The textured melodies and Bennie Reilly’s soft, mouse-sized voice make it easy to like the indie-folksters’ debut – and there’s even more that’ll make you love it. They can do pastoral just as well as The Earlies, with harmonies like wind instruments played by friendly ghosts (‘(She’ll Use You) Lou’). However, they can carry off the harder stuff equally well – check out the sludgy guitar of ‘Sleepwalking’. This EP feels like watching an autumn day from inside, and the songs are just long enough for you to lie back in them.