New Irish Songs To Hear This Week

Kormac, ‘Aerials’

‘Aerials’ is a beautiful blend of contrasting textures. Named after a viewpoint in Howth and inspired by an old childhood friend, the track sees Dublin DJ and producer Kormac capturing something that feels both nostalgic and futuristic.

“I was thinking about sounds and textures that spoke to us in the music that we listened to during those formative years, and, I suppose, I’m still really drawn to a lot of these sounds,” he says.

GNS feat. Danzino, 'time w/u'

The single is a warm, attached alternative rap-and-R&B love song. It has a mix of dreamy melodies and intimate lyrics that creates a soft romantic atmosphere. Built around themes of loyalty, comfort, and growing old with someone you love, this is the type of track you play again and again because it reminds you of someone. It was recorded in a home studio, giving it a cosy, comforting feel.

Nadia Desree, 'So Much More'

Desree's new single is an uplifting pop track built around a simple but powerful idea: sometimes the people we love mean far more than words ever can express. Inspired by the feeling that traditional love-song clichés often fall short of capturing truly meaningful connections, she produced a song that's both sincere and playful. Combining bright acoustic textures, catchy melodies and her signature vocal style to create a song that feels heartfelt, uplifting and effortlessly fun.

Leila Jane, ‘Only Love’

An infectious beat, a commanding vocal and an empowering message. Leila Jane's new release, ‘Only Love’, brings all three together. Marking a noticeable step away from her usual sound, the track proves that the risk was well worth taking.

Exploring themes of rejecting guilt and reclaiming personal freedom, the track pairs its message with shimmering synths that create a soundscape which stays in your head long after the song ends.

O, KENAYDA, 'Animals'

To force raw energy, the band set out three rules: no one hears a song until the day it's recorded; each song is tracked in a single day; and every recording uses different personnel. Mirroring the consume-and-dump culture the songs respond to, almost every track clocks in under three minutes. Unusual? Yes. Does it work? Yes, and 'Animals' is proof. The downtuned guitars and uplifting chorus have the spirit of 1990s alt-rock for a contemporary audience.

Ben Cutler, ‘Ordinary Woman’

It’s been three years since Belfast native Ben Cutler last released new music and today he returns with ‘Ordinary Women’. The track tells the story of two outsiders from very different backgrounds who unexpectedly cross paths and find comfort in each other’s company.

Driven by a strong guitar, the song also features a memorable solo that lingers long after it ends. Cutler’s vocal performance perfectly captures the song’s emotional weight, making for a moving and compelling return.

“This is the start of a new beginning for me, with day to day life becoming more and more demanding music becomes more and more of an escape from it,” he says. “It felt like the perfect song to return to the process of releasing solo music again.”

Audrey Bridgeman, 'The Converted'

This singer/songwriter started playing drums at age 14 under the guidance of her late father, legendary Irish drummer Noel Bridgeman. Audrey's songwriting comes from a rhythmic perspective and is influenced by a range of genres. Her single incorporates heavy groove, Hammond keys, and soul-inspired vocals.

 

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Every March, ‘To Stay Above Ground’

It might be the most intimate song Northern Irish band Every March have released to date. ‘To Stay Above Ground’ conveys a simple yet powerful message: to live life to the fullest. Opening with delicate guitar lines, the song gradually builds as the rest of the band joins in, creating a driving rhythm tinged with nostalgia. The result is an uplifting and deeply heartfelt track.

“This song has been with us for a while, and we're excited to finally let it out into the world. We hope it means somethig different to everyone who hears it,” says the band on their socials.

Romeo Keane & Woman In Question, ‘Breakfast’

Dublin based Romeo Keane has released his new single ‘Breakfast’ in collaboration with Dublin-based hip-hop artist Woman In Question. The two deliver an infectious burst of positivity with 'Breakfast' which feels as refreshing as its title suggests. Lyrically simple but effective, the song captures the universal feeling of beginning the day with confidence and enthusiasm.

Seán Finn and the Late Bloomers, ‘Spancil Hill’

Dublin singer-songwriter Cat Dowling returns with ‘The Seán Finn and the Late Bloomers, ‘Spancil Hill’

This London-based band breathe new life into the beloved Irish folk ballad 'Spancil Hill'. Seán Finn and the Late Bloomers strike a balance between tradition and modernity, giving the Irish classic a fresh feel without losing sight of what made it so enduring. With soft piano, gentle drums and a hint of jazz, the band's take gives the folk classic a warm, intimate feel. 

Amble, ‘The Swell’

Irish folk band Amble have released their new track, ‘The Swell’, a deeply personal song that reflects a theme close to the band’s own journey: leaving behind regular jobs to pursue life on the road and a career in music.

The track features a beautiful interplay between guitars, drums and violins, lead by Robbie Cunningham’s warm, expressive vocals. The result is an uplifting and heartfelt piece that captures both the uncertainty and joy of choosing a creative life.

“THE SWELL was written about the madness of giving up a 9-5 desk job for life on a tour bus. It’s a shock to the body and mind ! Waking up in a different city every morning, shaking off any doubts and worries you have in your own personal life - in order to give people the very “best” of yourself on stage every night !”, says the band.

Trashbag, ‘My White Van’ 

Trashbag make a ferocious first impression with debut single 'My White Van', an unrelenting slab of noisy post-punk that blends visceral punk rock with jagged riffs and raw intensity. Anchored by a tight, driving beat, the track is carried by sharp, restless drumming and abrasive guitars that give it a constant sense of urgency. It's a thrilling statement of intent from the Dublin newcomers, introducing a band with plenty of bite and even more promise. 

Yasmina Cherelle, ‘Liberate Me’

London-born Irish singer Yasmina Cherelle has released her new track, ’Liberate Me’, a bold pop anthem marked by powerful vocals and a driving beat. Reminiscent of Ariana Grande’s polished pop style, the track pairs vocal strength with sleek, modern production, resulting in an energetic release built for big, emotive moments.

“This song has an important message of living your truth, healing, trusting your intuition and freeing your voice,” she writes on her socials. “Inspired by the symbolism of the moon, the song reflects the feeling of returning to your power and stepping into a new chapter.”

Morgana, 'Sidekick'

Dublin songwriter Morgana’s new single 'Sidekick', embodies experimental pop that wears its emotional complexity proudly. Exploring the blurred lines between friendship, dependency and self-discovery, the track pairs jagged, unique production with an unflinchingly vulnerable lyricism. Rather than being a polished pop song, Morgana embraces the rough edges, allowing the emotional weight of the song to take center stage.

Killian Walsh feat. Elise SW, 'Let's Dance'

In Killian Walsh's deeply personal album Ise, 'Let's Dance' transforms grief into celebration. Built on warm electronic textures, subtle melodic flourishes, and a sense of hard-earned optimism, the track captures a moment of reconnection between Walsh and his daughter, Elise SW.

 The production balances emotional depth with dancefloor energy, creating a track that feels both uplifting and profoundly sincere.

"This album is effectively the story of the journey of my grief, realising that grief is a form of madness and all the emotions attached to that," says Walsh. "It's also the journey of me looking into my past, because you really start looking at yourself and asking, ‘What are you doing? Why am I here? What is the point in all of this?”

Muireann Bradley, ‘Not Going Back’

Muireann Bradley has already been attracting attention at just nineteen years old. This time, the Donegal musician teams up with Fontaines D.C. drummer Tom Coll to produce a moody and atmospheric new track.

Driven by strong guitars and Bradley’s haunting vocal delivery, the song unfolds with a brooding intensity, showcasing both her growing artistry and a more textured and collaborative sound.

“Not Going Back’[...] sees me playing with a full rhythm section and exploring a sound that moves away from the bluesier influences in my songwriting,” Bradley says. “While I still love performing solo, like many of my heroes, having a rhythm section frees me from having to be the drummer and bass player too, allowing me to focus more on my vocals and melodic guitar playing.”

Indigos Ego, 'Little Wins'

Indigo's Ego delivers a timely dose of catharsis on 'Little Wins' a stellar indie-rock anthem. Driven by atmospheric guitars and a powerful vocal performance from Anne O'Reilly, the track examines modern anxieties, social pressures and the emotional toll of constant validation-seeking.

'Little Wins' balances introspective lyricism with an infectious sense of momentum. The result is a thoughtful and emotionally resonant release from a band continuing to build impressive momentum.

Mechanical Wonders, 'Instead Of Alone'

Blending jangling guitars with heartfelt songwriting, Mechanical Wonders' 'Instead Of Alone' tackles the uncomfortable realities of loneliness with honesty and conviction. Written in the aftermath of a relationship breakdown, the song explores the temptation to settle for unhealthy connections rather than face solitude. The Dublin five-piece lean into a rich indie-rock sound that recalls the guitar-driven bands of the late '90s and early 2000s, which gives the song a nostalgic push.

Shark School, ‘Shark Song’

Hailing from alternative rock outfit Shark School’s new album Selachimorpha, ‘Shark Song’ is a noisy, gloriously gritty tune that brings you straight back to early naughties underground rock soundscapes. Uncompromisingly dark yet impossibly fun, it’s easy to imagine yourself banging your head to the tune’s rhythm at a sweaty basement show.

Damien Dempsey ‘The Coolin’

Opening Damien Dempsey’s newest album Holywell, the centuries-old song ‘The Coolin’ is often considered to be one of the most beautiful from the traditional repertoire - and Damo’s version is no exception to the rule, supported by his honey-rich and profoundly vulnerable tones. The perfect opener to an album that prompted Hot Press’ Will Russell to deem Damo a “national treasure.”

RuntheRed, ‘haunted’

RuntheRed are back with their brand new single ‘haunted’, a powerfully stirring yet deeply hopeful tune, where catchy melodies with delicately layered instrumentals, and blending cinematic strings with pretty indie rock soundscapes.

“This song follows the journey of a heart that's been tainted by the highs and lows of a chaotic relationship,” RuntheRed’s Amy explains. “It tells a story of self reflection but also forgiveness, as a new reality and perspective unfolds.

 

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ActionRec ‘Jester In Time’

A standout track from ActionRec’s new album, out last month, now re-released as a single, ‘One More Shot’ is a synth laden track with heavy bass line and roaring guitars and hypnotic lyricism. Today, the band releases three version of track, slowed, sped up, and instrumental, for our greatest listening pleasure.

Unique Freaks, 'Be Free, Your Way'

'Be Free, Your Way' by the experimental indie duo Unique Freaks, is a mix between alternative rock, garage and even psychedelic genre. The soft gentle vocals paired with such a unique musical backing balances out the track and makes the personality of the song shine through.

Amble, 'The Swell'

Amble trade wistful reflection for wide-eyed optimism on 'The Swell', a vibrant folk anthem that captures the exhilaration of life in motion. Robbie Cunningham's warm, expressive vocal carries that sentiment effortlessly, balancing introspection with a sense of hard-earned joy. 'The Swell' feels tailor-made for festival fields and summer road trips alike

Built around driving acoustic guitar, bright banjo flourishes and an irresistibly buoyant rhythm, the trio sound more carefree than ever, without losing the sincerity that has made them one of Ireland's most beloved exports.

Podge Lane, ‘The Dregs' 

Podge Lane wears his heart on his sleeve in 'The Dregs', a poetic folk ballad from the Irish-born, New York-based alt-country singer-songwriter. With little more than acoustic guitar, harmonica and his weathered vocals, the song gives its quietly devastating lyrics room to land. His understated delivery gives the melancholy lyrics real weight, making for a deeply intimate listen. It's a beautifully written track that lingers long after it ends. 

Slowpoke, ‘Montana’  

New Dublin outfit Slowpoke make an impressive introduction with 'Montana', a gritty alternative rock track that recalls the raw edge of early Nirvana. Thick guitars and a memorable chorus keep things moving, while the quieter passages add a welcome sense of balance. It's a confident debut that marks Slowpoke out as a band worth keeping an eye on.

 

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Fia Moon, 'Analogue'

Irish singer-songwriter Fia Moon returns with 'Analogue', the second single from her forthcoming EP. The single explores the growing disconnect of modern life and asks a simple question: how would we love each other if our phones didn't exist?

"I wrote 'Analogue' out of a frustration with how much of our lives are lived through screens," said Moon.

"It's about craving real connection, being completely present with someone, and wondering whether we'd experience love differently if social media and smartphones had never existed."

DJANGO DJANGO, 'Cameos'

'Cameos', is the single being shared with the announcement of new EP Doveland. It captures themes of grief, isolation, memory, and the fleeting nature of human connections.

"Like a lot of the album, the lyrics are much more inward-looking and about journeying through grief and how important people are only there for part of your story," says Dixon.

"I was reading Concrete Island by J.G. Ballard , and the lyric "Cameos" just felt like a relevant summarisation of an individual playing a role in a wider story."

Fake Saint, ‘Overdose’

‘Overdose’ depicts a headfirst dive into the chaos and emotion of obsessive love.

The lyrics “Throw me in the fire like I’m cheap cocaine” capture the ambivalence of wanting someone so badly that it consumes you completely.

The track uses distorted guitars, synthesisers and pounding drums to create a sweeping, powerful wall of sound.

Fake Saint’s raspy, powerful vocals feature gentle autotune, giving the whole orchestration a high-production feel.

“I wanted this song to feel reckless and intense, like the kind of love you know is bad for you, but you keep chasing it anyway. It’s about craving someone the same way an addict craves a hit".

“Blending raw vulnerability with edgy pop production, ‘Overdose’ delivers a bold, emotionally charged anthem for anyone who’s ever loved too hard.

Goldbug, ‘I Said You Said’

Goldbug, whose real name is Danilo Ward, has announced his debut album, Swings & Roundabouts, with the track ‘I Said You Said’.

The verses are stopped back. Anchored by a steady drum beat, a plucking baseline and layered vocals that create an intimate and lonely setting.

In the chorus, Goldbug’s whispery voice cuts through a muddy and layered arrangement of heavily distorted guitars.

The dramatic orchestration creates a beautiful sadness, reminiscent of the Dove Ellis' Blizzard.

Soak, ‘death valley fridge magnet’

‘Death valley fridge magnet ', marks Soak's first solo release in four years, following recent collaborations with George Fitzgerald, Gordi, Fred Again…

The track says how friendships can provide a sense of security and identity in times of uncertainty and lack of direction.

Soak sings over a dreamy arrangement of an acoustic guitar, hazy synthesisers and a piano.

The stripped-back arrangement lets the guitar provide snappy, percussive elements with a distinct click at the start of each strum.

“When I wrote ‘death valley fridge magnet,' I was feeling incredibly lost in my life,” Soak explained. “I’d started having vocal issues and thought my time in music was coming to an end. I think I was trying to make sense of myself and the direction I was headed by painting a picture of the world from where I was standing.

“In doing so I realised how precious and treasured my friendships are and how my friends remind me of who I am faster than anything else. Even if that’s a two minute long conversation at a truck stop in the middle of nowhere, America, it doesn’t take much and it all adds up.”

Makeshift Art Bar, ‘Servant’

Makeshift Art Bar have shared the final taster to their upcoming EP Marionette.

The track is tethered to a jagged, syncopated drum beat, with screeching distorted guitars and spoken word lyrics from Joseph Sweene. His Belfast accent gives the blend of post-punk, noise rock, and grunge a distinctly Irish feel.

“‘Servant’ is us at our most abstract, sonically and lyrically,” the band explain. “It is an experiment in repetition, echoing lyrical themes of brainwashing and possession. The psychedelic effect of ‘repetitive’ music was very much on our minds when writing Servant. It also feels like a bridge between our guitar focused tracks and synth leaning tracks, embodying that “guitar that doesn’t sound like a guitar” influence."

Sam Freezy, ‘Happy Ending’

Dublin based recording artist, songwriter and sound engineer Sam Freezy returns with a warm reggae-infused pop record.

‘Happy Ending’ is a genre-blending track, an acoustic guitar-driven, uplifting track about love as a grounding force and a promise of forever.

The arrangement is set with an acoustic guitar and syncopated bass drum and clap,blending elements of modern pop and Afrobeat.

“The lyrics of Happy Ending are really special to me in the most blunt way, I try to describe true love,” Freezy says.

“From the first lyric, I want my lover to know that their love overwhelms me every day, just like the day we met. I'll be buzzing to see you even though we spend everyday together and even through our hardships, I’ll always find a way back to her, because I know the love is always real. I’m making a promise to anyone who listens to this song that in life there will always be a happy ending.”

Madra Salach, ‘The Man Who Seeks Pleasure (Live From London)’,

Previously released as part of their breakout EP, It's a Hell of an Age, Madra Salach have released a live version from the concert in London.

A slow-simmering track exploring the flip sides of hedonism and love, evident in the lyrics: “The man who seeks pleasure is the man who seeks pain”.

The track begins with a sustained harmonium, thrilling string instruments and the hollering vocals of Paul Banks.

The introduction of pounding drums and an acoustic guitar creates a sweeping wall of sound, topped off with the raw, bellowing vocals of Banks.

Originally released in January, ‘The Man who seeks pleasure’, is a hit among fans, evident by its 600,000 Spotify streams and a heaving crowd who chant every word of the final chorus on the live recording.

“London, thank you so much," said the Madra Salach singer, concluding their performance. “We’ve been Madra Salach. Free, Free Palestine”.

Huartan X Luxury Dessert Fetish, 'Dúlamán'

Huaratan and Luxury Dessert Fetish have released a remix of their track 'Dúlaman'.

Featuring lyrics in Irish, the track begins as a classic edm tune, with an intense combination of repetitive, pitched up vocals, a pounding bass drum, 808s, synthesisers and thrilling hi-hats.

Halfway through the song, the song dramatically shifts to an orchestral string arrangement of cello and violin before the return of the electric percussive elements marks a second sequence to the song.

The string instruments continue to permeate the track, creating an attention-grabbing combination of the Irish language, edm and classical string instruments.

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