New Irish Songs To Hear This Week

Stratford Rise, ‘Prone’

Belfast based quartet Stratford Rise today release their self-titled debut EP, including explosive new track ‘Prone’, a noisy yet gloriously catchy tune which encapsulate the band’s intensity, where harsh melodies and rhythmic sections explode in an absolute cacophonous blast that feel incredibly cathartic.

Daithí & Sinéad White, ‘Can’t Even Tell Me’

Working with long-term collaborator Sinéad White, Daithí has released the new disco track ‘Can’t Even Tell Me.’ White’s layered vocals are carried above a wave of synths, exploring themes of love and longing.

“Alongside the vocals, Sinéad also played this amazing organ line,” said Daithí on Instagram. “So good!”

The single’s lush instrumentation pulls listeners in, using drum and bass to enhance the already dynamic song. Fans can catch Daithí headlining in Cork and Galway this September.

Aaron Rowe, ‘Hey Ma’

A deeply stirring tune of soft guitar chords and heart-felt lyrics, complete with Aaron Rowe’s powerful vocals and a poignant string instrumentation, ‘Hey Ma’ marks the singer’s first official release.”I was about to quit gigging about a year ago,” said Rowe on Instagram. “I was weighing up what else I would do because I was fed up doing the same thing week in week out for years. Feels surreal to finally announce my first single Hey Ma. I’m proud of it and honestly feel like a weight being lifted off me I spent years hesitating because I was too afraid to fail.”

Amble, ‘Ode To John’

Hailing from Amble’s new album Reverie, out today, ‘Ode To John’, a warm, powerful tune of heartfelt lyrics, and beautifully textured strings, which gives Robbie Cunningham’s care-worn voice a well-deserved place to shine. Although soul-stirring, the tune is lined with a sense of hope easily carried through by gentle piano notes and hypnotic bouzouki riffs.

Martina and the Moons, ‘Baby Turtle’

Melodic and introspective, Martina Moon’s vocal performance conjures images of struggle and ultimate perseverance. The all-female four-piece blends post-punk with indie-pop, creating an eerie sound that seems to indicate an impending danger.

“‘Baby Turtle’ is a song about vulnerability and survival,” said Moon. “It started out inspired by the image of baby turtles crawling to the sea, but over time it’s become about the journey of leaving home, chasing a dream, and hoping your potential isn’t wasted. In a way, I’ve become the turtle—trying to make it in music, far from family, from comfort. It’s a story so many creatives can relate to.”

theXcollective, ‘Solace In My Head’ feat. Shanny, NIYL & Mutant Vinyl

Opening with a blood-curdling shriek, ‘Solace In My Head’ invites listeners on a captivating musical journey. Filled with booming bass and Mutant Vinyl’s killer performance on saxophone, the dance track simply commands movement.

"Recording the track remotely in London felt like being an audio voyeur within a warped art installation,” said Mutant Vinyl. “Sending files to a session in Ireland that I was watching via a video call, seeking my own solace in a 4m square studio in Notting Hill with just a sax, microphone and some Scotch. The lyrics tunnelled further and further inside me with every re-take and edit, leading to stumbling home, humming freshly crafted melodies that would now be stuck with me, for better or for worse.”

The single is nothing short of addictive, and speaks to the magic of artistic collaboration.

Selu, ‘Titi Lai’

Kildare musician Selu has put out his new single ‘Titi Lai’, a blend of Afropop, soul, and alternative R&B — a sound that feels both nostalgic and fresh, echoing elements of late 80s and 90s grooves. It explores the edges of genre and feeling, capturing a deep longing to be with the person the singer loves. Anchored by lush synths and an irresistibly hypnotic bass line, the track pulses with both emotional intensity and dance-floor energy.

Áine Duffy, ‘Rooting For You

Genre bending, boundary pushing with nods to RnB, dance and rock, and steeped in Áine Duffy’s commanding and authentic vocal, the new single ‘Rooting For You’ feels like an audio hug in times of anguish. The catchy refrain “I got you” is a beautiful and powerful message of support to send out to the world as we try to navigate these uncertain times.

Speaking on her new single Áine says "I wrote ‘Rooting for You’ touching on a vulnerable place, when you are rooting for someone, and can only hope they are rooting for you back. Especially when you are really trying! I hope it's an audio hug for the listener and I intend it to be comforting in these uncertain times. Hugs, I'm rooting for you. "

Emileo, ‘The Parting Glass’

Inspired by Irish traditional music, Emileo’s powerful voice will amaze and enlighten listeners. Her rendition of ‘The Parting Glass’ is filled with reverb and layered vocals, creating an undeniably magical energy.

“This song always makes me cry,” she said. “I hate saying goodbye and when I hear ‘The Parting Glass,' it feels like it hits the heart right where it is bleeding. My version is very raw and naked, just my vocals and a drone. If I ever left this place, I would miss Dublin, my dirty little Temple Bar and its rough streets full of drunk tourists, the local homeless characters and music.”

Moesha, ‘FYH’

Moesha today releases the new single ‘FYH’, an instrumental journey through reflection and hope. The track features two heartfelt samples from MF DOOM, evolving from mellow introspection into an upbeat, dancey outro that leaves a sense of clarity and self-belief. The official music video, starring Conor Hamilton, follows the emotional arc of the track in a moving, single shot visual story.

Fake Friends, ‘Give It Up’

Fake Friends’ anthemic new single ‘Give It Up’ explores love and dedication, highlighting the intensity of devotion. Consisting of Cathal Flaherty and Patrick Kelly, this energy is amplified by their rich vocal performance and stellar guitar riffs.

“Have a listen and share it with your friends,” they wrote on Instagram. “Big thank you to everyone who has made this song possible.”

Fans can expect a string of new singles from Fake Friends coming up.

Laura Duff, ‘Ligature’

Hailing from Laura Duff’s new album Sea Legs, out today, ‘Ligature’ is a deliciously emotional guitar tracks, lined with gentle guitar minor chords, slow-building percussions and vivid songwriting, offering a intimate introduction into a visceral body of work that illuminates the Limerick-based artist’s deft and detailed songwriting, and draws from experiences of grief.

The Riptide Movement, ‘When The Sun Comes Up’

Gripping and existential, ‘When The Sun Comes Up’ highlights the challenges of modern life. The track is extremely fast-paced, proudly embodying the sense of panic found within its lyricism.

“It’s a song we’re all incredibly proud of, it has so much energy in it,” the band said. “We gradually increased the tempo throughout the track to build this ‘runaway train’ type feeling to mirror that sense of time slipping away. Lyrically, it’s quite nostalgic—there’s a bittersweet monologue-like quality to it that intensifies as the song unfolds.”

Fans can catch The Riptide Movement this summer at Forest Fest, Kaleidoscope, the Doolin Arts Festival and Glastonbury.

Pebbledash, ‘Asha’s Waltz’

Pebbledash’s new single ‘Asha’s Waltz’, marks yet another significant milestone in their rapidly rising trajectory from their latest EP Four Portraits Of The Same Ugly House. Dealing with themes of place and memory, the track as written “at a time when I was feeling alienated by the landscapes of the city and small town that I was living in,” comments vocalist Asha Egan McCutcheon. “It's also about navigating landscapes of memory and exploring complicated family relationships and the strain that can come with growth in those relationships.”

“We recorded this song as part of a set of two, feverishly chipping away at the tracks over a sixteen-hour day in the studio with Andy [Killian] ,” says Cormac Donovan O’Neill (keys) of the recording. “Recording ‘Asha’s Waltz’ and capturing its air of sparseness and confusion required a commitment to minimalism. The groaning reeds of an old organ from a rural antique shop, undergirding the track but coming to the fore in as the song concludes, solidify Asha’s Waltz as a song out of time, dislocated and drifting.”

T.A. Narrative, ‘Magic’

T.A. Narrative are an electric pop duo from Limerick, and their fervent energy demands listeners attention. Tara Nix and Anna Murphy released their new EP Hearts Drive Forward today, along with the new track ‘Magic.’ The song speaks to the intensity of falling in love, supported by a groovy bassline and intense vocals.

“Its important to note how particularly challenging life feels right now, a collective struggle really,” said Nix. “With that, it’s important to hold things in perspective. Hopefully this can bring a sense of comfort and camaraderie to listeners. You’re not alone in your vulnerabilities.”

i n n e r l i z z a r d s, ‘I want to cry but I can’t’

The new project from Irish artist Rory Hall (aka Proper Micro NV), i n n e r l i z z a r d s today launches his first single ‘I want to cry but I can’t’, an ethereal electronic number lined with minimalistic production and delicately crafted auto-tuned vocals, for a transporting and otherworldly tune.

“I’ve been working as Proper Micro NV for 10 years now (which shocks me to even say),” says Rory. “I love working on the project and I will absolutely continue to do so. Over the last year or two however, I’ve had a burning desire to start a new project. I want to create, and i n n e r l i z z a r d s will hopefully be the mega-massive release of thoughts and feelings that I think I’ve always needed.

“My plan is to take this one step at a time. I don’t want to get lost in a machine. I just want to release, wait and hopefully see.

Throw another plate on!”

Cormac O Caoimh, ‘You Help’

Ahead of his upcoming EP, Cormac O Caoimh has shared the lead single ‘You Help.’ The track has a tranquil quality, complimented by Caoimh’s delicate vocals. The lyrics feel confessional and honest, speaking to the necessity of letting go.

“When something in me shines I can't even call it mine,” he sings. “I don't know why I tried to see when I can be led by the blind.”

Fans can catch Caoimh tomorrow in Kildare, or on the rest of his Gig A Month Forever Tour across Ireland.

HAYLAR, ‘Seven Colours’

Rising electronic artist HAYLAR unveils her latest offering — a powerful third single, produced by renowned Irish producer Karl Odlum. Continuing a journey marked by emotional depth and sonic clarity, this new track pushes HAYLAR’s sound into bold new territory, exploring themes of disorientation, longing, and the quiet strength it takes to navigate uncertainty.

Tiny Magnetic Pets, ‘Low Places’

Inspired by rising global instability, Tiny Magnetic Pets introduce a darker sound with their new EP, Harmonious Grey. Their first song off the project, ‘Low Places,’ opens with thundering bass and ravenous synths. Filled with ominous energy, the track delivers a completely unique ambiance.

“It's about people that you thought were your friends, or who were supposed to be on your side,” said synth and guitar player Seán Quinn. “That is, until you needed their help. I’m sure everyone has experienced this at some point.”

Foreign Mornings, ‘Born To Be This Way’

Bangor alt-rock band Foreign Mornings are back with their new single ‘Born To Be This Way’ - a big, urgent follow-up to their last single ‘Make It Out’. Lifted from their highly-anticipated debut album Beginnings and Endings, due November 7, the song traces the band's journey from exhaustion to catharsis. Written in the wake of a transformative tour, it’s a defiant ode to persistence, passion and the pull of the road.

"'Born To Be This Way' is about that turning point - where we decided to give this band everything," says vocalist Michael. "It’s about feeling spent, then remembering why you started in the first place."

FiiVVVEE, 'on his waY!’

With pulsing beats and melodic jazz melodies, FiiVVVEE turns everyday life ambiance into a musical experience. Opening with sultry brass, the song includes no lyrics, creating an otherworldly soundscape for listeners to lose themselves in.

“I used to crash out…But I always remained ‘on his waY,’” the artist wrote on Instagram. “Mom we made it.”

Ólafur Arnalds & Talos, ‘Signs’

Ólafur Arnalds and the late Irish musician Eoin French, best known as Talos, release the single ‘Signs’, hailing from their upcoming album A Dawning, a track that showcases Talos’ voice in its most instinctive form. Anchored in delicate textures and electronic flourishes, ‘Signs’ captures the early stages of their creative journey — morphing and evolving, before direction had been defined, but when the emotional resonance was already undeniable.

Ólafur shares, “At its core, ‘Signs’ feels like a coming together, a curious meeting of creative souls. It’s filled with carefree experimentation and exploration. ‘Signs’ was the first song that Eoin and I wrote together. It was only shortly after we became friends and we were rather decisively paired together by our friend Mary Hickson at her music residency in Cork - she seemed very sure that we would get along musically. She was right, of course. It was the start of an incredible, inspiring, heartbreaking but heartfelt journey that took us places we could never have imagined in our wildest dreams. So it feels appropriate that it comes out as we announce this album that became the fruit of that journey.”

Unique Freaks, ‘Someone Special’

Released through Gelatinous Records, Unique Freaks have delivered a nearly nine minute new single. The song previews their upcoming album, with a release date yet to be announced. The experimental psych rock duo, composed of Darragh Hansard and Beth Doyle, cultivate a unique sound with their wailing vocals and use of electronic elements.

“To be ‘Somebody Special’ is different for everyone,” said Hansard. “As a kid I thought it was to be someone who was admired and cheered for. Getting older now I see how fickle that stuff is, in the end it doesn’t mean that much, being ‘Somebody Special’ to someone you love is much more important. The world is fucked and we’re all pretty helpless, All we can do is be good to each other, be good to the earth and hope for better days.”

How I Became A Wave, ‘Cycles’

‘Cycles’ is the mesmerising new single from self-described ‘aggressively quiet’ indie folk artist How I Became A Wave, out now. On the tune, Pat Carey uses his contemplative nature and astute songwriting skills to put our human nature to repeat patterns of behaviour under a forgiving microscope.

“Sometimes it’s an easy narrative to believe that repetition of behaviours or circumstances in our lives means that we’re not learning the lessons that life is teaching us. I don’t believe that’s always the case,” says Carey. “I think that challenges that can seem similar or even exactly the same at different points of our life, while the cause and effects can differ greatly. And lessons learned can sometimes be overrated, or maybe over-desired. Life isn’t about ‘figuring it all out’, and life isn’t about eradicating challenges - it’s not something that we can complete or perfect,” he continues.

Picture Postcard, ‘Returning’

Picture Postcard effortlessly captures surrealist energy with their new single, ‘Returning.’ The band describes their sound as similar to Trauma Boy, Sunny Day Real Estate and Nothing. The dreamy song features howling vocals and an unrelenting guitar, with that classic shoegaze flair.

“Inspired by Eternal Sunshine of the Spotless Mind, it captures the surreal feeling of watching someone you love disappear from memory — wrapped up in a 3-minute haze of reverb and fuzz,” the band wrote on Instagram.

Dave Lofts, ‘Just A Man’

Following three support slots for Wolf Alice’s secret Irish gigs this week, Dave Lofts releases the emotionally charged new single ‘Just A Man’, based on Dave's journey with mental health and is dedicated to anyone battling anxiety, panic attacks, depression or experienced loss. Having earned standing ovations and moved audiences to tears, the song is dedicated to anyone battling anxiety, panic attacks or depression.

Kingfishr, ‘Diamonds & Roses’

In anticipation of their debut album Halcyon, Kingfishr have introduced their lead single ‘Diamonds & Roses.’ Eddie Keogh’s booming voice sings of nostalgia and romance, reflecting on the passage of time. This energy is complimented by a beautiful performance on guitar, driving the song forward.

“‘Diamonds & Roses’ is about how much things change,” said Keogh. “It’s about the death of the status quo and the price we all pay for that. It’s about the terror of existence, but in spite of that it’s about the good that shines through.”

Bobby Hewitt, ‘Black Heart Days’

The title track to Bobby Hewitt new album, out today, ‘Black Heart Days’ is a stirring pop tune which offers an inticing first look in the new gritty alt-pop rock record. Inspired by the birth of the musician’s daughter and the passing of his dad, the new release examines the state of humanity – an honest look at how we treat each other and how things like basic respect and decency seem to be slipping. It’s raw, reflective, and full of hope.

Lord Ormond, ‘Saint Laurent’

Minimalistic in its production yet incredibly hard hitting, Lord Ormond’s new tune ‘Saint Laurent’ perfectly encapsulates the feeling of late drunken nights in the city, with deep vocals and bass-filled electronic instrumentals, complete with dreamy synths and lightly hypnotising synths.

 

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THUMPER, ‘The Drip’

Dublin psych-pop powerhouse THUMPER return with blistering new riff-fuelled single 'The Drip', the first of a series of releases across 2025 leading to the release of their sophomore album. “'The Drip’ is a song about tour burnout and relationship strain,” the band comments. “The song was written almost a line at a time, small lyrics jotted down at different moments on tour, in different cities, different head spaces. The title refers to that slow accumulation, drip torture was on my mind, but also an IV drip - something that keeps you alive, hooked to your veins. In this case my deep love for making music, and the people I make it with.

“The song has no chorus - no release. But it’s joyous and builds with momentum with each passing section, even as the lyrics seem to become more abstract. This conflict between love for the thing, and that thing destroying you.”

For Those I Love, ‘Of The Sorrows’

Critically-acclaimed Dublin musician David Balfe, better known as For Those I Love, returns with his first new music since 2021. Over a glittery synthscape, he offers a scathing spoken word assessment of an Ireland riddled by capitalism, painting pictures of soulless building-site cities crippled by high prices and addiction, before reaching a haunting refrain at the end of the track.

“When I wrote "Of The Sorrows", it felt like I was bargaining with myself,” says Balfe. “It was one of the first songs I’d written to myself, for myself, while still trying to embody the feelings and thoughts of my closest peers. At its heart, ‘Of The Sorrows’ is about a city rapidly boxing you out, and the choices you make in order to stay.

I started to shoot the video for 'Of The Sorrows' on Christmas Day. I traded a couple hundred hours, a broken hard drive (had to start again), my sense of patience, and a broken leg I got on the last day of filming. But I could make peace with that deal. It felt good to give so much life to a project about a dying city.”

Scustin, ‘I’m Never Flying With Ryanair Again’

Scustin flaunt their singular, tongue-in-cheek brand of social commentary on this latest cut from their upcoming album Confessions Of A Pub Talker. Opening with an infectious ‘00s indie-sleaze guitar hook, there’s some Viagra Boys influence present in the vocals, as singer Larry traverses the blunders of modern aviation.

“Lyrically, the song is a satirical deep-dive into the absurdity of blame culture,” the band say. “Channelling the tongue-in-cheek swagger of The Streets, Viagra Boys, and Kneecap, the story introduces a maddeningly self-unaware character who wreaks havoc through his airport routine. It’s a wry observation of a world where it's easier to deflect responsibility than take it on the chin.”

Telebox, ‘Shadow of a Heart’

Galway alt-rock merchants Telebox mix some good ‘ol shoegaze affinity with a bit of Meat Puppets-esque bass wizardry on ‘Shadow of a Heart’, a song which reflects on addiction and the inevitable destruction that follows it.

“‘Shadow’ of a heart is an insight into the destructive nature of addiction and alcoholism, showing the decay of the person themselves physically and morally as well as the effects it has on their relationships,” explain the band. “It's about hurt that doesn't pass, deep rooted wounds that can swallow a person before they've realized what's happened.

“Musically, we wanted to capture the frantic mind of an active addict and the underlying urge for escape that echoes in their head, the screaming for release. Lyrically, we aimed to convey an insider's perspective of witnessing that person suffer in loneliness, being judged by others who don’t know their story.”

SIRCA, ‘Mrs Perfection’

Following on from her last single ‘Lotus’, Galway-born artist SIRCA returns with the groove-soaked ‘Mrs Perfection’.

A shift from her earlier folk-tinged sound, the track blends Cuban-inspired rhythms, echoing guitars and soulful backing vocals to create a cool, funk-infused instrumentation. SIRCA’s powerhouse vocals shine atop it all, as she addresses the unrealistic standards women face.

“Male artists were allowed to be messy, raw, loud – sometimes even ugly,” she says, “‘Mrs Perfection’ is a reminder that real beauty lives in freedom, honesty, and being unapologetically human.” The track is the second single from her upcoming debut EP Since I Was a Girl.

 

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As If I Always Knew, ‘Sleep’

Best known for his 1000 Beasts pop project, Cork’s Cian Sweeney introduces his new solo piano endeavour As If I Always Knew with the delicate and meditative ‘Sleep’. Reconnecting with his roots as a pianist, Sweeney blends angelic, descending patterns with raw, live-room authenticity.

The piece features an expressive range and control of the instrument, with the occasional creak of his piano stool adding authenticity. There’s a touch of Brad Mehldau in Sweeney’s phrasing, as the project sees him showcase unedited, live improvisations in their most raw form.

Kippax, ‘New Orleans’

Dublin indie outfit Kippax return with their third single, ‘New Orleans’ – a swaggering, emotionally charged track that delves into disillusionment with jangly guitars and raw lyrical bite. Equally inspired by Johnny Marr and John Steinbeck, the track explores themes of disillusionment, with anxious verses marked by a boisterous, larger-than-life hook.

Known for their infectious energy and live shows, the four-piece channel the melodic intricacy of The Smiths and the storytelling grit of Pulp, all tied together by Cameron’s distinct vocals and a rhythm section built to make audiences sweat. Their debut EP Voyeurism is due later this year.

Marty Guilfoyle x Kyla Belle, ‘Lights Out’

After the release of ‘Wrap Up Christmas’ last December, DJ Marty Guilfoyle teams up once again with rising pop vocalist Kyla Belle for new single ‘Lights Out’, a sun-drenched, feel-good dance anthem.

With an energetic beat and Belle’s striking falsetto, the track blends club-ready energy with radio-friendly hooks .“We feel this is the perfect summer tune,” says Guilfoyle, who is a popular host on SPIN’s 1038 station. Early support for the new single includes 2FM Track of the Week with Laura Fox. “Excited to get this track out for the summer! It’s been such a fun project to work on with Marty” said Belle.

Bowden, ‘Build A Bridge’

Cork-based indie rock band Bowden deliver a hauntingly atmospheric cut with 'Build A Bridge', the focus track from their debut album Glacier.

Overlapping, echo-laden vocals and emotive guitar work lend an eerie tension to lyrics steeped in reflection and vulnerability. Written over four post-pandemic years, the album captures the band’s introspective depth and raw sincerity.

“To have an album to our name doesn’t feel real,” says the band. If 'Build A Bridge' is anything to go by, Glacier is sure to be a striking debut for an act that continues to gain support and recognition within the Irish music scene.

Curfew, ‘Clones’

Three-piece, hard-alternative rock band Curfew return with their third single, ‘Clones’ – a brooding, dynamic track that blends haunting guitar riffs with ethereal ambience and JJ Smilez’s striking vocal range. Drawing from the emotional weight of London Grammar and the grit of Queens of the Stone Age, ‘Clones’ marks a new sonic chapter for the rising North Dublin trio.

Since forming in 2024, Curfew have built a fierce live reputation, packing out venues like Workman’s Cellar and Whelan’s. With a debut album due this November, their new single is a powerful showcase of the band’s explosive and hypnotic style.

Barry J Walsh, ‘Suddenly June’

‘Suddenly June’ – the new track from Cavan singer-songwriter Barry J Walsh -  is a feel-good burst of nostalgic sunshine drenched in ‘60s flair. The track opens with some strummed acoustics and vibing keys before suddenly going into gear with some crunchy chords and a snaky riff.

With echoes of Sgt. Pepper and Beach Boys harmonies, the track combines vibrant riffs and a punchy rhythm to form a potential Power pop postcard of the summer. Following singles ‘Rescue Me’ and ‘The Sound’, this new release glows with Walsh’s charm, melodic craft and reflective lyrics.

“Sometimes I forget that you are there, even though without you I’m nowhere” he sings on the new track.

Final Thirteen, ‘Pyromania’

The new powerful single from Northern Irish trio Final Thirteen is titled ‘Pyromania’, and is sure to be an instant classic among the band’s ever-growing listeners.

A blistering rock anthem that captures the fury of a world at a breaking point, the emotional, scorching vocals of lead vocalist Ax come through an impressive instrumentation that starts and ends with the sounds of distant sirens.

With searing guitars and explosive delivery, the track transforms the image of a lone fire-starter into a metaphor for mass unrest – scorched by injustice, drowned in media noise, and pushed to the brink by elite control.

Also composed of members J.D. on Guitar and Doobes on Drums, the band is set to embark on a UK/Ireland tour starting in Glasgow on June 4.

Fiona Tyndall, ‘An Mhaighdean Mhara’ feat. Fergal Scahill, Seán Whelan & Brendan Hayes

Renown Irish traditional and folk artist Fiona Tyndall returns with a tender and timeless rendition of ‘An Mhaighdean Mhara’, the second single from her upcoming full Irish-language album Éinin an Cheóil.

Featuring an evocative arrangement by Fergal Scahill, Seán Whelan, and Brendan Hayes, the track captures the poignant folklore of the sea-woman who leaves her family behind – only to return each day to visit her child. Tyndall’s distinctly warm voice gives the track a melancholic, yet hopeful tone.

With roots in Clare and a deep bond to Irish-American tradition, Tyndall continues to honour and evolve the Irish songbook with heart and haunting beauty.

Inni-K, ‘Beatha’

Eithne Ní Chatháin, better known as INNI-K, returns with “Beatha”, a bold and radiant lead single from her upcoming fourth album. Renowned for her boundary-pushing blend of traditional and contemporary sound, INNI-K layers raw fiddle, textured Irish-language vocals, and intricate rhythms to create a track full of vibrant, organic energy.

“This song really began with a fascination I experienced during a veg-growing course,” says the Kildare multi-instrumentalist. “We had an expert come in on composting and I was really mesmerised by the dark humus he showed us - the various matter transforming over time into this incredibly nourishing dark compound. It made me think of life’s invisible intelligences, miraculous forces moving continuously toward life, toward living!”

GNS, ‘NOT3BOOK’

Dublin-based artist and producer GNS unveils his most vulnerable work to date with 'NOT3BOOK.'

Known for his signature blend of bedroom pop and indie R&B, GNS taps into raw emotion and understated groove to deliver a hauntingly intimate track. Written on a day when “the silence is loud and the notebook is the only thing listening,” this first single from his upcoming EP explores the echo of heartbreak with a simple, cutting hook: “my notebook’s full. I can’t make sense of anything. All I see is your name, a few hundred times.”

With echoes of Joji, Keshi and Clairo, GNS captures the ache of memory and the beauty of emotional release through sentimental vocals and stripped-back production.

LARAbEL, ‘Playground’

Out now through Beo Records, LARAbEL’s new single ‘Playground’ is a dreamy, transcendent blend of echo-tinged instrumentation and soothing, soul-baring vocals. Rooted in the rugged beauty of her native Gaoth Dobhair, Donegal, the track explores escapism – both in childhood and adulthood.

“The playground in my adulthood has become a metaphor for where I go in my mind to escape reality, when there is no nature around me. It was also my best attempt at some sort of love song to the person who was there for me during a period when old trauma came back up, a reminder that I could escape and live in my own world when the outside world was too much,” said the singer.

The single is the first from her upcoming debut EP Squiggle, due out in August. With an emotive delivery and intricate songwriting honed during her time at BIMM Dublin, LARAbEL has already taken stages from Glastonbury to the 3Olympia Theatre, and sold out her debut headline show in Whelan’s.

Rory & the Island, ‘Playa Grande’

Donegal-born, Lanzarote-based singer-songwriter Rory & the Island returns just in time for summer with ‘Playa Grande’, a sun-soaked indie-pop gem that oozes charm, nostalgia, and undeniable feel-good energy. Blending The Kinks’ melodic wit with the flair of the Gypsy Kings and the singalong warmth of Gerry Cinnamon, ‘Playa Grande’ feels tailor-made for beer garden soundtracks and Balearic sunsets.

Recorded at Channel 7 Studios in Lanzarote and polished by Grammy-winning producer Ruaidhri Cushnan, the track radiates confidence from a seasoned artist still bursting with creativity. Rory Gallagher - of The Revs fame - channels decades of Irish music pedigree into this new single, his first since the critically acclaimed 2022 album Centre Falls Apart. ‘Playa Grande’ might just be his biggest summer anthem yet, add it to your playlist and prepare to hit repeat.

Ryan Ennis, ‘With Me’

Dublin producer-DJ Ryan Ennis’ latest new single ‘With Me’ features his usual silky beat drops that combine his energetic production skills and feel-good vibes that have come to characterise previous hits like ‘Spare A Little’ and ‘Remember My Name’.

Speaking to Hot press last year, Ennis explained his unusual path into the industry.

“During COVID, I was studying law and had nothing to do,” he says. “I ended up getting down and making music. Initially, it was just sampling, then I started putting my own spin on things and it went from there.

“It was weird, I was just doing it for fun,” he continues. “All of a sudden you start getting emails. I did some digging and talked with people in the industry to know they were serious. Three years on I'm signing for the second time and couldn't be happier.”

With his latest release Ennis is sure to make people do what he loves most: move and groove.

Listen to our playlist below: