Aurora: “We have this golden opportunity to truly understand each other beyond religions, cultures and how we look, but we choose to fuel our fear against each other”

There’s an ineffable air of Teutonic mysticism surrounding Aurora Aksnes – an Aurora-aura, if you will. Raised in a small municipality near Bergen, Norway, her elfish appearance, rare humour and all-round quirkiness have led some to cast the 27-year-old as a kind of Nordic folklore character turned chart clambering sensation.

Perhaps this hyperborean categorisation is deepened by her appearances on Frozen soundtracks and John Lewis Christmas ads, as well as a fan-made Wiki site which contains enough hyper-linked lore to make the creators of Skyrim blush.

It’s easy to see why Aurora’s attracted so many dedicated Warriors and Weirdos (her affectionate label for her fanbase). In addition to her one-of-a-kind comportment, she’s released three glorious, genre-meandering albums which artfully zero in on some of life’s biggest quandaries – from inner conflicts to questions anout a deity.

Her fourth opus, as anyone shrewd enough to spot the mentions of ‘Blood’, ‘Skin’ and ‘Mind’ in the singles leading up to the project will know, suggests a thematic direction towards us, mere Homo Sapiens.

“With every album there’s one specific thing that really inspires and intrigues me,” Aurora acknowledges. “This time, it’s man’s relationship to man. It’s all about your relationship to your own organs, and how you listen to what they’re trying to tell you, especially the heart. I’ve been reading a lot about the history of anatomy and the abilities we give each organ, and how that varies depending on the era and country.”

The title of the LP is at once a statement and an enquiry – a cry for civility in a world seemingly devoid of compassion and a marker of the artist’s own anatomical reflections. It’s probably best to let Aurora explain all that good stuff though. So, then, What Happened To The Heart?

“That is the question,” she nods. “I’ve been thinking about that a lot. I’m very overwhelmed by the state of the world. We have this golden opportunity to truly understand each other beyond religions, cultures and how we look, but we choose to fuel our fear against each other. We’ve been given the chance to be connected more than ever, but we fail to connect in the right places.”

The golden opportunity for connection – the internet, and more specifically social media – is central to the rampant evaporation of love.

“When I was younger and the internet first came about, I remember trying to understand what it could mean for people,” says Aurora. “None of that happened. Porn and gaming happened instead. We haven’t really made it as far as we all might have expected.

“We see and hear each other, but we don’t feel each other with our hearts. We still let these heart-breaking things happen, we’re watching people in Palestine lose their lives for no reason. We should be on a path forward to a peaceful world, but it seems like we’re heading in the opposite direction.”

This, Aurora suggests, is a result of our human tendencies being exploited by the binary overlords.

“We talk into echo chambers in real life, because we surround ourselves with people who are similar to us, so we don’t often get challenged,” she reflects. “Then we have the internet, which is based on algorithms, so we end up in echo chambers there as well. It’s like the world doesn’t want us to learn from anyone else with a different opinion or to interact with people who oppose us, and that’s something that really scares me.”

Aurora.

UNITY AND LOVE

The issue of climate justice also permeates the record. The origins of What Happened To The Heart? are in fact rooted in environmentalism, after a call to change led Aurora to pose the record’s titular question.

“Indigenous leaders of the world joined together and wrote a letter, ‘We Are the Earth’, basically pleading with leaders of the mass-produced world to lead more with their hearts and less with their minds,” she explains. “The way we live is so heartless and cruel. We take whenever we can. And if we’re not forced to apologise or pay for it, we won’t.

“We will gladly let the people of the future pay for what we’re doing now. And we will gladly let someone far away pay for the clothes we wear, or the food we eat. We know that things are wrong, but we still just go along with it. That’s how the world is today. It’s a weird dynamic to live in as a human, because I don’t know what else I can say. It blows my mind to realise how deep our issues lie.”

Aurora is evidently passionate and well-informed. Does she see it as an artist’s responsibility to weigh in on issues of social justice?

“Well, scientists have tried to warn us about global warming for 50 years and nobody has listened,” she points out. “Leaders of the world don’t want to change their ways because it won’t benefit them. They want to have money now and to not have to think about the world later.

“Sadly, it’s come to the point that artists and musicians, as individuals who connect people, have to deliver the important messages. You have to reach out and appeal to the masses, and artists are the best at doing that – at engaging people and riling them up around unity and love, rather than fear and hatred.”

EIGHT BIG THEMES

She acknowledges her own role in what’s often a ‘mass-produced’ music industry.

“You can talk to companies who do things right, or to people who have a minimal carbon footprint,” she says, “but that’s not where your words are needed. It’s good when you’re part of an industry that has a lot to be better in. There’s more room for the things say to make a difference, instead of talking the same shit to people who know it already.”

What Happened To The Heart? holds up sonically too. It’s rife with romantic melodies, expansive synthscapes and arena-ready choruses, punctuated by Aurora’s distinct, soaring vocals – which have drawn comparisons to both Enya and Björk. However, Aurora finds it difficult to assess her own music.

“I don’t really see it when I’m in it,” she says. “I see it later, when I hear it. I don’t like listening to my own music. I would rather eat a baby.”

They must have some tasty infants in Norway, I laugh – the songs really do sound good.

“This album has a huge range,” she admits. “It’s been extremely fun to play around with, because I wanted it to symbolise both lyrically and sonically a process of pain – and the two paths you can choose, self-destruction or self-healing. With humans, it seems that pain often inspires more pain – hurt people hurt people.

“I see all of my music as being a really clear extension of me, and I think that’s really showing in the production. It starts really soft and spiritual, and then it ends on a really hard and human note. It’s going to be fun to sing live. I’m shitting myself with excitement.”

Using that phrase as a gauge of excitement rather than fear is indicative of Aurora’s uniqueness. She goes against the grain in most facets of her artistry, even imposing a Tarantino-style limit on her creative output. Strictly committed to releasing no more than eight albums, the decision tracks back to her early days as a musician.

“I started writing songs when I was about nine,” she says. “Songwriting was beginning to give me a new sense of meaning in life and made me feel better than anything else I had ever touched or let touch me, and I just had a moment thinking, ‘Oh my God, there’s so much I could write about. What do I want to say?’

“I remember taking it really seriously and writing down a map of all the things I want to say, and there were roughly eight big themes that I wanted to approach.

“First up was The Demons. The Warrior was chapter two and then chapter three was God. Now we’re at The Human, but yeah, there’s eight things and I’ve said four of them. It’s going well so far.”

• What Happened To The Heart? is out now.