After making a right success of Mobilee, Schneider has returned to the studio (with Paul Brtschisch) for two stripped-back efforts. The linear ‘Loop De Mer’ is influenced by her studio mate’s (and his mates’) techno output: the layered elements shift and change, with a Ben Klock-esque break working well. ‘Belize’ is lighter, the ringing robo-synth adding colour, as do the Shonky-like synths and choice strings.