- Music
- 08 Aug 05
Early 21st Century Blues
Covers albums have traditionally ranked among pop’s most pointless pursuits. Frequently, they are flippant and lacklustre, offered up in fulfillment of contractual obligation or as a reminder to wavering fans that a band still exists.
Covers albums have traditionally ranked among pop’s most pointless pursuits. Frequently, they are flippant and lacklustre, offered up in fulfillment of contractual obligation or as a reminder to wavering fans that a band still exists.
Lately though, the cover record has matured into something more distinctive: the tribute album.
Tributes allow emerging artists to pay homage to their heroes, while suggesting, slyly, that perhaps they could have done a better job with the same material.
Lamentably, Toronto’s Cowboy Junkies, three sad men with guitars and one weepy woman with a voice like shattered glass, prefer the old school.
On Early 21st Century Blues, they dust down 11 staples of mid-tempo ‘iconic’ rock and treat them to plodding make-overs.
What results is a collection of drab standards, dumped in a bucket of ennui and left to congeal overnight.
Cowboy Junkies do not cast their net widely: U2’s ‘One’ is about as contemporary as it gets.
They certainly don’t set out to upset anyone: Bruce Springsteen’s ‘You’re Missing’ and ‘Brothers Under The Bridge’ are re-hashed with delicate reverence; Dylan’s ‘License To Kill’ reclines on a bed of furtive acoustic guitars and hushed drum-licks. Two original songs, by the Junkies’ Michael Timmins, seems almost deliberately drab, as if afraid to stand out.
Cumulatively, the effect is akin to a flat-mate throwing a party with the stereo turned low and everyone speaking in whispers. If you’re not going to have a blast, what’s the point?
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