- Music
- 04 Apr 06
Daddy's Boy EP
If Julie Feeney’s recent Choice Music Award win proved anything, it’s that there’s an appetite for something a little different creeping back onto the Irish music scene, something that isn’t straight ahead rock, indie or acoustic. The timing, then, of this EP from Lieselle McMahon couldn’t be better. It has a similarly off-kilter feel to Feeney, replacing her organic instruments with a brooding electronica. Recorded in New York with Antony And The Johnsons producer Roger Fife, it’s dark, enigmatic and thoroughly refreshing. What we know about her could be written on the pack of a postage stamp, but this is a hell of a place to start.
If Julie Feeney’s recent Choice Music Award win proved anything, it’s that there’s an appetite for something a little different creeping back onto the Irish music scene, something that isn’t straight ahead rock, indie or acoustic.
The timing, then, of this EP from Lieselle McMahon couldn’t be better. It has a similarly off-kilter feel to Feeney, replacing her organic instruments with a brooding electronica. Recorded in New York with Antony And The Johnsons producer Roger Fife, it’s dark, enigmatic and thoroughly refreshing. What we know about her could be written on the pack of a postage stamp, but this is a hell of a place to start.
