey.
"‘Control’ is an alt-pop track… about my struggle to control my own mind and search for oblivion," Liadh explains. "At this time of my life, I was repressing a lot of my emotions and coping in unhealthy ways. In this way, my search for control ended up controlling me. But ‘Control’ is also a mantra - a way to ground myself. I’d love for this song to help others escape their minds and feel present in their bodies, even if for a moment.”

PostLast x Arveene, ‘Connect 4 (313 Remix)’
PostLast partners up with Arveene on a remix of their debut single, ‘Connect 4’. On the new version, Arveene explores a track about rediscovering your inner-child through connection with others, and remembering how to switch off, play and dance with reckless abandon, through the musical stylings of Detroit's classic techno scene.

Elishka Lane, ‘Home Again’
A delicate and gently melancholic guitar ballad, Elishka Lane’s ‘Home Again’ is bursting with sentimentality and lined with gorgeously bright guitar lines and soft rhythmic sections, making for the perfect accompaniment to the singer’s stirring vocal performance, offering an enticing first glance into the young musician’s soundscapes.
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Michael D. Higgins & Myles O’Reilly, ‘Against All Certainty’
The title track to President Michael D. Higgins upcoming and debut spoken word album, ‘Against All Certainty’, a moving poem underscored beautifully by a stunning musical composition from celebrated musician Myles O’Reilly. With dark and stirring wind sonic textures, the poem’s delicate use of rhymes and glisteningly moving tone are perfectly underlined.

Papa Boyle, 'Wave To Me'
Hailing from Dublin, Papa Boyle takes inspiration from '50s and '60s rock and roll, adding a twist of modern indie. For his new single 'Wave To Me', he has teamed up with Irish R&B singer Miranda Faul and multi-instrumentalist Still Searching.
His new track evokes images of American diners, road trips, and payphone calls, while telling the story of two lovers saying their mournful goodbye. Faul's soprano fuses with Papa Boyle's soulful vocals, creating dreamy harmonies that carry over rhythmic drums and warm, organic guitars.
"Papa Boyle suggested writing a love song, I suggested a sprinkle of existential dread, Still Searching worked his magic on the production, and 'Wave To Me' was born by the end of the day," said Faul on their collaboration.

Dylan Flynn & the Dead Poets, 'Forgiveness Is A Gun'
Limerick indie rockers Dylan Flynn & The Dead Poets have released their new single, 'Forgiveness Is A Gun', an anthemic mix of alternative rock and Americana.
Bright, hazy guitars, driving drums, and Flynn's weathered vocal delivery meet heartfelt lyrics that capture the feeling of being unworthy of love.
Speaking on their new track, Flynn said, "I spent some time in Nashville earlier this year, and this song was written while I was there. It was my first experience co-writing, and it made me realise that sometimes you just need to say exactly what you're feeling. I still think there is a time and place for placing lyrics in a poetic world—but with this one, I wanted to be very direct."

Prince Regent, 'Nature of the Game'
Ben Cutler's project Prince Regent started as a two-piece collaboration with Newry-based guitarist Conal Morgan in the late summer of 2024. Later, Matt Nolan and Shea McCrea joined the troop, completing the four-piece band.
Now, the project's debut single, 'Nature Of The Game', has arrived - a track that combines elements of classic rock and roll with "a healthy dose of harmonica".
True to its title, the song is light-hearted in nature, coming to the conclusion that although life doesn't always go as planned, you've got to roll with the punches: "Well, I ain't the kind that's waiting for the thunder. Or the bells to ring—that ain't my thing. I got change to bring in this town."

Johnluke, 'Green Eyes'
Galway pop singer-songwriter Johnluke has shared his heartfelt new single 'Green Eyes', taken from his upcoming EP Comical Romance Vol. 1.
His soaring vocals are accompanied by a steady percussion rhythm and warm guitars in a dynamic tune that explores the motif of a relationship hanging in the balance.
"It's about when you’re so in love with someone, you try your hardest to ignore all the negatives—but you just can’t help but still see them. Deep down you just want to stay blinded by the love," explained the Portumna artist.

Delush, 'Rio'
'Rio' is the new tune by emerging indie-rock band Delush, who formed in 2023. Straight out of Tallaght, the four-piece deals in a mix of 90s nostalgia and modern alternative bands, reminiscent of Fontaines D.C.
Filled with powerful vocals, unrelenting drums, and edgy guitars, the track explores themes of self-acceptance and authenticity. Catchy hooks and a dynamic melody make for a perfect feel-good anthem.
The band said the following about their new tune: "We knew Rio had to be our next single based on the crowd alone. Everyone sings the chorus like they’ve known the song all their lives. The first time we played it at practice, we knew we were onto a hit. Now that it’s being released, we couldn’t be happier."

The Fynches, ‘I Will Follow’
With their debut album landing on October 7, The Fynches continue to carve out a soulful niche in the Irish folk-rock landscape. Their latest single, ‘I Will Follow’, is a breezy, harmony-rich gem, blending laid-back ‘70s vibes with Beach Boys-style backing vocals and Beatles-flavoured melodic charm. Crisp drums, a tight bassline and lush vocal layering give the track an effortlessly timeless feel. Frontman Ferdia Walsh-Peelo - many may recognise him from the film Sing Street - brings warmth and gravity to the vocals. In the words of his bandmate brother Oisín, the Motown-inspired mid-section “almost needs its own dance moves” - and honestly, he’s not wrong.

Barbagianni, ‘Out Of My Head’
Dublin-based electronic duo Barbagianni take a leap into club territory with their second single, ‘Out Of My Head’. A high-octane blend of house and synth-pop, the track fuses pulsating rhythms, sharp drum patterns and an infectious, dancefloor-ready groove. This marks a thrilling sonic shift from their debut ‘Punch Drunk’, pushing the tempo and embracing a raw, kinetic energy that demands movement. Producers Karl McCrone and Matthew Keating team up with London-based vocalist Katie Ryan, whose soaring topline brings urgency and euphoria in equal measure. “It started out as ‘Teach’, meaning ‘house’ in Irish,” the duo explain, “It’s an exciting sonic evolution for us.”

Some Remain, ‘Marvelous Medicine’
Hailing from Sligo, alternative indie-punk quartet Some Remain channel chaos, grit and their busking roots in the snarling energy of their latest track, ‘Marvelous Medicine’. The song itself derived from a demo found on drummer Matthew Mooney’s phone, driven by a sinister-sounding riff that anchors the song’s volatile momentum. Guitarist Colm Mahon introduced ambient textures in the intro, giving ‘Marvelous Medicine’ a slow-burning start before it erupts into a frenzy of sharp, drilling drums, searing guitars and Jamie Conay’s gravel-laced vocals. The result is a tense, layered build-up that explodes into cathartic chaos - a perfect blend of melody and mayhem.
Some Remain.
HONK, ‘Vine-Glo’
Ahead of their album Closing Down Sale, six-piece HONK unleash ‘Vine-Glo’ - a fuzz-soaked gut-punch of a single that barrels straight through the heart of country tradition and out the other side. Coining their sound as “Trashcan Country,” HONK twist the genre into something gloriously ragged in a raucous take on Americana. Speaking of the track, the group said: “Vine-glo was a dissolvable brick of grape juice concentrate sold in the US during prohibition. Sold with the tagline “legal in your home” the packet warned that the grapes may ferment into alcohol and provided instructions that explained very carefully how to prevent fermentation by also giving hints on exactly what was required to successfully ferment the grapes into wine. Because not all superhero’s wear capes.”

Diveboy, ‘Suntrap’
Formerly known as The Burma, Irish trio Diveboy make a splash with their new single ‘Suntrap’, and it’s a sun-soaked indie gem that blends nostalgia with contemporary flair. Frontman Tony O’Donovan’s silky vocals glide over shimmering guitars and crisp production from Grammy-winner Ruadhrí Cushnan (Ed Sheeran, Snow Patrol). Diveboy are sounding live performance-ready already ahead of their set at All Together Now festival on August 1st.
“When we sat down to write, we asked ourselves where we imagined playing. The answer was bigger rooms, arenas and stadiums! We wanted to create a sound that would fill the 3Arena or Wembley Stadium.” the group said. ‘Suntrap’ drops independently on July 18.

Cian Ducrot, ‘Your Eyes’
Cork-born Grammy winner Cian Ducrot delivers another polished slice of heartfelt pop with his latest single, ‘Your Eyes’. Opening with acoustic guitar before building into an uplifting, full-bodied production, the track showcases the singer-songwriter’s trademark strong, clear vocals. It’s a feel-good, emotionally resonant song that hints at the sonic ambition of his upcoming album Little Dreaming, due out August 1st. Cian is truly shaping up to be one of Ireland’s most compelling pop exports and is set to play across the country as part of The Dream Ship 2025 tour, hitting spots in Cork, Limerick and Dublin.

Mary Stokes Band, ‘My Voodoo Doll’
A powerful new closing track from the long-awaited Hometown Blues album from Mary Stokes Band, ‘My Voodoo Doll’ is a raw, emotionally charged acoustic blues cut that showcases Mary Stokes’ commanding vocals and timeless presence. Recorded between 1999 and 2002 at Dublin’s Sonic Studio, the album was originally a CD release tied to the band’s annual Guinness Cork Jazz Festival appearance. After over two decades shelved, Hometown Blues finally resurfaces, offering a heartfelt tribute to the musicians who shaped the Mary Stokes Band. A soulful reminder of Ireland’s deep blues tradition, ‘My Voodoo Doll’ proves that true heartfelt music never expires.

Fergal Nash, ‘Things That Were Meant To Be’
Following his previous single, ‘It’s Just The Way That I Live’, Limerick singer-songwriter Fergal Nash has released his new single ‘Things That Were Meant To Be’.
The track is a mid-tempo indie rock song that “wrestles with the idea of reaching middle age and questioning whether you’ve followed your heart — while insisting it’s never too late to start,” filled with classic rock electric guitar riffs and deeply emotional, reflective lyrics.
Rún, 'Strike It'
Ahead of their upcoming self-titled debut album, Irish trio Rún has released the howling catharsis that is 'Strike It'.
Welding the hauntingly raw chanting vocals of Tara Baoth Mooney with the edgy drums and sound design of Rían Trench and the avant-garde instrumentals of Diarmuid MacDiarmada, Rún seems to summon something dark with their latest single.
'Strike It' is a heavy, forceful, emotional track that builds from unrelenting drums and moody synth up to a crashing, whirlwind release of screaming guitar and metallic cries.

GUSH, 'Your World'
Belfast alt. rock group GUSH has released 'Your World', a garage rock summer tune and the most accessible of their discography.
GUSH has been on the up and up since their debut EP Exposure Therapy last year and single 'Like That' in February. Their momentum has taken them to a handful of festivals and heaps of radio play with their grungy, moody dig.
With ‘Your World’, their energy cools down. Unlike previous works, it leans more upbeat pop than fuzzy angst. Darren Clarke breaks in with a drum intro and drives the song forward, as Robby McCammon’s fun, swinging guitar hooks give way to cool, confident vocals from Chelsea Andrews. It’s rich with attitude, begging to be blasted on the stereo.

Bren Berry, 'We Have It All (Rory Sweeney Remix)'
After the June release of his lovesick single 'We Have It All', Bren Berry is back with the remix.
Berry has done it all. He spent a few years with the Coltranes in the 1980s before forming Revelino, for which he was both guitarist and manager. Revelino supported names like Bob Dylan and Neil Young, with a debut record Hot Press listed among the greatest Irish albums of all time. Berry worked as a promoter for a few years before returning to musicianship in his 60s, backed by a team of Irish talent to kick off his solo career with In Hope Our Stars Align.
'We Have It All (Rory Sweeney Remix)' is far from Berry's usual style. It opens with record scratches and slice of life samples — footsteps pass, a dog barks, a door opens — before giving way to Berry's gentle vocals in sonorous harmony. The electronic aspect cuts through with cinematic drops and mechanical beeps, underlain with choral vocals and a woodwind swell near the end. It's like nothing Berry has ever done before, but it's no less moving.

Paul Jackson, ‘The Head and the Handle’
Australian-Irish singer-songwriter Paul Jackson has released his second single ‘The Head and the Handle’, an alternative folk-rock tune full of nostalgia that reflects on how a person can change over time.
His voice is full of emotion, while his harmonica solo towards the end of the track adds yet another layer of depth to the song.
“The head and the handle’ refers to the philosophical idea of identity over time—asking, if all the parts of something are replaced, is it still the same thing? Juxtaposed with the line ‘if I knew then what I know now,’ the song reflects a calm nostalgia and self-acceptance,” said Jackson
The track follows the artist’s previous single ‘Australian’ which was released in 2023.
Kormac, ‘Down Below’ feat. Katie Kim
Irish producer and composer Kormac has released a new single ‘Down Below’ featuring Katie Kim. The song will be the first in a series of new releases on his Always The Sound imprint.
The track uses a deliberately volatile setup of modular synths and drum machines, while Kim’s voice sits somewhere between dream and distortion, offset by Kormac’s churning synth textures and off-grid percussion.
Kim’s soft voice and the synth sounds complement each other in a unique way, elegantly mirroring each other.
Podge Lane, ‘Heatwave’
Irish alternative country singer Podge Lane has released a new single ‘Heatwave’ ahead of his upcoming album.
Having moved to the States earlier this year, the new single reflects his journey “from the sweltering Georgian heat to the bustling streets of New York.”
‘I wanted this album to feel different from my usual recording methods, I needed a change,” said Podge Lane. “So I made this single five days ago. These songs feel immediate, telling ramshackled stories, like faded photos you find in the attic you didn’t take. You’re not quite sure what’s captured there but it lets you share in that memory.”
SYNTHIENT, 'Larsson'
SYNTHIENT, the new collaborative project between Kayley Phelan (Kbob) and Aran Sheehy, release the third single from their upcoming self titled debut album ‘Larsson’, a progressive house song of ethereal, dark and airy soundscapes, paying homage to Henrik Larsson, the most deadly striker to ever wear Glasgow's famous green and white.

Sonny Fodera & Jazzy, ‘All This Time’
House DJ Sonny Fodera and Dublin pop singer-songwriter Jazzy have released their summer dance track 'All This Time'.
Fodera's made-for-the-club sound fuses beautifully with Jazzy's high-energy dance-princess vocals. After Jazzy's breakthrough collaboration with Belters Only on 'Make Me Feel Good' — hitting number 1 on Irish charts, the first Irish dance act to do so since 'Maniax 2000' in 2000 — she came out with solo single 'Giving Me', returning to the top of Irish charts. She was the first solo female artist to top the chart in over a decade, and the first Irish female artist ever to hit number one on Spotify.
'All This Time' is bouncy, catchy and irresistibly danceable. The beat drop is what house and dance lovers crave. It's a fantastic display of rise and fall, build and release, thanks to the undeniable talent of both artists. Soaring synths meld effortlessly with Jazzy's echoing vocals, with a soul reminiscent of the disco-inspired dance greats. Summer party playlists would do well to feature the track.
Jessica Brett—'Hotter than Hell' (SOB Remix)
Tipperary pop artist Jessica Brett has teamed up with Canada-based producer and DJ Séimidh O’Bagel for an SOB remix of her latest single, 'Hotter Than Hell.'
Taking inspiration from artists like Sabrina Carpenter and Tate McRae, the tune combines pop and R&B elements and captures 'the thrill of falling in love.' Brett's sultry vocals are backed by smooth reverb guitars and an electronic beat, making for the ultimate summer dance bop.
"Go get your dancing shoes and get ready for a boogie! Shoutout to Séimidh O’Bagel for sprinkling his magic on this all the way from Canada. I'm so grateful to collaborate again after our first remix together on my debut single," said Brett on her collaboration with O'Bagel.

Mark Hegan, 'That’s What Won't Stop Torturing Me'
Emerging singer-songwriter Mark Hegan from Bangor has released his brand new song, 'That's What Won't Stop Torturing Me.' The track is taken from his new EP, set to release in early September of this year.
Blending elements of Irish pub songs and alternative rock elements, the tune has an infectious melody that will have you tapping your foot along. Hegan's balmy vocals carry over bright guitars, lively fiddles, and rhythmic drums, creating an atmospheric soundscape.
"The song is about unworthiness; the speaker is stuck in a painful in-between, neither a hero nor a runaway—simply lost," said Hegan about his poignant new track.

Waterdogs, 'Ríastrad'
'Ríastrad'—the latest single from alternative rock four-piece Waterdogs—is a grunge-induced power hymn. Hailing from Limerick, the group consists of Kat Casey on vocals, Aaron Griffin on guitar, Angel Murray on bass, and Eoghan Creedon on drums.
Distorted, brutal guitars meet growly vocals meet driving beat in an homage to Irish mythological hero Cúchulainn, known for his superhuman strength and bravery in battle.
The rockers shared the inspiration behind their track: "This one's about the moment of Cúchulainn dying. It includes a verse from The Táin. I was going to call this one 'A Hero's Death' until Fontaines D.C. came out with their iconic album, with a picture of Cúchulainn on the front of it—ruined that plan."

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