New Irish Songs To Hear This Week

Florence Road, ‘Wish Upon You’

Bray indie-rock band Florence Road returns with ‘Wish Upon You’, a cathartic new track which showcases Lily Aron’s unique and rousing vocals alongside an enrapturing soundscape. Firm drumming and high cymbal crashes guide the track, while gentle guitar textures and bass dance together - offering a strong backing.

Described by the band as “how falling in love feels,” the song is almost otherworldly with how beautifully its elements fall together. An exciting and captivating track, it marks an impressive addition to their already strong catalogue.

Morgana, ‘Prince Of The Park’

Dublin-based singer Morgana has released ‘Prince of the Park’, a track off her debut solo album The Whole Thing Was Very Very Emotional. The ethereal single features twinkling synths, buzzing instrumentals and driving vocals, which build up towards a cathartic finish. The song sees a notably more upbeat, experimental sound than the rest of the record’s tracks, making it a unique and strong addition to her catalogue.

“It was really important to me that we take a big swing and I hope that in doing so we’ve made something that will make some of you feel a lot of things!” she said.

Basht., 'Circadia'

Basht.’s debut album Poor Advice is out now. The steadily rising rock band have performed at Electric Picnic and Other Voices in Derry, with a sold-out Button Factory show coming up on November 7.

Their music takes political issues head-on, making Irish history and current events into gripping, raging bangers. Vocalist and guitarist Jack Leavey describes the album as a “bruising concept album that traces the tangled wires between power and those crushed under it”. Track 7 ‘Circadia’ races through with emphatic drums and unsettling, clever lyrics. 

Trick Mist, 'Grace the Space'

Cork artist Trick Mist, a.k.a. Gavin Murray, today released his album A Shimmering. According to bandcamp, his music “channels traditional Irish music through an abstract prism conjuring a contemplative liminal landscape between reality and imagination”. In celebration of the release, he will be performing in Dundalk, Cork and Limerick in the coming weeks.

 ‘Grace the Space’ opens with a solitary flute before Murray joins in with resonating, operatic vocals on the fourth track of the album. It is available on vinyl or bandcamp. He has also released ‘Muck’, the newest part of an audio/visual series featuring his songs being played in the in-between spaces which inspired them.

 

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Flexx Carter, ‘Hope’ feat. Daragh Fleming & Patrick Dowling 

‘Hope’ is Flexx Carter’s collaboration with poet Daragh Fleming and singer-songwriter Patrick Dowling. The release of the fusion track purposely coincides with Mental Health Day on October 10. It features philosophical words spoken to meandering piano and a rainmaker, a rap segment, and a sung hook, with each artist contributing from his realm of expertise.

“I've had a lot of people try to throw a spanner in the works of my career”, said Flexx Carter. “I've been set up, I've been stood on, kicked, and I've lost a cousin to suicide. Despite it all I'm still going, and the only difference is I'm stronger now than I was before all of that. [...] My goal with this song is to inspire people to keep pushing forward.”

Leo Gautreau, 'Alice'

Leo Gautreau is a Frenchman who brought his fledgling music career to Dublin in 2024, though you wouldn’t guess it from hearing him sing. ‘Alice’, his fourth single, features him as lead vocalist, while Rohan Healy and Al Quiff play the backing instruments.

The song follows an ordinary woman living a humdrum life who “dreams of all the colours that have faded”, wishing for something more meaningful or special. Gautreau’s sound has been said to be uniquely aware of the human condition, with lyrics inspired by literary greats and melodies by early blues icons like Bob Dylan or Simon & Garfunkel.

ActionRec, 'Prey'

The newest from Dublin artist collective ActionRec, ‘Prey’ is a suspenseful trip to the wilderness, complete with eerie synth and a deliciously catchy chorus. It is the fifth and final single to be released ahead of their next album New Synths.

Rónán Graham, chief creator of the single, calls it “a blend of trap music, synthwave, metal and 1980s-esque horror movies”. Its October release is strategic, as the fast pace and theme of being hunted align with Halloween.

 

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Clare Sands, ‘Under Oak and Olive’

Belfast-based, Cork-born fiddle player and bilingual singer Clare Sands has released ‘Under Oak and Olive’ off her new album They Tried To Bury Us. Gentle guitar textures play together with Sands’ captivating instrumentals – offering a beautiful backing to her confident vocals and empowering lyricism.

The album is described as a collection of original songs that give voice to the silenced, drawing inspiration from the Irish language, Irish folklore and Palestinian poets. “From the river, to the sea” she repeats on ‘Under Oak and Olive’ – an inspiring refrain and a striking song.

Nova Dream ‘El Matador’

Dublin-based alternative rock trio Nova Dream have unveiled their new single ‘El Matador’ off their new EP The Ideal Start. The track brings together heavy drums, driving guitar rhythms and roaring melodies, which blend to form a track that sounds straight out of the ‘90s garage rock era. The textured, gritty sound perfectly complements the powerful vocals and intricate lyricism.

The four-track EP traces a journey from internal anxiety to total attachment. It sees the band’s unique blend of indie hooks, grunge weight and soaring alt-rock, with driving arrangements and introspective lyricism.

David Eamon, ‘Beautiful Thoughts’

Dublin and Wexford-based neo-soul artist David Eamon has released his debut single ‘Beautiful Thoughts’. The track features Eamon’s unique soulful vocals and catchy melodies. It captures the push and pull of falling for someone new and the endless thoughts that come with it.

Jazzy drums, groovy bass, hooky guitar riffs and dreamy harmonies ensure the track is one you’ll want to hear again. It marks an impressive debut for the emerging artist, who is currently studying music at BIMM Dublin.

Fergal Edward, ‘Another Place’

Dublin singer-songwriter Fergal Edward has released his new single ‘Another Place’ – the first track off his upcoming EP. It features gentle piano, raw vocals and introspective lyrics. The reflective and intimate new song was inspired by a visit to Antony Gormley’s Another Place, a striking installation of 100 cast-iron figures positioned along Crosby Beach near Liverpool.

“What fascinated me on that beach was the way each statue was ageing differently – rusting, decaying, becoming more individual over time,” he said. “I always felt that if we we went back, those statues would have weathered further – but so would we have, in our own human way.”

Doppler, ‘Fiona’

Mayo alt-folk band Doppler have unveiled a new single ‘Fiona’ after a 3-year break from music. On the surface a yearning pop song about desire and obsession, but underneath, a song about the COVID-19 pandemic. Framed as a love song, the song features bittersweet melodies, gentle acoustics and a dreamlike energy. It comes alongside a video where Doppler play a crime-fighting duo against Fiona, a local menace in the west coast of Ireland in the ‘80s.

“We like to have little hidden meanings, but mostly for ourselves,” said Mick Dempsey. Nobody wants to hear about COVID, me included. It’s too recent in our collective memory, so if we openly said that, nobody would want to listen.”

Meryl Streek, ‘The Chancer’

Meryl Streek releases the final single from his upcoming album Stories They Don’t Teach You At School, a powerful punch at corrupt governments and politicians. Blending the musician's lyrical prowess with spoken word delivery and blistering guitar riffs, the track is a post-punk dream, wrapped up with an outro spoken by comedian and broadcaster Phill Jupitus.

LYRA, ‘Streets of Sorrow / Birmingham Six’ [The Pogues cover]

LYRA’s cover of The Pogues' 'Streets of Sorrow / Birmingham Six' is the latest single from the tribute album 20th Century Paddy - The Songs of Shane MacGowan, out November 13. Flowing like a dream, the electro-pop artist’s version of the track is as powerfully rousing as it is delicately produced, making for a truly unique piece of music.

“Shane's spirit and songwriting are eternally exalted through this glorious collection,” said Victoria Mary Clarke, MacGowan's wife of the record. “Each song is uniquely and graciously interpreted by these beyond beautiful artists and his family are humbled by and thankful to each and every one of the musicians involved."

 

deathtoricky, ‘all year’

Dublin underground rapper deathtoricky is back with the brand new tune ‘all year’, a deliciously hard hitting track lines with the musician's signature sharp lyricism and transporting melodic production, making for the perfect highlight to carefully constructed, auto-tuned vocals – both tongue-in-cheek and imbued with enthusiasm and a touch of romanticism.

Search Results, ‘The Death Of All My Crane Flies’

Search Results are back with a new exhilarating track ‘The Death Of All My Crane Flies’, a widely refreshing indie rock flavoured with chaotic guitar and synth instrumentals, and tongue-in-cheek, head-spinning lyrics, mixing punk grit with head-spinning pop melodies – it would be hard to keep your feet still when this one is performed live!

Manchán Magan, ‘An Saol Eile (The Other World)’

The opening song to Manchán Magan’s spoken-word album Slí na Samhaíochta (The Way of Imagination), ‘An Saol Eile (The Other World)' is a magnificently moving piece from the late writer and broadcaster, featuring musical composition by musician Myles O'Reilly under the direction of Simon O'Reilly, recorded at the National Concert Hall with the addition of Crash Ensemble, vocalist Branwen Kavanagh and harpist Méabh McKenna. A powerful bilingual interpretation, the 15-minutes track is the perfect opener to this stirring homage of a record.

Reevah, ‘I’m Just Fine’

Hailing from Reevah’s newly announced upcoming album Lucky Stars, ‘I’m Just Fine’ is a glistening pop track, blending stirring lyricism with delicate electric guitars and gorgeous saxophone textures, reflecting on the idea of home, and that it may not be a fixed place or something another person can create for you, but something you make and carry with you.

“I wrote this track about the journey of losing and finding yourself,” says Reevah. “Questioning the life you’re living, the passing of time, and whether the path you’re on is really the right one for you.”

GNS & The Kyd G, ‘lose me use me’

The new collaboration between R&B and hip-hop artist The Kyd G and producer GNS, a deliciously smooth and sultry tune. Built on sweltering production, ‘lose me use me’ blurs the lines between melodic r’n’b, rap and electronic music for a deeply distinctive, late-night ready track of warm flavours and bumping percussions.

Women of Éire, 'Kerry Boy'

Irish collective Women of Éire are back with their electronic-flavoured trad track ‘Kerry Boy’, a contemporary, radio-friendly, toe-tapping track written by Caitriona O'Sullivan and Andy Reynolds, created as an ode to the “quintessential Kerry man”. The tune comes ahead of Women Of Éire’s debut concert at Tinteán Theatre, Ballybunion, with Irish dancer Róisín Lyons.

Jordan Adetunji, ‘9 to 5’

The brilliant Jordan Adetunji is back with his first single of the year, ‘9 to 5’. A shimmering r’n’b track, delicately dark and gorgeously melodic, the hard-hitting tune, running just under two-minutes, marks a welcome return for fans of the Irish musician, who is still, clearly, in great form.

Michael D. Higgins & Myles O’Reilly, ‘The Prophets are Weeping’

A second spoken-word album from Michael D. Higgins, Migrants In Time is on the way, once again underpinned by the atmospheric soundscapes of Myles O’Reilly. For now, listeners can enjoy the brilliant first taster ‘The Prophets are Weeping’, coming as part of a collection which explores global struggles in regions like Central America, Africa, and the Middle East, and narrating the profound trauma inflicted on innocent civilians across borders.

Georgia G, ‘Enough Friends’

Dublin singer-songwriter Georgia G is back with ‘Enough Friends’ – a song about the excitement of fancying one of your mates. A fun pop track, it is endlessly catchy, incredibly cinematic and a worthy addition to her already brilliant catalogue.

The single comes as part of her upcoming debut EP, which captures the experience of moving to New York in your twenties – balancing ambition, heartbreak, nightlife and homesickness – while continuing to shape the explosive and emotionally honest sound she’s become known for. ‘Enough Friends’ is a preview that captures just how exciting the album is sure to be.

Bricknasty, 'the dom perignons' 

Dublin collective Bricknasty have released their new single 'the dom perignons'. They have also announced their new EP, forever, out November 6. 

The song features expansive strings, with the song taking inspiration from early 2000s R&B and Hip-Hop beats. However, there is also a distinctive electronic wave reverberating through the song, thanks to pulsing synths. The track skirts several different genres, but all elements blend beautifully to form a groovy, energetic song.

Shobsy, 'Perfect'

‘Perfect’ is the focus single of Shobsy’s new EP, a synth pop-R&B fusion. The campy singer, whose stage name was created from his legal name Shane O'Brien, hits the high notes with elegant ease as he laments a love longed for, to melancholy piano accompaniment.

“[W]hile a deeply personal set of songs documenting the last 6 months or so of my life, [the EP] is actually titled as such with a sense of self deprecating humour”, Shobsy said. “I want to use this reality as opportunity. As artistic license to make whatever, whenever both safe and in awe at the fact that the world will not remember!”

He will be touring Ireland throughout November, with shows in Limerick, Galway, Dublin, and Cork.

Robert Grace, 'Cardboard Boxes'

Robert Grace’s single ‘Cardboard Boxes’ lists three artists, himself and his young children, Lincoln and Bonnie. The kids sing backup vocals and each get a solo on the gentle track about building a rocket ship out of cardboard and shoelaces. Grace described the song as a “bittersweet nostalgic indie-folk anthem".

"It’s a tender reminder of how quickly childhood magic fades and the joy of getting swept up in it while it lasts”, he said. His second album, My Father's Son, comes out on November 6.

The Wran, 'The Waterford Boys'

The Wran have released their new album The Stone Man, which features the song 'The Waterford Boys.' The alt-trad band comprises brothers Tommy, Danny, Seán and Stephen Dunford. They play a variety of instruments including banjo, harmonium, acoustic guitar, bass, and drums.

'The Waterford Boys' sees the brothers tell the story several of Waterford men who finds themselves in increasingly despairing situations following their attempts to go on the tear in a new land. The song features vibrant vocals, accompanied with light instrumentals that never overpower the tale at the centre.

The vocals fall away at the tail end of the tune, making way for a wonderful instrumental that compels you to tap your feet in time with the music. The band are making a name for themselves in Ireland's trad scene.

Other Mother, 'worm song'

Other Mother have released their new EP, can't help but feel dramatic, which features the track 'worm song.' The five-piece band from Cork describes themselves as "bubble-grunge."
Other Mother comprises Willow Esteve (vocals), Fionn Cogan (guitar), Bláthnaid Marsh (keyboard and piano) Cathal O’ Sullivan (bass guitar), and Conor O’ Regan (drums).

'worm song' is a sharp, angsty track about negative self-perception. Esteve's vocals are crisp and self-assured, with the accompanying bass and drums providing an element of anger and chaos to the song. The keyboard also adds an element of drama to the tune.

Pauiric O'Meara, 'At Me Too'

Traitors star Pauric O'Meara has released his new single, 'At Me Too', ahead of the release of his EP, Ocean Floor, on November 4. The song follows the over-arching theme of O'Meara's EP, that being the struggle of getting back on your feet after hitting rock bottom.

"I wrote 'At Me Too' at a time when I felt very lost," he said.
"At a time where I felt like I gave my all and it just wasn't good enough, but in time I realised that it wasn't that I wasn't good enough, but rather the person seeing me didn't see me for who I really was, and I deserved more at the end of the day."

The track features the singer's passionate vocals, along with percussion that complement the emotive nature of the song. You can feel O'Meara's emotional ties to the subject matter; he lets his voice soar and soften at different points, which add to the impactful message at the centre of the tune.

KiiKO, 'Strobolights'

KiiKO have released their debut album KiiKO Forever, featuring their song 'Strobolights.' The group is a Dublin-based collaboration between Emmy Shigeta, a DJ from Tokyo; John McDowell, an Irish producer; and drummer Dave Rogers.

'Strobolights' is a buzzy, electric amalgamation of feeling and synth. The airy, light vocals complement the varied, vibrant production. With the group's unique set of influences, they are one to watch in the future

Who's Eddie, 'Left Me With Me'

Who's Eddie have released their new single 'Left Me With Me', to celebrate their 50 anniversary. The song comes ahead of their upcoming album, This is Eddie, out October 30. The record features unreleased material from the 1990s, when the band was signed with Louis Walsh. The band comprises sisters Dara, Jacqui, and Orla, along with their brother Keith.

'Left Me With Me', is a sweeping, emotional song that about heartbreak. The story goes through the painful feelings of feeling abandoned by a former partner and still missing them at the same time. The track features understated piano, along with soft strings and drums. The song marks a new era in the group's already impressive career.

Caitlín Nic Gabhann, 'Bernie's Tunes'

Caitlín Nic Gabhann has released her new song 'Bernie's Tunes'. It is the first single to drop ahead of her new solo album, An Ciúnas, out on November 5.

The concertina player and dancer has crafted a lovely, light set of jigs. Her dancing background is clear in the track, the clear beat and wavering instrumentals allow the listener to fully appreciate the balance of energy and rhythm.

The musician describes the three jigs that make up the song.
"'Móin Bhuí Bog' was written for my Dad. He chose the title after the area where he grew up in Kilcogy, Mullahoran, Co. Cavan.

"'A Tune for Bernie' was written for my mother Bernie (née Murphy), from whom I got the grá for dancing. Originally recorded as a two-part jig on my solo album in 2012, I've since added a third part to the tune.

"'Pat + Al's' is by the ever-inspiring Chicago fiddler Liz Carroll - a jig she wrote for her children."

Amble, 'Church Bells'

Amble have released their new single 'Church Bells', the third single from their upcoming album, Love And All Its Wares, which drops on January 29, 2027.

The folk trio have collaborated with several musicians for the track, which features acoustic guitar, bass guitar, drums, bouzouki, banjo, harmonium, Uillean pipes, and violin. The song is a beautiful, heartfelt exploration of love and how it can be a transformative experience in your life.

The instruments blend beautifully with Robbie Cunningham and Ross Mc Nerney's vocals; it is another great addition to an already impressive catalogue.

Moncrieff, 'Blue Water Baby'

Moncrieff has released his new single 'Blue Water Baby', ahead of his new album Stubborn, which drops on December 4.

The song sees the musician take inspiration from his native Waterford. Described as a song about "the magic hidden inside the ordinary," whether that is a bracing sea-swim, a pint with an old friend, or the pub that never seems to change, Moncrieff has created a love-letter to his homeplace.

The track features traditional Irish music elements, with lilting mandolin and fiddle contrasting with zippy electric guitar. The song is swept along by Moncrieff's spirited vocals, beginning as a soft murmur in the verses before building into a crescendo in the chorus.

"Waterford is a place barely anyone has heard of. But there’s an extraordinary spirit in ordinary people there - no ego, no performance, just people living their lives and showing up for each other, he said.

"I wanted to write something worthy of that. This song is for them"

 

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