Everything Everything have felt the pop landscape rumble beneath their feet. When their debut, Man Alive, came out in 2010 their fusion of glitchy R&B and white funk seemed daring and eclectic – an indie-urban love-in that dared not speak its name. Since then, there has been a parade of artists tapping the same influences (Coldplay went day-glo pop, Beyoncé, as per her Major Lazer hook-up, turned ‘indie’). In other words, what once was niche is now virulently mainstream.