Planxty

It’ll doubtless go down as the most anticipated (and long awaited) re-union in Irish music history. More than thirty years after they first transformed the possibilities of Irish music forever, the Crosby, Stills, Nash & Young of trad/folk finally decide to re-convene for a series of gigs. It was always going to be a bit special but few could’ve predicted the reaction when it finally happened; ten sold-out gigs with many travelling from abroad to witness what may well become known as the “third coming”. The venue helped hugely – Vicar St. is the perfect location for such a celebration – intimate enough to make it involving for the audience and big enough to cater for the demand.
It was better than anyone could have hoped. Looking remarkably fit and healthy, the original line-up of Donal Lunny, Andy Irvine, Liam O’Flynn and Christy Moore strode out to a heroes welcome. Clearly well-rehearsed, they trawled the hallowed Planxty back catalogue with renewed vigour. Along with some unforgettable ensemble playing (their strongest point), they each took the spotlight in turn; Christy performed a stunning pair of ballads, including a particularly breathtaking version of ‘Only Our Rivers Run Free’. You could hear a pin drop as Liam O’Flynn took centre stage for a stunning, ‘Buchaill Caol Dubh’, while Andy Irvine’s ‘West Coast of Clare’ was as moving as ever. Donal Lunny’s bouzouki playing tied it all together magnificently.
It was also a night of stories and fond reminiscences. Christy remarked that the band had talked about getting back together more than once over the last 20 years. “We’d meet up, play a few tunes and then go home and forget all about it,” he laughed.” He went on to say that they finally decided to take the plunge after watching Leagues O’Toole’s No Disco documentary special.
Another rare sight was Christy playing the keyboards. That he did so with such skill and finesse, adding subtle touches and flourishes in all the right places was even more more surprising. We were treated with two variations of ‘As I Roved Out’. The atmosphere was electric as their best loved and most recognisable piece ‘The Raggle Taggle Gypsy’ segued into ‘Tabhair dom do Lamh’, while the encores included a rapturously received ‘Cliffs Of Dooneen’
“We’ll never see their likes again,” said one man on the way out. “Some of us will,” quipped another. “I’m coming back again next week”
It was that kind of night. Encore!