New Irish Songs To Hear This week

F3miii, ‘READY TO GO’

Dublin-based alternative R&B artist F3miii has released new single ‘READY TO GO’.

Chilled synth gives way to upbeat rhythms with F3miii’s effortlessly catchy vocals infusing the track with an infectious energy. ‘READY TO GO' is more pop and electronic than F3miii’s more R&B past works, but he’s doing it well. The production is summery and danceable, a refreshing tone for the winter months, while his vocals keep it vibrant and joyful. ‘READY TO GO', in three words: uplifting, fresh and groovy.

Gavin Fox, ‘Where I Belong’ feat. Lilyrose

Irish singer-songwriter Gavin Fox has released a cosy new Christmas duet, ‘Where I Belong’ featuring Lilyrose.

Industry veteran Fox joining forces with newcomer Lilyrose in the season of joy has led to something truly heartfelt. Warm acoustic instrumentals aptly complement emotive harmonies between the two vocalists. Lilyrose’ recording debut is breathtaking; her vocals are ethereal, angelic. The contrast of such tones with Fox’s more rough-around-the-edges, genuine soul is aptly appropriate for the theme of the song.

They sing about the ache of spending time away from family, and the particularly deep pang of homesickness around the holiday season. The melody is timeless and the lyrics ring universally true. Cosy up by the fire and pour a cup of something warm: this is the song of the season.

“My aim was to write something honest,” said Fox of ‘Where I Belong’.

“Christmas can be joyful, but it can also amplify distance. This is especially true for us Irish who have family and friends spread all over the world. This song is for everyone counting the days until they’re reunited.”

Walshy, ‘soulless (piano version)’

Dublin musician Walshy has released new track ‘soulless (piano version)’, a followup from his October release ‘soulless’.

Walshy’s newest release reimagines a deeply personal track through the instrument that shaped him as an artist: the piano. The song speaks to the disparity between artistry and the realities of having to live a ‘normal life’ to survive in Ireland’s current economic climate. In this version, vocal layering is replaced with heartfelt, improvised performance that hit right to the song’s emotional essence. The sound is raw, genuine, and unlike the name, full of soul.

Aran Sheehy, ‘Zero One’

Electronica artist Aran Sheehy has released his new single ‘Zero One’.

Sheehy, an On Our Radar and A&R Department alumni, does it again. The track is undeniably cool. Deep, persistent bass lines drive it along while careening, industrial samples add a sense of urgency and tension. Brighter synth melodies lift it up, leading up to a mystical audio sample: “And man said, ‘Let there be light,’ and he was blessed by light, heat, gravity, magnetism and all the energies of the universe,” sings a mysterious feminine voice. The sample describes the song fairly well: futuristic yet grounded, experimental yet with all the electronic aspects listeners love. This is one of Sheehy’s best.

Niamh Noade, ‘Halcyon’

Co. Armagh singer-songwriter and harpist Niamh Noade has released her new single ‘Halcyon’.

Boasting titles of All-Ireland Singing Champion and The Voice Kids finalist, this 17-year-old is not waiting for stardom to come to her; nay, she is demanding it. And rightfully so. The song is originally by BLÜ EYES in 2021, but Noade gives new life to it; her distinctive blend of traditional Celtic harp and contemporary vocal influences create a stunning signature sound. With soul in every note, she sings of a duality between aching grief and the feeling of gratitude that comes with healing. Think, ‘don’t be sad it’s over, be happy it happened.’ For anyone missing a special someone at this chilly time of year, Noade offers a melody to heal the soul.

modernlove., ‘Blue Light’

Ahead of their sold-out London show, indie pop four-piece modernlove. have released new single ‘Blue Light’.

Infused with the danceable pop-punk textures of Paramore and Panic! At The Disco, modernlove. have delivered a song that is, aptly, modern. In its sound — shining guitars, peppy drums, layered and mixed vocals — and its lyrics, which take on the Gen Z epidemic of “doomscrolling” (for our non-plugged-in friends, doomscrolling is the act of spending far too much time staring at screens as you consume endless negative and saddening pieces of content). ”Blue light and fake news and AI / Online, caught in a web I can't escape, gotta get out alive,” they sing. It’s an anthemic call to break the cycle and touch some real grass. And might as well dance while you’re at it!

Rita Perry, 'Red Rocking Chair (Live - GemsOnVHS)'

Irish-Catalan musician Rita Perry has released her new track ‘Red Rocking Chair (Live - GemsOnVHS)’.

Perry is one to watch. Her diverse background lends to a wealth of traditional influences and unique perspectives. She’s had success scoring films as well as intimate acoustic collaborations like this one, and she stands out by singing in a mix of English, Catalan and Castilian (or, to some, “Spain Spanish”). In this track, she takes to the English language with a warm Americana twang. The song is a long-beloved American folk tune, ‘Red Rockin’ Chair’ (if it sounds familiar, you may be thinking of the oldest recorded version titled ‘Sugar Baby’ by Dock Boggs or the cover of such by Sam Amidon). In the video, we see Perry with her father, Robbie, on banjo, gathered at their kitchen table in Cavan. This is a song full of smiles, and so are the people singing it. This is a heartwarmer, through and through. We can’t wait to see what Perry does next.

Mik Pyro, ‘Mr Pyro’

Mik Pyro has been busy recording his new album in the UK with Mercury Music Prize nominee Ed Harcourt co-producing the record. Ed Harcourt describes Mik as “a genius with a unique and magical vision”. His next album is for release in 2026.

On ‘Mr. Pyro’ Mik cooks up something special to get the Pyro juices flowing. His main ingredients in this banger are rock and soul, with Shelly Buckspan lending her vocal acrobatics to the choruses.

Mik will be playing his only Dublin headliner of 2025 on December 17 in Whelans. Expect all the Republic of Loose hits and some tracks from his debut solo album, Exit Pyro, including the album opener ‘Accounting’, which will feature in the upcoming John Carney movie Power Ballad starring Paul Rudd and Nick Jonas and live debuts of tracks from Mik’s new album.

TV people, ‘Seasons’

For fans of the new Irish guitar wave and dark yet hopeful alt-rock/post-punk, ‘Seasons’ takes London-based Irish duo TV People from 3am anxiety to fist-in-the-air catharsis, rising from hushed verses into a trumpet-led climax about holding onto hope through depression and change.

‘Seasons’ marks the opening chapter of the band’s return. The track explores recognising that life changes with the seasons and that love grows when you hold on through the darkest weather. The finale’s soaring brass hook and communal vocals underline the song’s message of self‑actualisation and solidarity.

TV People are expected to head on their biggest Ireland and UK tour next year.

Ó hEaráin – ‘Feel It All’

Donegal-born multi-instrumentalist and songwriter Kevin Herron has released his debut single, ‘Feel It All’. Marking a new chapter in Herron’s musical journey, the project sees him step forward as a solo artist for the first time, blending his folk roots with raw, heartfelt songwriting.

Over the past decade, Herron has built a reputation as a session musician, performing and touring with Irish artists including Little Hours, Stephanie Rainey, and Clare Sands, among others. He was also one-third of Cork-based indie rock band Rowan, contributing his songwriting and musicianship to their debut album, Does It Make You Happy?

With Ó hEaráin, Herron reconnects with his folk and traditional roots, lending his own voice to songs that feel both timeless and deeply personal.

“This song marks the first release of Ó hEaráin,” Herron explains. “Written shortly after becoming engaged, it captures both the vulnerability and excitement that come with embracing life’s unpredictable journey.”

Dubh Lee, ‘Arms of Rubber’

Not afraid of experimenting with genre, Dubh Lee’s vocals have featured on the tracks of hip-hop and drum’n’bass artists. Her live shows are dynamic, ranging from earnest acoustic folk tunes to intense, electric-guitar-driven bangers.

‘Arms of Rubber’ is the next single from her sophomore EP and explores the singer’s bittersweet relationship with Irish drinking culture. The familiar chatter of a pub scene enveloped by acoustic guitar, bodhrán and trombone lines (performed by Oran O’Neill), along with a tin whistle instrumental (performed by Paddy Cummins), come together to evoke the familiar setting of a night out at a lively music session.

In contrast, the lyrics describe the singer’s struggle with the consequences of craic and its encroachment on life outside of the session. Music and chatter swell to a crescendo around Dubh’s vocals as the singer questions her place in it all.

There will be a launch show for the single in Bello Bar tonight, Friday, November 21.

Von Venn, ‘Mainstream’

‘Mainstream’ is the lead single for Von Venn's new album, Forgetting the Fall. The track is a reflection on the partisan nature of traditional media in a modern world. Bias with respect to an ideology or political affiliation has become more embedded in institutions that we once valued and trusted as being impartial and neutral. It’s now a struggle to know what’s real and what’s been carefully constructed through use of leading language and imagery, whether on our televisions, in our newspapers or online. The end result is a lack of trust in the mainstream media and those who control it.

The songs for the album were written during 2024 and were again recorded and produced in Soundcaster Studios, Dublin, Ireland. The album draws on influences from past indie and alternative greats while still creating a unique, distinctive style and sound.

Aisling Urwin, ‘Growing, Growing, Gone’

Irish harper, composer, and songwriter Aisling Urwin returns with her track ‘Growing, Growing, Gone’ from her second album The Other Place. The track closes the record; built on expressive vocals and her signature dynamic harp, the song grounds the album’s more cosmic moments with warmth, field recordings, and an intimate sense of place.

The Other Place marks a bold, textural evolution in Urwin’s sound, weaving synths, dulcimer, bouzouki, and birdsong into a world entirely her own.

“A theme within the album is to place the vast and extraordinary side by side with the everyday, quiet and mundane,” said Urwin. “The lyrics in this song mirror this, mentioning the kitchen, the washing line and through the repetition of the line 'we're growing, growing, gone,' exploring the fleetingness of life.”

Ria Timkin, ‘Our Time’

Alt-pop artist Ria Timkin returns with her new single ‘Our Time’, a confident, uplifting track built on steady rhythms, atmospheric synths and Timkin’s clear, expressive vocals. The song reflects on the challenges of pursuing ambition and the importance of trusting that your moment will come, even when doubt sets in. It also highlights the value of the people who remain beside you during the hardest stretches.

Recorded with producer Tom Wilding in Bristol, ‘Our Time’ offers the first strong indication of what’s to come on Timkin’s upcoming EP Favourite Child, set for release in April 2026.

Brendan Melia, ‘Music Sweet Music’

Meath folk singer-songwriter Brendan Melia returns with ‘Music Sweet Music’, a warm, upbeat track that celebrates the simple joy and escapism music can offer. Built on light, playful instrumentation and Melia’s unmistakably raw vocal delivery, it captures the ease and optimism that have become hallmarks of his recent work.

Blending his folk foundations with touches of groove and light-hearted charm, the song acts as a love letter to rhythm, melody, and the feel-good spark that lifts people’s spirits. It’s the latest release from his forthcoming debut album, due in early 2026, and continues Melia’s steady rise since stepping into music full-time in 2020.

Lisa O’Neill, ‘Mother Jones’

Cavan songwriter Lisa O’Neill releases her new track ‘Mother Jones’, taken from her new six-track EP, The Wind Doesn't Blow This Far Right. The song is about the Irish activist who emigrated to America and became a union organiser, Mary G. Harris Jones, who in 1902 was called ‘the most dangerous woman in America’. Her organising of miners against mine owners led directly to the introduction of America’s first child labor laws.

‘Mother Jones’ is built on understated acoustic guitar and O’Neill’s striking, unadorned vocals, delivered with the folky, narrative clarity she’s known for. The track unfolds like a fireside tale, intimate, rhythmic, and rooted in storytelling, as she traces the life and legacy of the labour organiser.

O’Neill is currently on an Irish tour, with dates set for Limerick, Cork, Clare, Wexford, and Dublin.

KNEECAP, ‘No Comment’ feat. Sub Focus

KNEECAP team up with acclaimed DJ / producer Sub Focus for their new single ‘No Comment’, a breathless tune which rides on a hefty drop down bass riff and focusing on British state abuse of power and intimidation following their trumped up pursuit of Mo Chara on a terrorism charge.

Featuring Banksy’s now infamous ‘Royal Courts of Justice’ mural with kind permission of the artist on the sleeve, Kneecap said about ‘No Comment’: "No comment is all about getting harassed by the British State. Simple as. Us Irish are well used to it, been happening for centuries. Was a pleasure to work with Sub Focus on this, the man is a legend."

Curtisy, ‘Talk of the Town’

Tallaght rapper Curtisy teams up with Lil Skag and owin on ‘Talk Of The Town’, a gorgeously melodic and rousing number which blends both rapper’s incredibly smooth and rapid-fire flow with beautifully layered auto-tuned choruses, making for typically Curtisy tune: catchy and powerful all the same.

Ispíní na hÉireann, ‘Johnny I Hardly Knew Ya’

Ispíní na hÉireann offer their version of the tradition song ‘Johnny I Hardly Knew Ya’, first released by by Joseph B. Geoghegan in 1867, and repopularised by The Clancy Brothers & Tommy Makem on their eponymous album in 1961. Coming as part of the band’s new record Poxtail Soup, out today, the track is intensely rousing trad number which perfectly captures its anti-war themes.

“This isn’t just an album launch, it’s a feast,” says frontman Tomás Mulligan of the new record. “We’ve been stewing this for a long time, and now it’s ready to serve. This is the end of an old chapter and the beginning of a new age for the band.”

Cliffords, ‘Marsh’

Cork rising stars Cliffords release their new single ‘Marsh’, a dark and gritty indie flavoured rock track which explores themes of love, grief, doubt, and personal growth, with the title being a play on "salt of the earth" and the river Lee that runs through Cork.

“'Marsh' is a song that explores the heavy feelings of seasonal depression," say Cliffords, "when the weight of it makes the air feel thick and hard to move through. Appreciating the little moments like the winter sun or walks with friends eases the overwhelming thoughts and feelings.”

THUMPER, ‘Middle Management’

Dublin alt-rockers THUMPER share their rousing 10 minute epic ‘Middle Management’, coming ahead of their sophomore album Sleeping With The Light On. A steadily building surge of riff-driven fuzz and raw intensity, the single channels psych-pop confidence while infusing a more alternative-rock fuelled, experimental edge.

Speaking about the single, Oisin Furlong Leahy, frontman of the band added: “Middle Management is a song that we attempted to write and repeatedly scrapped for years. The first demo dates back to well before the first album, and there were probably 10 versions since then. During COVID, as we knuckled down with this new body of work, the song re-emerged and we very gradually hammered it into shape, condensing years of ideas into something cohesive.”

Fergal Nash, ‘Diego’

Fergal Nash releases his powerful new single ‘Diego’, timed to lead into the fifth anniversary of Diego Maradona’s death on 25 November 25. A heartfelt tribute and candid portrait in equal measure, ‘Diego’ reflects on the Argentine icon’s breathtaking brilliance on the pitch and the turbulence that shadowed his life off it.

“Like so many, I grew up in awe of Maradona’s magic,” says Nash. “But I also wanted to write honestly about the human being behind the legend—the beauty and the burden. ‘Diego’ is my way of holding both truths at once.”

Back To Winnipeg, ‘Fencing’

Galway four-piece Back To Winnipeg today unveil their debut album Apartment Living, including the charmingly bouncy track ‘Fencing’, a indie-rock flavoured tune driven by rousingly catchy bass lines and masterfully layered guitar instrumentals, channeling the influence 90s rock band Pavement, with its melodic chorus and jangling guitar.

Kingfishr, ‘Hold Me Down’

Limerick-based folk-pop heavyweights Kingfishr release their brand new single ‘Hold Me Down’, a bonus track from the deluxe version of their most recent Halcyon, out today. Driven by boisterous banjo instrumentations and gorgeously layered vocals, the tune offers a much welcomed extra taster from Kingfishr’s revered new record.

Rejjie Snow & Miso Extra, ‘Hypnotic Pickpocket’

Rejjie Snow collaborates with Miso Extra for the languorous and dreamy new song 'Hypnotic Pickpocket', an R'n'B flavoured track punctuated by deliciously soft vocals from both musicians, as well as gently transporting and glistening synth instrumentation, mixing English and Japanese lyrics for a soulful tune that would make any heart melt.

David Keenan, ‘The Fool’s Gold’

‘The Fool’s Gold’ comes off  David Keenan’s fourth studio album Modern Mythologies, which was released today. The stripped back track allows Keenan to show off his sorrowful, soulful side with folk influences evocative of The Wood Brothers and Lord Huron.

The use of a central personal narrative in his songwriting makes the song all the more vulnerable, allowing listeners to take a step into the imagery he has so artfully painted. Alongside him, we walk the streets of Dundalk, greet our neighbours and welcome the beauty and pain of a hometown reality we once accepted as mundane.

“This fourth album sees Keenan playfully experimenting with jazz, folk, rock, country and even hip-hop, as he unveils these dozen superb songs (with an extra four on the deluxe edition), filled with a host of chancers, losers and anti-heroes who could have walked in from any small town across the island,” says John Walshe in Hot Press’ Modern Mythologies album review.

The Dundalk singer-songwriter is currently on his Chasing Myth headline tour which saw sold out dates in Ballina, Kilkenny, Wexford and Kinvara. You can catch him at upcoming dates in Cork, Dublin, Limerick and Belfast. Tickets can be found here.

Puck, ‘Hiraeth’

The ticking of a clock, multi-lingual lyrics, distorted thrashing guitar and vocals that feel like a distant cry from a reality passed on - ‘Hiraeth’ has it all. The single comes as the title track off of Puck’s debut EP, and how lucky are we to get the first listen? Hiraeth is a Welsh word which translates to “a profound longing”, beautifully communicated by Puck with their aching vocals, accentuated by a fuzzy goth DIY reverbed production.

Puck are set to take on their Hiraeth EP tour running from today until December 6, with gigs in Belfast, Limerick, Cork and Galway, with select shows featuring supporting acts such as Infidel, Therapy Horse and The Unique Freaks!

Margaux Regan, ‘Obsessed’

‘Obsessed’ comes as Margaux Regan’s take on a country-pop love song, delving into the trials and tribulations that come with the all-consuming nature of young adult infatuation. A boot-stomping track complimented by the French-Irish singer-songwriter’s longing harmonies, it perfectly captures the relatable embarrassments of young love.

The song comes as the 3rd single off her upcoming EP After Thought, set for release on January 23, 2026.

Papa Boyle, ‘Drive Thru’

‘Drive Thru’ by Dublin based musician Papa Boyle comes as the singer’s fourth single of the year after kicking off 2025 with ‘Falling For A Daydream’ in March. The guitar-driven retro-rock track showcases the clear influence of classic rock voices such as Roy Orbison and The Everly Brothers, making it the ideal soundtrack for a late-night high-speed drive.

"Throughout the recording process I wanted to capture that energy from the live shows and I think we did just that,” says Boyle. “‘Drive Thru’ is about having a good time and sharing those fun moments, the track has a bit of an attitude to it that I hope the listener will enjoy!"

The single will feature on his upcoming, debut EP We Can Clear A Strange Divide coming in 2026.

NIYL, ‘Wind’s Call’

‘Wind’s Call’ comes off of Limerick R&B artists NIYL’s debut album Parish Is Burning, released today. His ability to create distinct imagery through lyrism comes from a deep state of introspection, ever-present throughout the song. NIYL’s strong soulful vocals, along with the song’s catchy electronic backing instrumentals, make it irresistibly catchy.

“‘Wind’s Call’ is about fate and resistance, that moment when love feels both inevitable and doomed,” NIYL explains. “It’s the sound of two people standing at the edge of something beautiful and destructive, unsure which way the storm will turn.”

NIYL will host an album launch gig this evening at Whelan’s Upstairs, with support from St. Bishop. Tickets can be purchased here.

3rd Degree, ‘Living In A World’

3rd Degree returns with ‘Living In A World’, a groovy, bass-heavy track with a pulsing broken drum rhythm. The song comes as the Waterford artist's third release of 2025. It's gritty and tense while remaining upbeat through layered synth harmonies, teasing a production style evocative of Alex G.

“This was the first track that sparked the journey into creating the album,” says 3rd Degree. “It started off as a riffy indie tune, but it really took shape when I began adding electronic elements. Micko’s guitar work on this one really sets it off — glitchy and unusual, just what we aimed for.”

'Living In A World' will feature on his upcoming album Connected, a highly anticipated release made in collaboration with producer Micko Roche.

Gush, 'Emphathology'

Belfast group Gush return with 'Empathology', a fresh new grunge single with a lots of attitude. The melodramatic 90s style vocals grasp onto influences such as Hole and newer age acts such as Mannequin Pussy and Indigo De Souza. Its a bass-heavy and angsty distorted track- the kind of stuff you hear blasting from a shuttered-off teenage bedroom.

"'Empathology’ is half about wanting to feel the pain of everyone around you so they don't have to, and half wanting to share it with them, grow closer and connect on a deeper level," says the band's guitarist Chelsea. "I’ve created my own subject, Empathology: the study of empathy."

So throw that tattered flannel back on and maybe a bit of eyeliner too, for the age of DIY grunge is far from over!

Calum Agnew, ‘LALALA’

Hot Press New Local Hero winner Calum Agnew has released his new single ‘LALALA’.

The soul and R&B artist had his first sold-out headline show in The Beehive in London in 2021, and has since performed in numerous venues across Ireland country, including a performance at this year's Electric Picnic.

The Meath native shared first single 'Never' in 2024, followed by March's 'Anymore' and August's 'At Least'.

‘LALALA’ blends pop, soul and R&B in a groovy, dreamy track. It’s upbeat, jazzy tone is complimented with deep passion filled vocals as occasional brass notes add another layer of depth.

John Blek, ‘With You’

John Blek has released his new single ‘With You’, ahead of his forthcoming album The Midnight Ache.

The new release aims to ward off the loneliness and anxiety that can creep up in life’s quite moments.

“I tour on my own most of the time and often find myself sitting alone in bars, cafes and restaurants,” said the artist.

“It’s often a nice time to just sit and be, but of course when tour tiredness hits, the blues and loneliness can creep in. ‘With You’ is me trying to comfort myself, and the others I see in the same situation.”

‘With You’ is a soft, hopeful tune with emotional strings, gentle vocals and soft guitar strums.

Jo LaRue, ‘Stay Wild, Have Fun’

Dublin singer-songwriter and pianist Jo LaRue has released her new single ‘Stay Wild, Have Fun’.

The tune, following her previous songs 'Arizona' and ‘We Don’t Live Here Anymore’, leans into her mix of jazz influences and retro-pop.

Inspired loosely by Lana Del Rey’s ‘Video Games’, the single has a playful take on love.

“Life can be a really beautiful yet short thing and the small parts are what can bring us joy most. Have fun while you can!” said LaRue.

‘Stay Wild, Have Fun’ features flowing strings and lively piano notes. The singer's powerful yet lighthearted vocals deliver catchy advice, fitting seamlessly with the tone of the track.

Helen O’Shea and Liam Ó’Maonlaí, ‘Caged Birds’

Helen O’Shea and Liam Ó’Maonlaí have released their new collaborative single ‘Caged Birds’ ahead of ahead of what would have been Sinéad O’Connor’s 59th birthday on December 8th.

The single is the fourth release from O’Shea’s upcoming album Songs In The Key of O, which pays homage to O’Connor and Dolores O’Riordan of The Cranberries.

The release addresses the long-lasting impact of hidden childhood abuse, particularly in the lives of young girls, paying tribute to O’Connor’s courage in speaking out about her own experiences.

“Sinéad’s legendary first appearance on Ireland’s Late Late Show changed everything,” said O’Shea. “She gave so many Irish girls the determination to find their voices and reshape their identities. In many ways, she helped set them free.”

‘Caged Birds’ is a deep, chaotic track with grounding drumbeats and staccato, fast-paced vocals.

Martello, ‘Beacon’

Indie singer-songwriter Martello has released his new single ‘Beacon’.

“'Beacon' is a song about being irresistibly drawn to someone you can’t escape, even when the connection is dangerous or unsuitable,” said the artist. “It captures the overwhelming force of desire, the push and pull of longing, and the way each return only deepens the intensity.”

A classically trained performer since childhood, Martello released his track single 'Boat On The Water' in September.

‘Beacon’ is an emotionally complex tune filled with gentle guitar strums and ambient electronic notes. Filled with soft, longing vocals and metaphorical lyrics, the track maintains a deeply emotional, rising and falling feel.

Aryel Moon, ‘Welcome Home’

Alternative rock and grunge band Aryel Moon have released their new EP Welcome Home, featuring its title track of the same name.

“Welcome Home is a concept EP that traces the emotional arc of love,” said lead singer Donatella Camedda. “At its core the EP is a story of belonging, about finding ‘home’ not in another person, but in ourselves, in our art. What began as a heartbreak record gradually evolved into something more, an existential and artistic statement about identity, connection, and self-reclamation through music.”

The second track on the record, ‘Welcome Home’ represents the emotional connection felt in a new relationship. The dreamy song features groovy guitar notes, snappy drumbeats, soft vocals packed with emotion and warm harmonies.

Some Images of Paradise, ‘u make me miserable’

Limerick band Some Images of Paradise have released their debut album i expect the same of u, featuring focus track ‘u make me miserable’.

Last year, the band released their debut single ‘Winter’, followed by the release of their debut EP Hell is overcrowded, the dead will have no place to go.

‘u make me miserable’ carries a unique duality throughout the track. It pairs deep, gritty vocals with a light, high-pitched harmony while also juxtaposing airy, breathless vocals with aggressive, screamed lyrics.

The song features a driving jumpy and heavy distorted guitar riff that similarly shifts from delicate to violent on a whim.

SAZZY G, 'DARE YOU'

Dublin-born, Vancouver-based singer-songwriter SAZZY G has released her sophomore single 'DARE YOU'.

SAZZY G's vocal range and talent is astronomical, and she's showing it off in this latest release. She's got a retro pop rock attitude, Celtic choral skills and the raw soul power of R&B greats the likes of Alicia Keys and Destiny's Child. Her vocal chops are backed up by scorching guitars, crashing drums and buzzing electro-rock production. It's well mixed and well delivered; SAZZY G is a force of nature.

Listen to our playlist: