- Culture
- 20 Sep 02
Dinner Rush
The director's genuine obsession with food is well in evidence but doesn't obscure his skill with narrative
Appealing, if the polar opposite of appetising, the breakneck Dinner Rush is a flawlessly-constructed and skilfully-shot oddity from the pen of writer/director Bob Giraldi.
Something like the BBC’s Ready Steady Cook blended neatly into an Italian mobster thriller, its resolutely C-list cast (top draw: Danny Aiello) and general lack of name appeal will definitely militate against soaraway success, but the film certainly rates as worthwhile viewing.
The plot’s deliberately free-wheeling, weaving together a multitude of characters. Aiello plays the dodgy-as-fuck restaurant owner Louis, one of those NY entities eternally ‘caught between the Mob and the men in blue’: meanwhile, his son Udo (Edouardo Ballerini) is a chef of increasing but precarious renown.
Throw in the other staff members – the arrogant barman, the compulsive gambler etc. – as well as the evening’s increasingly obnoxious customers (including a diva-ish Sandra Bernhard) and you’ve certainly the recipe for an intiguing night out, if not one to be sampled on the proverbial empty stomach.
The director’s genuine obsession with food – he directs a cookery website named Starchefs.com – is well in evidence but doesn’t obscure his skill with narrative, while all the cast – notably Aiello – chip in with spirited and amusing performances. Mandatory for those who enjoyed Big Night, this won’t exactly change the world, but it’s worth your time.
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