New Irish Songs To Hear This Week

Tebi Rex, ‘And I’m Mad.’

Taken off of Tebi Rex’ final album Fin, out today, ‘And I’m Mad.’ is a deeply moving hip hop number, exploring the difficult and complex emotions that come with grief. With delicate instrumental textures, highlighting the intensity and painful reality of the tune’s lyrics, the song marks an incredibly powerful goodbye for the beloved alt-rap duo.

SexyTadhg, ‘Claim My Love’

Ahead of their upcoming EP Sexy, genre-bending breakout artist SexyTadhg has released new single ‘Claim My Love’.

With SexyTadhg’s powerful, soulful voice at the forefront, ‘Claim My Love’ is a lively blend of disco, pop, jazz and soul. Choral backing vocals, rhythmic piano, big brass and SexyTadhg’s expressive vocal riffs recall the disco and soft rock greats of yore — the bridge is delightfully ‘Copacabana’-esque — while the catchy drums and soaring guitar keep it undeniably fresh. The song in its entirety is undeniably SexyTadhg. It’s fun, it’s charismatic, it’s proud. ‘Claim My Love’ deserves a glittery dance number with a spinning mirrorball, and nothing less.

THUMPER, ‘The Rip’

Dublin psych-rock outfit THUMPER have released their rousing new track ‘The Rip’, the second of a series of singles leading to the release of their sophomore album later this year. The song details a night so consumed by anxiety and consumption that it can’t acknowledge that something special is happening between two people.

Today, THUMPER and lead singer Oisin Furlong Leahy's solo project anamoe drive also released alternate versions of the track.

“At first I thought it was an anamoe drive song,” says Oisin, “then it was transformed into a THUMPER song and it became its own beast. Afterwards it occurred to be that there was no reason I shouldn’t document both sides of the coin - hence the two versions. In a way it’s the perfect song to articulate both aggression and tenderness, maybe in triangulating both moods you can work your way back to the feeling of that night.”

Calum Agnew, ‘At Least’

Rising soul-pop singer Calum Agnew has returned with ‘At Least.’ The release follows a breakout year full of sold-out headliners, after Hot Press named him New Local Hero 2025.

Agnew bares his heart in this latest single, his voice rich with emotion as his lyrics discuss yearning for the love of another and oneself. It opens with a gentle piano melody, building gradually as resounding bass, cinematic strings and soft guitar seep in. It leads to a powerful peak where jazzy brass and harmonious backing vocals tear at listeners’ heartstrings. Agnew’s talent is undeniable in this track in every way, from his captivating vocals to his poignant lyricism.

EDEN, ‘Still’

The opening track to Dublin born alternative-Indie artist EDEN’s new album Dark, ‘Still’ is an atmospheric, dark yet profoundly catchy electronic tune, blending distinctive, innovative production, glitchy beats with a silky-smooth and intense vocal performance, both warm and moving. Released today, Dark is described as “holding an early 2020’s border-less inspiration, effervescently smashing and cutting into itself leaving behind only a moment’s memory.”

Kingfishr, ‘21’

Kingfishr just released their debut album Halycon, including the single ‘21’, a transporting track imbued with summer nostalgia. A gorgeously soft folk offering flavoured with delicate Americana, gentle banjos and frontman Eddie Keogh’s deliciously warm vocal, the song blends deeply stirring artistry with a razor-sharp focus on technicality.

Therapy Horse, ‘Let Me Be Clear’

Up-and-coming shoegaze band Therapy Horse have released their debut single, ‘Let Me Be Clear.’ Of the Cork and Limerick three-piece, two members are also part of Pebbledash; though their work on Therapy Horse is distinctly different.

Therapy Horse put everything they’ve got plus the kitchen sink into ‘Let Me Be Clear’, for a debut release that carves their name into the experimental alt rock space. Their talent for high-energy live performance shines through. The track was recorded live, with small but mighty contributions by Andy Killian (Pretty Happy, Pebbledash) and mastering by Pete Maher (U2, Pixies). The lyrics make hard-hitting statements about the culture of intimidation preventing women from speaking out and the deep-seated rage that comes with it. Emily Dollery’s raw vocals and heavy bass drive the track, with searing guitar lines and intense drums to back it up. ‘Let Me Be Clear’ is harsh, authentic and severe.

Blue Deputy, ‘Agoraphobe’

Ahead of their debut EP Reeling, Belfast indie pop trio Blue Deputy have released single ‘Agoraphobe’. Blue Deputy was born in Philadelphia, where they picked up the edgy themes and twangy sounds of midwest emo akin to Slow Pulp, before moving to their current home in Belfast and sharpening their sonic mix of shoegaze, power pop and folky alternative rock.

From the stereo intro of sparkling synths to catchy verses and a delightfully danceable chorus to the sharp but complete drop-off to finish, ‘Agoraphobe’ stands out in their discography as perhaps the best showcase of their talents. Andy Bunting and Cathal Francis share soaring vocals and upbeat guitar while Caoilfhinn McFadden holds down a driving bassline. ‘Agoraphobe’ is an emotional, beautiful journey of a tune deserving of full-chest sing-alongs.

Michael D. Higgins with Myles O’Reilly, ‘My Mother Married my Father in Mount Melleray in 1937’

‘My Mother Married my Father in Mount Melleray in 1937’ is the second track released from Michael D. Higgins's debut spoken word collection Against All Certainty, releasing Friday, September 5. The album is underscored beautifully by a stunning musical composition from celebrated musician Myles O’Reilly.

Introducing the poem, Michael D. Higgins says: “A hundred years ago, my father was spending some time in Hut Number 3 between February 1923 and December 1923. His brother in the national army, was serving in Galway. But I sometimes think back, of my father's life, which was interrupted so badly by the civil war and the exclusion of those, who were incarcerated in the current elsewhere from full participation or any prospects, in life.”

anamoe drive, ‘The Rip’

The second single taken from anamoe drive’s sophomore album thank god it's friday is the sister song to 'The Same Asylum', the opening track on his debut album Breakfast in Bed (2024). It details the same night, in the same bar, falling in love with the same person - this time from a very insular perspective.

anamoe drive, aka Oisin Furlong Leahy, is also the frontman for psych-op outfit THUMPER, who aslo released an alternate version of the track today.

HONK,’ Cock Of The Walk’

Ahead of their album Closing Down Sale, six-piece HONK have released ‘Cock Of The Walk’, an incredibly hard-hitting tune blending folk americana with punk sensibilities for a gloriously punchy sound. Coining their sound as “Trashcan Country,” HONK twist the genre into something gloriously ragged in a raucous take on Americana.

Rún, ‘Such Is The Kingdom'

Irish experimental trio Rún has released their hotly anticipated self-titled debut album, featuring cinematic track ‘Such Is The Kingdom'.

‘Such Is The Kingdom' opens with a spoken-word section that is both ancient in its poetic lyricism and futuristic in its eerie digital tone. Listening to the track feels like a scene from a suspenseful film; it samples buzzing flies, creaking doors and distant sounds of laughing. A moody synth drone rings through the track, with dark, deep basslines keeping it heavy. Ambient instrumentals slowly rise and then softly fall as whispers and brief tribal drumbeats come and go. It is one of the most low-key of the album– but for anyone who likes something different, it’s a gem.

Doubting., ‘DRTR’

Dublin emo band Doubting. release tier new track ‘DRTR’, a track blending punchy guitar riffs, driving basslines and distinct, uptempo drums to create something catchy with an edge. It features a heavy, fuzzy instrumental break, followed by the chorus again, reiterating the song’s theme, self-doubt and loneliness.

John Gallen, ‘Better’

The opener to John Gallen’s new album Triple7, ‘Better’ is a grandiose track that mixes modern soundscapes with 80s inspired textures, making for a tune as rousing as it is dance-inducing. Dealing with the impending death of a relative or a friend, and the need to stay positive in conversation with that person, even though the outcome is known, the song is incredibly bittersweet yet filled with hopefulness.

Offica x Konshens, ‘Gyal Over There’

Irish rapper Offica and Jamaican singer Konshens team up for the new track ‘`Gyal Over There’ a deliciously catchy hip-hop track, mixing classic UK rap sensibilities with afro-beats influences and perfectly highlighting the rapper’s deft bars and warm vocals, accompanied by chest-heaving sung verse Konshens.

The Sleeveens, 'Downtown’

The Sleeveens make a fiery return with their latest single, ‘Downtown.’ Blending their Dublin roots with Nashville grit, the punk-rock outfit delivers sharp, unrelenting production, drilling drums and scratchy guitars that cut straight through. Frontman Stefan Murphy explains: “Downtown was one of the first songs I ever tried to write. I released a very different version of it on a record in the late 2000s. Little did I know back then that someday I’d live in the US and form a band with three punks from Nashville and give this song (as well as a few others) a new life.” Catch The Sleeveens at Electric Picnic, Stradbally on August 29.

Shaefri, ‘Mexico’

Shaefri returns with ‘Mexico,’ a shimmering slice of sun-soaked pop that blends bright melodies with emotional depth. Inspired by a trip to Mexico following a painful breakup, the track transforms heartbreak into empowerment, its lush guitar intro and sharp lyricism offering both intimacy and uplift. “It’s about realising the weakness of the person who hurt you, and that their actions reflect them, not you,” Shaefri explains. “There’s deep hurt and pain, yes – but there’s also joy in reclaiming your voice, focusing on the people who’ve got your back, rediscovering your freedom and knowing your worth.”

Kaeyan, ‘Studious Rap Fella’

Dublin rapper Kaeyan steps forward once again with ‘Studious Rap Fella,’ the first taste of his upcoming debut EP, due later this year. Opening with a clip of the Leaving Cert sraith pictiúrs (picture series)— which might trigger flashbacks for some — the track quickly finds its stride. At his most personal yet, Kaeyan delivers vivid storytelling, tracing his journey from childhood influences to carving his own voice in rap. With sharp production and a strong, self-assured delivery, ‘Studious Rap Fella’ stands as both an ode to the greats and a deeply relatable statement of intent.

 

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Bryan Kearney and Kyla Belle, ‘Experience (Follow Me)’

Multi-genre producer Bryan Kearny and rising pop singer Kyla Belle have combined their talents for new single ‘Experience (Follow Me)’. It’s a fresh take of the mid-90s Irish dance classic that Kearney grew up on, and Belle has lent her voice to reinvent the song for the new generation. It’s full of blissful trance energy that fuses the nostalgic dance features of the 90s with the modern electronic mixing that gen-z loves. Belle’s bright vocals lend well to the euro-pop melody and lyrics, while Kearney’s experience with techno and house hits creates a rhythmic, catchy track that belongs at raves and DJ sets from Dublin to Ibiza.

Ways of Seeing, ‘Cruel, Naturally’

Cork shoegaze quartet Ways of Seeing return with ‘Cruel, Naturally,’ the haunting lead single from their forthcoming sophomore album The Inheritance of Fear, out October 10. Marking a bold emotional and sonic shift for the group, the track trades their signature atmosphere-driven sound for something more raw and vulnerable. Vocalist James O’Donnell explains: “‘Cruel, Naturally’ explores the idea of inherited trauma — the emotional patterns and unresolved wounds that pass from one generation to the next.” Fragmented yet powerful, the song captures childhood memories, adult disillusionment, and the weight of breaking cycles, all wrapped in shimmering, aching shoegaze textures.

Nadia Desree, ‘Gotta Let It Go’

Rising singer-songwriter Nadia Desree unveils her bittersweet new ballad ‘Gotta Let It Go,’ a stirring entry into Ireland’s pop landscape. Built on a lingering melody that balances heartbreak with healing, the track reflects on the moment of recognising when something has truly run its course. Desree’s self-aware, haunting vocals carry both vulnerability and quiet empowerment, with dark undertones that intensify its emotional charge. Soft yet powerful, her delivery showcases a vocal skill that marks her as one to watch among the emerging wave of Irish pop voices – calling listeners not only to hear her story, but to self-reflect.

The Suite, ‘The Best’

Hailing from Derry City, four-piece alternative rock outfit The Suite return with their new single ‘The Best’, the first taste of their upcoming EP out next month. It’s a deeply infectious track driven by guitar riffs to die for, a gorgeous bassline, and a tight, confident production that instantly grabs attention. With shades of Inhaler in its energy and urgency, ‘The Best’ cements the band’s knack for crafting anthemic, hook-laden rock. With lead vocalist Jack McGinn, alongside Cian O’Dowd (guitar), Caoimhin Duddy (drums) and Shay O’Kane (bass), The Suite prove they’re a rising force impossible to ignore.

Amble, ‘Hand Me Downs’

Irish folk trio Amble have released today their brand-new track, ‘Hand Me Downs’ – a soaring, heartfelt offering that blends rich strings with stirring vocals. Evoking both intimacy and singalong power, it’s the kind of song destined to become a fan favourite and a highlight of their live shows. Fans won’t have to wait long to hear them live either. Catch Amble during their huge run of shows later this year, including Dublin’s 3Arena (December 4 & 11), Belfast’s SSE Arena (December 10) and Cork’s Virgin Media Park (June 26).

Kabin Crew, ‘Get Out My Way’

Young rap group Kabin Crew have released their new single ‘Get Out of My Way’.

The track is an empowering tune about staying true to yourself.

It's an upbeat song that helps you to be strong in your toughest times," said band member Clara.

“This track is pure Kabin energy,” said Producer Garry McCarthy. “The lil legends in the song give it their fullest in every single line when they perform it. It’s a reminder that when youth find their voice, nothing can stand in their way!”

The uplifting track features a heavy bass and motivational lyrics. You can’t help but smile when listening to group rap.

The Exact Same Kid, ‘Like A Child’

Indie rock artist The Exact Same Kid has released his new single ‘Like A Child’.

“It's a song about love and about driving, two things which strangely for me have always seemed to go hand in hand,” said The Exact Same Kid. “I have tried to capture that particular mix of awkwardness and excitement of meeting someone new and getting to know them in the 'in between' moments, on the way to or from somewhere, lit by the soft glow of the dashboard.”

‘Like A Child’ immediately grabs your attention with a unique and captivating instrumentals followed by simple but effective lyrics throughout the track.

Fiona Tyndall, ‘Éinín an Cheóil’

Folk singer Fiona Tyndall has released the title track for her upcoming Irish language album Éinín an Cheóil.

The new single, which she sings with her daughters, was adapted from a song written by her father, a traditional Irish singer.

“I have fond memories of my Dad singing this children’s song to my first-born daughter, Aisling, and I’m thrilled that she is joining me on this version,” said Tyndall. “The original version was sung in a minor key and during the recording process, Brendan and I thought it sounded much happier in a major key, therefore giving this old traditional song a new melody.”

Tyndall’s voice as well as the instruments have a classic, timeless folk sound. Towards the end of the track, her powerful vocals mix with her daughters’ softer voices, creating a beautiful harmony.

Aaron Rowe, ‘Lose Lose’

Ahead of his much-anticipated Electric Picnic performance, Dublin rising star Aaron Rowe has released ‘Lose Lose’.

Rowe’s soulful voice is on full display in his latest single. Opening with a stripped-back piano melody under his powerful vocals, ‘Lose Lose’ leads up to gentle guitar strums, a soft drum rhythm and eventually to dramatic string movements. The lyrics pull at the heartstrings with a lament on the complexities of love, perfectly suited for Rowe’s impressive vocal range and ability. He moves between crooning lines up to full-chested belts to breathtaking riffs. The song in its entirety is poignant and stirring, right up to a resolving piano chord that demands applause.

B.OK, ‘The Soul PT1’

Rapper B.OK has released his new EP Daily Affirmations which features ‘The Soul PT1’.

The artist is known for his unique mix of hip-hop, drill, soul, and spoken word.

His new EP aims to create an uplifting narrative that focuses on self-belief and ‘The Soul PT1’ does just that.

The track opens with slowed-down vocals and simple acoustic guitar which is quickly accompanied by B.OK’s classic Irish rap vocals and a complex beat. The three musical elements blend to make a truly genera defying sound.

Flexx Carter ‘My Pace’ 

‘My Pace’ is the latest single by Flexx Carter from his new EP The Strangest Life I’ve ever known, out today. 

The Waterford rapper is hosting a EP launch party on the day of the release at the Vic, Tramore. The latest from Carter takes us on a journey through the defining period between school and adulthood, where we are discovering the world and where we fit into it.

"I lived this EP, now you get to hear it. This is The Strangest Life I've Ever Known brought to you by my lows and triumphs...enjoy,” said Carter.

The single is very reminiscent of Eminem’s glory days. It’s fast paced, bouncy with a hip-hop swagger that's both cheeky and clever. The track has a strong connection to late 90s early 2000s rap but presents itself in a very fresh way. 

Oliver Cole ‘Wingspan’

Oliver Cole releases the title track from his fourth solo album Wingspan, out October 3.

Following his 2020 album Father, Brother, Son, which was named RTE Album of the Week, Newstalk Album of the Week, and Irish Times Album of the Week, Cole describes Wingspan as less direct than his other albums and more of a stream of consciousness approach. 

“‘The songs are more like faded photographs, vignettes viewed through foggy windows,” said Cole.

“There is meaning and truth there but it must be deciphered and interpreted by the listener”

The single’s melody of strings and touching lyrics make for an uplifted and dignified delivery. The track is airy and glitchy not unlike a Bon Iver song, the airy and bright feel provides a tinge of optimism in its path. 

Paddy Smith ‘Angel Took Flight’ 

Paddy Smith returns with ‘Angel Took Flight’ from his upcoming album Could Have Found Grace’ releasing September 19.

The song is described as a slow-burning anthem laced with blues, grit and soulful storytelling, it’s one of Smith’s most personal releases to date.

This song is about the moments we miss, and the grace we seek after the fact,” says Smith.

“It’s one of the most personal songs I’ve written — a story of hope and missed chances. A song that speaks to the soul.”

This is an old time track is a jazzy number with a story to tell. Infused in that signature blues style with velvet vocals and piano, it really is like being transported back in time. As tracks like this don't come around too often anymore, it's a welcomed return from Smith. 

Danny Groenland ‘Somewhere’

‘Somewhere’ is the latest single from songwriter and flautist Danny Groeland. 

“'Somewhere' is a song about the homeless crisis in Dublin. The verses give opposite perspectives, from the hurried passer-by to the cold street-sleeper”, said Groenland.

“Ultimately the song conveys both a helplessness and an anger that this situation is allowed to exist.”

The single is a jazzy and tasteful number with hearty piano and double bass. The soulful vocal harmonies and groovy beat carry the track to a whistle solo culminating in a sunny summer song. 

Kayleigh Noble ‘All Night’

Kayleigh Noble returns with pop rave song ‘‘All Night.’ 

This comes after her 2023 album Just A Girl and energetic performance at this summer’s Forbidden Fruit. 

“It’s a document of an artist in bloom — confident, charged, and fully immersed in her club-kid-meets-pop-star vision,” reads the release.

The track is a fast paced, pulsing hymn that switches between rave and pop seamlessly. Its softness makes for a genre blending anthem to both dance and sing along to.

Lila Iké & Maverick Sabre ‘All  That and More’

The collaborative single comes alongside Lila Iké’s debut album Treasure Self Love.

The reggae singer teams up with Wexford rapper Maverick Sabre for a crisp soft ballad with a hint of R&B. 

Soulful piano and heartfelt harmonising put forward an emotional offering. The uplifting reggae spirit rings true in the rhythm and flow. The track has the sensibilities of a hip-hop classic, with a fresh modern twist.

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