New Irish Songs To Hear This Week

Garron Noone, 'Highwayman'

Garron Noone has released his debut single, ‘Highwayman’, today. Best known for his comedy skits on social media, where he shares satirical takes on everyday life, Noone now steps into country music with a song inspired by his past. Originally written as an acoustic track, ‘Highwayman’ has since evolved into a full country production.

“I’m really happy with the version we’ve done. I've always played it acoustically but Gavin and the lads did an amazing job helping me put the track together!”, Noone says.

Damien Dempsey, 'The Mickey Dam'

Donaghmede native Damien Dempsey has released his new song, ‘The Mickey Dam’, today. The singer-songwriter has delivered yet another classic folk track, with a memorable fiddle-led melody. The song is part of his upcoming album, Holywell, which is set for release on June 26. 

“I got this song from the singing of Frank Harte. It gives a humorous snapshot of the harsh life of Irish navvies who had to leave the oul sod and do back-breaking, incredibly dangerous work in strange lands to put food in their own and their families’ bellies,” Dempsey says.

John Wallace & The Notions, 'Figuring Out'

Kilkenny natives John Wallace & The Notions have released their debut single ‘Figuring It Out’, introducing their blend of indie rock and Americana influences. Driven by guitar-led melodies and steady drums, the track builds a warm, rhythmic sound that’s full of character. The band set the tone for a promising start with a style that feels both grounded and expansive. 

“'Figuring Out’ is about trying to make sense of where you’re at in life, and learning to be okay with not having all the answers,” says singer-songwriter John Wallace.

Romeo Keane, 'Doubt'

Dublin-based Romeo Keane has released his new single ‘Doubt’, a feel-good track that practically demands summer to arrive. Built around synths, warm grooves and a driving house rhythm, the song leans into an upbeat sound that reminds of Beyoncé’s ‘Break My Soul’. Keane blends pop and electronic influences into an infectious production that feels both nostalgic and fresh.

“I wrote and produced ‘Doubt’ myself with the intention of creating a feel-good, summery track about disregarding doubting yourself,” says Keane.

Dea Matrona, ‘My Own Party’

The first single off of Dea Matrona upcoming second album I Hate That I Care, ‘My Own Party’ is glistening new tune, confessional in theme but brightly fun in tone, driven by bright guitar riffs, infectious bass lines, and shimmering layered vocal melodies.

Reflecting on the album, the band said: “People have always tried to assume who we are; both musically and personally. This album is more personal, more honest, and more aware of the world around us than anything we’ve made before.”

Bleech 9:3, ‘No Surprise’

Dublin-born, London-based band Bleech 9:3 have released their highly anticipated self-titled debut EP, including the ferociously emotional emotional track ‘No Surprise’. A true alt-grunge treat, the tune is lined with infectious guitar riffs, infectiously stirring vocals and a riotous rhythmic sections, giving an enticing look into one of Ireland’s most exciting alt-rock acts.

Kayleigh Noble, ‘Come and See’

Hailing off Kayleigh Noble’s upcoming EP, due out this June, ‘Come & See’ is a gorgeously romantic club track, punctuated with honey-smooth vocal melodies and madly infectious rhythms, all wrapped up in gorgeously catchy instrumental, before wrapping up the tune with heavier bass, making for the perfect track to accompany the start of the summer.

Aimée, ‘Irish Goodbye’

A raw, stripped back tune capturing grief at its most vulnerable, Aimée’s new track ‘Irish Goodbye’ blends rich Irish influences with her signature brand of pop, both intimate and cinematic. Incredibly honest, the track is lined with string sections and sees Aimée explore the grief of losing her grandfather and her mother within days of each other.

AE MAK, ‘Last Night You Cried To Bach’

AE MAK is back with the fourth and final single from her forthcoming debut album Folk Songs For Mama & Papa, ‘Last Night You Cried To Bach’. A theatrical, piano-led waltz that balances humour, heartbreak, and spiritual revelation, the tune is built around sweeping piano arrangements, intimate vocals and surreal lyrical imagery, reflecting on love, self-realisation, and the strange clarity that can arrive in moments of emotional intensity.

Ae Mak says: “‘Last Night You Cried To Bach’ is about being on acid and listening to Bach. Realising all the fear whirls and uncertainties in life aren’t real and it’s all for you, it’s right there for the taking. Realising through the beauty and the knowing, that you are meant to be on a different path to the one you’re crying with.”

Twisty, ‘Orchid Remains’

Irish independent artist Twisty unveils his powerful new single ‘Orchid Remains’, a personal track, exploring themes of memory, legacy, things left behind, and voices fading through time, inspired by two thought‑provoking documentaries: one exploring the life and legacy of Brehon Law, and another uncovering ancient Irish phrases and language that have slowly disappeared from everyday use.

“I started putting this together just for myself,” Twisty explains. “It was never meant to see the light of day. At one point I’d nearly scrapped the whole thing and I wasn’t sure if anyone would connect with it. But something kept pulling me back to it, and I decided to finish it. I’m really glad I did.”

SHEE, ‘Rosebud’ feat. Karma Kid

The title track to SHEE’s brand new EP, ‘Rosebud’, featuring Karma Kid, is a deeply infectious dub-tinged club track, featuring glistening vocal deliveries and sunny melodies, all set against the backdrop of minimalistic yet terribly efficient rhythmic sections.

Speaking of the new EP on Instagram, SHEE described it as “four tracks I care deeply about. Playing in my sets last year, finessing the production, and spending a long time asking people all over the world for permission to use the sample.“

Dark Tropics, ‘It All Leads Back To You’

Irish pop-noir duo Dark Tropics release their new single, ‘It All Leads Back to You’, a sparse, deeply moving piano ballad drawn from the singer’s own real-life experience of a doomed wedding engagement, tipping back their atmospheric soundscape to explore the full weight and raw authenticity of the tune.

Speaking on the new single, Rio from Dark Tropics explains: " ‘It all leads back to you' is a song for those dividing nights. Those nights when suddenly a long past heartbreak transports you back to the scene of the crime. A wedding escaped. A life near missed. Those ghosts of pain always present."

Reevah, 'Take What You Can'

Indie-pop artist Reevah returns with her impassioned new single, 'Take What You Can'.

The single introduces a new chapter for her, seeing her blend indie-pop with country balladry that bridges her sound from her early-era with a more defined direction.

Drawing inspiration from artists such as Kacey Musgraves, Olivia Dean, and CMAT, she continues to channel resilience and feminine strength into a sound that burrows deep into the heart.

"It was one of those tracks that had almost written itself", said Reevah. "The story was already there, just waiting to be told. It felt as if it paves the way for what's to come, carrying through my previous sensibilities, themes, and sounds, but with a touch of something new and fresh".

Orla Monelle, 'In The Sunlight'

Pop/R&B artist Orla Monelle has released her new single, 'In The Sunlight'.

The third and final single ahead of her debut EP Romanticise, it reveals a more introspective side of Orla's artistry. The track looks back on a past relationship, and the clarity that comes from distance, capturing both growth and acceptance.

At its core, 'In The Sunlight' is a quiet celebration of her personal evolution. It speaks to staying true to yourself and choosing to no longer hide in the shadows.

"I wrote this EP over the course of a year, about independence, love, and letting go enough to have fun", stated Monelle. "The irony is that while writing it, I wasn't in that carefree place myself, but I knew it was where I wanted to be".

David Geraghty, 'Normal Two Point Zero'

Founding member of Bell X1, David Geraghty is back with his new single, 'Normal Two Point Zero', from his upcoming album KOMOREBI.

The single is a psychedelic slice of synth-pop, exploring themes around celebrating joy and a sense of belonging with our tribe while reflecting on the fall out and loss when these ties are torn apart.

"NTPZ was written at a time of forced isolation", said Geraghty. "The song also speaks to the current world, with its escalating upheaval and imbalance between that familiar security and the unknown of, where does it all end?".

Mirrorglass, 'Heart Of Gold'

Following on from the releases of 'Better Off Dead' and 'Wasted Time', Mirrorglass, release ‘Heart of Gold’. The band are spearheaded by vocalist and multi-instrumentalist, Joshua Bowles who won Cavan Institute's Win Big Song Contest with the song 'Where Will You Go?

After a hazy, synth-heavy intro, the track breaks into a gritty, alternative-rock number, akin to Weezer or Greenday. The gentle hues of Bowless voice provide unique contrast and counterbalance to muddy guitars and a pounding, hard-rock drum arrangement. The catchy chorus is a nice addition to an overall solid execution.

Colin Deady, 'Courtroom of My Mind'

Along with the announcement of his latest album Real Life, Irish singer-songwriter and multi-instrumentalist Colin Deady has released his latest single, ‘Courtroom of My Mind'. In the song, Deady positions himself in an imaginary courtroom where he has to testify against his own thoughts.

Through a warm blend of country, folk and soft-rock Deady tackles personal themes of introspection and anxiety.The limerick musician merges bright melodies, rich harmonies and deeply personal song writing together to deliver an assured announcement to his new album.

Jesse June, Wait It Out’

Jesse June’s new track ‘Wait It Out’ captures the uncertainty of unrequited or suspended love showcasing the push and pull of early romance. The single embodies alternative hip hop spirit with a strong beat that resonates powerfully throughout the song. This underground track holds a haunting quality which explores the possibilities of unrequited love and the instability of love or loss.

Rose Wallace Goldaline, ‘Don’t Take All This For Granted’

Rose Wallace Goldaline's new single, 'Don't Take All This For Granted,' is a blend of indie and folk, distinguished by subtle traditional influences. This soft acoustic track intimately explores the space between regret and hope.

Sonically, the unhurried arrangement mirrors this emotional shift, with lo-fi acoustic guitars, mandolin, and layered backing vocals creating a distinct warmth. The lyricism is poignant and gentle, similar to Big Thief or a more upbeat Elliott Smith. "It's about trying to find joy in the dreariest of corners, and beauty in the mundane," says Goldaline.

Mark Geary, ‘Headlights’

Irish singer-songwriter Mark Geary’s new song ‘Headlight’s off his album Antebellum offers Geary's observational sense that shapes his songwriting. His lyrics are characterised by vulnerability and honesty with his use of the acoustic guitar creating an intimate and fragile atmosphere for his indie sound.

As he describes himself, Geary is really a ‘a magpie collecting conversations’. The imagery in his song paints a vivid picture which transports listeners. Similar to artists like Noah Kahan, there is a warmth to his stripped down music.

Panorama House, ‘Cold Confusion’

Panorama House's debut single, 'Cold Confusion' is a potent blend of psychedelic and classic rock with an indie twist. The track features catchy, melodic tunes blended with authentic analogue psych rock. The lyrics navigate the struggle with desire. This song channels a retro feel, similar the psychedelic rock of Pink Floyd or Tame Impala. 

Mute The TV, ‘Fragile’

Mute The TV’s new single, 'Fragile’, characterized by twin guitars, distortion, powerful riffs, massive drums, and shouted vocals, is an indie-rock anthem centered on self-acceptance. Its core message revolves around accepting your feelings, supporting friends, trusting that things will improve with time, and ultimately embracing the parts of yourself you struggle with, even if it means not everyone will approve.

The four-piece indie-rock channel a fun, raw energy and strong garage-band feel. 'Fragile' brings back a distinct 2000s vibe reminiscent of artists like Weezer or The Wombats.

Fia Moon, ‘FIO’

Irish artist Fia Moon's alternative pop track, ‘FIO’ (Figure It Out), offers a breezy and lighthearted sound, making it the perfect soundtrack for summer. Featured on her upcoming EP, the song maintains a singer-songwriter quality while delivering an uplifting feel.

The song's lyrics are both encouraging and introspective, exploring the effort required to shed past habits in favor of building trust and accepting vulnerability within a new relationship. This makes the track wonderfully uplifting.

O’hEaráin, ‘Lucky One’

O’hEaráin's new single, ‘Lucky One,’ is a rich and nuanced blend of Irish folk, trad, American country, and bluegrass. The track balances complexity and simplicity in this story of young love. The track's American folk and country essence is palpable in the gentle acoustic guitar and the emotional vulnerability of the performance.

“Lucky One came to life at 2am, after arriving home from a gig,"says songwriter Kevin Herron. "By 3am, an idea on the guitar became a fully formed song. Thankfully, it is only semi autobiographical, as I’m now happily married to my summer romance, but it does explore the scary question, what if?"

Taylor D, ‘Fake Illusion’

'Fake Illusion' is an angsty indie pop-rock anthem that immediately puts Taylor’s alternative influences front and center. Driven by electrifying guitar riffs and a potent rhythm section, the track powerfully conveys a message of internal struggle, self-doubt, and the yearning for truth. More than just a high-energy sound, the song is a statement of defiance against societal pressures and the facade of perfection, a sentiment echoed through imagery of hidden scars.

"'Fake Illusion’ is about the battle with mental health and the scars left by bullying," says Taylor. "It’s about the pressure to pretend everything’s fine when inside, it’s turmoil. We all have our struggles, and this song is my reminder that it’s okay to be real."

Berko 'Getaway'

Berko's debut solo single, 'Getaway'  marks a compelling shift for James Berkeley, formerly the frontman of the internationally touring band Stillroom. 'Getaway' is driven by a strong country twang that immediately evokes the cinematic feel of a movie soundtrack where adventure and risk reign supreme.

“For the first time ever I’m writing and recording without a band that I’ve been part of for many years," says Berkeley. "Going solo was a daunting experience and it took me a while to navigate without, but I’ve been lucky to be surrounded by great professionals, making this transition a lot easier than expected—new, exciting, and different.”

HUGSIE, 'Golden Sun (live)'

Alternative folk musician and songwriter HUGSIE has released his first song of 2026 today, a live version of the track ‘Golden Sun’ from the 2023 record Sound!. Written after a nightmare where he murdered someone, the track explores themes of confusion and tragedy. Sonically, it stands out for its aggressive acoustic guitar paired with a delicate fiddle.

Listen to our playlist: