New Irish Songs To Hear This Week

Damien Dempsey, ‘Seoithín Seothó’

Damien Dempsey’s new single ‘Seoithín Seothó’, the second to be taken from his forthcoming album Holywell’ is an ancient Irish lullaby, a Suantraí, that the singer originally heard in a Joe Heaney album, which was brought back to his memory while visiting Carna, where Heany hailed from. “I was transported back in time to a rich bardic indigenous past that’s still very much alive and kicking there,” Dempsey reminisces, “meas mór, dia dhaoibh Connemara.

“At the end of the song a choir of Connemara angels join us,míle buíochas to Silé Denver, Caoimhe Ní Fhlatharta.Séamus Ó Flatharta. Étáin Ní Churraoin. Máire Ní Churraoin, draíocht. I’m singing this song to myself for 20 years, but it was JJ Ó’Dochartaigh, Naoise O’Cairealláin, and Liam Óg Ó’hAnnaidh and Manchán Mangan that gave me the courage to record it, míle buíochas a chairde.”

Aaron J. Burke, ‘Day By Day’

Kildare singer-songwriter Aaron J. Burke has released his latest single, ‘Day by Day’. Showcasing an indie rock sound that echoes the style of U2, the track explores themes of hope, ambition and the yearning for a better life. Driven by strong guitar melodies and rhythm sections, Burke’s strong vocal performance makes the track a noteworthy new release.

Makeshift Art Bar, ‘Discipline’

“‘Discipline’ is an illustration of the effects of propaganda on an individual within the military-industrial complex. It is horrifying when stripped back to its pure action and not cunningly hidden away as a euphemism,” say Makeshift Art Bar about their latest release. And that hits the nail on the head. 'Discipline' is a sharp, deliberate statement, executed with precision.

Blurring the line between electronic music and rock, the track delivers a powerful hybrid sound. Joseph Sweeney’s lyrics are raw, which adds an intense edge to the song’s driving force.

Travy x Elzzz x Fred again.., ‘DID IT AGAIN’

Irish rap trailblazer Travy reunites with longtime collaborator Elzzz and Fred again.. on new single ‘DID IT AGAIN’, a track created live during a Twitch stream hosted by Fred last year and performed in Dublin at RDS Simmonscourt in November. In the new track, the trio capture a unique intersection of worlds, Irish rap, UK underground culture and global electronic music, exploring reflection, memory, and personal growth.

Travy says of the track: "People always ask why us, but the energy me and Elzzz have when we come together is unstoppable, and you can hear that on this track once again. We've already made history as the first rappers to get a No. 1 album in Ireland, and Fred again.. tapping in with us on this song just shows why. The line 'they said the aura threatening them' speaks to experiences we've had where parts of the mainstream Irish industry found it difficult to digest our style of music because it's so different from what's traditionally consumed here. Regardless, we've stayed resilient and dedicated to the craft. The truth behind the lyrics and the story of how it all came together makes this song more than just a tune, it's a moment in itself. Especially for the people who've been with us from the beginning and witnessed the journey. We're all enjoying this together"

Eulogy, ‘Loose Leaf Tea’ feat. Leo Miyagee & Curtisy

Belfast producer Eulogy collaborates with brilliant rappers Leo Miyagee and Curtisy for the relaxed and glisteningly catchy tune ‘Loose Leaf Tea’, blending gentle beats, delicate electronic instrumentation and the gorgeous juxtaposition of the two vocalists’ performances, making for a short and definitely sweet offering, perfect to accompany lazy Sunday mornings.’

 

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Chasing Abbey, ‘Seachain’

‘Seachain’, the hard-hitting new single from Irish trio Chasing Abbey, comes ahead of their new album CYBER CELT due out in September. Inspired by this generation’s exposure to war crimes and genocide, the track is as rousing as it is powerful, showcasing the band’s signature blend of dark and deeply catchy electronic music and trad.

Speaking about the album CYBER CELT the band state that “it represents both a subtle description of the music and a philosophy we hold. The coming together of ancient and modern. A soulful respect for the tradition with a burning desire for innovation.”

Orla Gartland, ‘At The End Of The Day’

Taken from the soundtrack of the 5th season of the TV series Trying, Orla Gartland’s latest tune ‘At The End Of The Day’ is lined with the gentle emotionality that has become a signature for the Irish artist, delicately joyful and building on pretty and glistening vocal delivery, as well as stirringly romantic lyricism.

THEATRE, ‘Gaudete’

The opener to Limerick newcomers THEATRE's long-awaited debut EP Incarnate, ‘Gaudete’ is an intoxicating indie-rock track bursting with dark bass lines and gorgeously powerful guitar riffs, all making for an impressively stirring backdrop to the hypnotising vocal performance delivered by lead-singer Maeve O’Shea.

Monjola, ‘Weight On Me’

Monjola is back with the magnificent new single ‘Weight On Me’, a sulphurous yet profoundly moving track, built on a delicate piano, experimental structure and the silky smooth vocal performance, building on pop, r’n’b and hip hop influences, that the musician has accustomed his fans to.

Century Artists & Lavida Loca, ‘Carmen’

Dublin producer Louis Ryan launches Century Artists, an initiative that reimagines iconic classical works through contemporary genres. The debut release, ‘Carmen’, pairs rap star Lavida Loca with a reworking of Bizet's Habanera, blending opera and UK Drill for an incredibly rousing, deliciously melodic and furiously unique offering.

IMLÉ, ‘CASADH’

IMLÉ’s new song ‘CASADH’ is a breath of fresh air for the band and signals a new direction in their sound. Featuring James Shannon on lead vocals, the song discusses themes of self-discovery accompanied by a heavier sound from the band. 

Recorded in Black Mountain Studio in Co. Louth, and produced with Karl Odlum, for this song, the band came together and recorded live rather than tracking the song, resulting in a raw and energetic track.

The Guzzlers, ‘The Drunken Tales of Gerry MacLean’

The Irish siblings sound like seasoned folk musicians despite this being only their second single. In ‘The Drunken Tales of Gerry MacLean’ the Guzzlers captures the spirit of the pub in its purest form. Driven by an irresistible rhythm, infectious fiddle lines and a storytelling charm that feels timeless.

“Instead of feeling shame about it this song embraces it all with a warm heart because deep down there’s a bit of Gerry MacLean in all of us … and if there isn’t, you probably know a fella exactly like him!”, say the Gizzlers.

Darren Flynn, ‘PINEBOX’

The Irish singer-songwriter stays true to his Americana-infused folk and country roots in his new single, ‘PINEBOX’.

Flynn’s ability to convey sentiment and meaning with his trademark musical style makes this an immensely engaging track.  

“I wrote the song a few years ago when I started to notice all of these populist far-right movements beginning to spring up throughout Europe,” said Flynn. 

“All of them championing nationalist and jingoistic ideals. Two things struck me - that the last time such a thing happened, the ultimate result was war between neighbouring countries, and that those who were supporting the demagogues were the ones who could ultimately pay with their lives, not the demagogues themselves.”

Sailing Stones, ‘Days Come, Days Go’

Taken from her upcoming sophomore album Slow Magic, Sailing Stones continues to mesmerise with the release of her compelling new single, ‘Days Come, Days Go '. 

Irish-born and Bristol-based Jenny Lindfors recalls her daughter falling asleep, an experience that reminded her of the drowsy, messy days of her youth.  

“It was a particularly stressful time,” Lindfors reflects. “My daughter was ill, and the only way she would sleep was if she was on me. It felt like my life was falling apart.”

“In that moment of lying on the floor with her, I had a sense of letting go of order and control despite the shitshow around me. It was a beautiful sunny day, and I was stuck inside; I couldn’t move. It was a brief, blissful kind of nihilism. It was like we were the only thing that mattered.”

First Class Rebel, ‘Eleven Eleven’

What happens when you mix Oasis with a touch of shoegaze? You get First Class Rebel in full force on his new track ‘Day By Day’, taken from his upcoming debut EP Leave Your Thoughts Behind.

Roaring, distorted guitars lay down a dense sonic foundation, while his vocals blend in with the mix, creating an impressive and immersive soundscape.

Ciara Lawless, ‘Blessing In Disguise’

Ciara Lawless has released her entry for this year’s summer anthem, titled ‘Blessing in Disguise’. The track is an infectious pop-dance offering, driven by a vibrant rhythm and a memorable hook that lingers long after the first listen. Blending upbeat energy with an empowering message, the song reflects on how situations that initially seem negative can ultimately reveal unexpected positives.

Slowpoke, 'Montana'

The four-piece band formed in Dublin in January of 2025 takes inspiration from 90s grunge and modern alternative rock influences, and new single ‘Montana’ proves the band has created undeniable chemistry through playing music together over the last 6 years.

 

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Danzino, ‘SUMMER.WAV’

Danzino’s new song ‘SUMMER.WAV’ is the first from the upcoming EP.

It’s an Afro-house track heavily inspired by Bobby Caldwell’s ‘What You Won’t Do for Love,’ which is comparable to the classic. It follows a house/dance groove while keeping the soul and emotion of the original inspiration intact, making a fresh and energetic sound that blends nostalgic elements with Danzino’s version of Afro-house music. 

 

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tessio, ‘Selfish’

‘Selfish’, the latest single from tessio’s upcoming new album showcases an indie acoustic vibe full of nostalgia, reflection and growing pains. The singer-songwriter duo from Derry encapsulate a nostalgic summer feel similar to the folk pop of Vance Joy or George Ezra.

Benjamin Amos, ‘Golden’

Hailing from the north coast of Ireland, songwriter Benjamin Amos new song ‘Golden’ blends acoustic folk and indie sensibilities into upbeat and sweet song, driven by sensitivity, candor and lyricism. ‘Golden’ is a love song characterized by nostalgia and depth showcased throughout t the use of a delicate violin which leads the songs.

Proton Pool Party, ‘Pigeon Walking’ from new EP

The Donegal and Galway-based indie band Proton Pool Party presents their debut EP, Pigeon Walking. Its title track stands out as a punchy alternative rock anthem, blending a 2000s-era garage band atmosphere with a modern indie edge. The sound is like a blend between The Wombats' indie sharpness and the grunge of Third Eye Blind.

Kodaline, ‘Without You’

'Without You,' featured on Kodaline's final album, serves as an emotionally resonant and fragile tribute to devotion and appreciation. This tender, gentle piece acts as a soft embrace of affection, embodying the band's signature path of acoustic, introspective music that speaks directly to the heart.

Sorcha Richardson, ‘Illinois Again’

Sorcha Richardson has announced her latest album, Draw The Outline, with the release of ‘Illinois Again’.

A stripped back arrangement of acoustic guitar and drums back whispery and intimate vocals.

The chorus is uplifting and catchy in melody, but the lyrics, “Don’t go get all in your head about it / baby that’s the only place I know “ permeate the track and give the song a sombre feel.

The latest release from Richardson is an introspective fusion of pop and folk that resembles Phoebe Bridgers both vocally and orchestration and tees up anticipation for her new album which is set for release on September 11.

David Keenan, ‘Protest Song’

David Keenan’s new track comments on the political situation in Ireland, through a simple folk melody.

Keenan mentions recent political demonstrations for the American planes that refuel in Shannon Airport.

The guitar playing is similar to Bob Dylan’s ‘Mama You’ve Been On My Mind’ who he nods to in the chorus.

“I ain’t no Bob Dylan, but instead of doing nothing at all/ I sat down and wrote a protest song."

The melody is simple while Keenan tackles complex issues like social housing, mental health and cost of living.

November Dog, ‘Cake’

The first release from November Dog this year, ‘Cake’ is a high energy blend of reverbed guitar, synth and pitched up vocals.

The track opens with a simple guitar riff and synthesisers before the introduction of 808s and vocals increase the presence of the tune.

The song then breaks into a high energy dance tune. Layered electronic elements and reversed vocals give the song all the hallmarks of a club song.

The song strips back for the bridge, before a huge swell for a final chorus leaves the track finishing on a high energy sequence.

Sarah Casey,  ‘Point of View’

Sixteen year old singer-songwriter Sarah Casey has released 'Point of View’ to announce her new EP Blind Eye.

Like her other tracks this song tackles complex issues with remarkable maturity and smooth vocal delivery.

The arrangement is stripped back and simple with just Sarah’s voice and an acoustic guitar.

The track is introspective and self observant, in contrast to her first single ‘Blind Eye’, which was about outward empathy.

This introspection and loneliness is exemplified by the isolated orchestration, with the peal of layering being some gentle harmonies in the chorus.

First Class and Coach, ‘Tears of a Liar’

‘Tears of a Liar’ is the lead single of the West Cork band, First Class And Coach’s third album.

The track is a high speed alternative rock number, anchored by a constant, pounding bass drum.

Armed with some excellent vocal delivery from German-native Gerladine Thomas, the track exemplifies the nostalgic indie rock tunes that became a hallmark of the FIFA computer game series throughout the 2010s.

The song features a roaring chorus with catchy guitar riffs, crashing drums and commanding vocals that demand to be heard.

The track is exclusively available on Bandcamp. All purchases will be added to the Kickstarter campaign for their next album.

 

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