Originally published in Hot Press in November 2023:

Where are you now and what are you doing?
I’m at home in Dublin in the midst of admin tasks for my album!

First record to send a shiver up your spine?
The soundtrack to West Side Story.

First gig you attended?
Steps at the Point Theatre.

First gig you played?
I can’t remember specifically, but one of my earliest memories of playing solo was at an open mic night in the Bleeding Horse in Dublin.

Most memorable gig?
Seeing Jamie Cullum play in the Olympia about 15 years ago

What has been the most ‘pinch me’ moment of your career so far?
Making a music video for my song ‘Let Me Unlock Your Full Potential’. The amazing Bob Gallagher directed. It was a magical experience – the costumes, the archery, the crew – and I was floating on a cloud. Extremely fun.

Most embarrassing thing you’ve done either drunk or sober?
We’ve only just met!

What shite jobs have you had in the past?
Working in a shop where I was allergic to all the products; focus group cracker taster (actually great); funeral singer (also great); receptionist forever.

Last record you bought, borrowed, or blagged?
You Belong There – Daniel Rossen. Thrilling.

Who’d be in your dream band line-up?
Joni Mitchell, Enya, Caroline Polachek, DjRum, serpentwithfeet.

Sexiest musician on the planet?
Chet Baker in his early ‘Let’s Get Lost’ era. RIP.

What song would you have played at your funeral?
‘Fistful Of Love’ – Antony and the Johnsons.

Album Review: Rachael Lavelle, Big Dreams

Words: Piper Sewell

Rachael Lavelle has created a world of her own. Ghostly and ambient, her angelic voice harmonises with enough dissonance to grab one’s attention – and refuses to let go. She has such a distinct style, unique and captivating, as echoing horns and staccato lyrical flow combine to create spine-tingling, otherworldly soundscapes.

You’re immediately drawn in by the stunning ‘Travel Size’, while ‘Gratitude’, is utterly haunting. Notably, the record also samples the iconic voice of the Luas, adding to the atmosphere and sense of place. Standout ‘Night Train’ begins as an ambient mood-piece, before blooming into a gorgeously produced electronic track. The closing title track, meanwhile, is sweepingly cinematic, with Lavelle reflecting on youthful dreams from a more jaded, adult perspective.

Overall, a wonderful effort.

9/10

Big Dreams is out now.

The Album of the Year will be announced at the Choice Music Prize live event this Thursday, March 7, at Vicar Street.