More than a decade has passed since film audiences walked out of Gaspar Noe’s I Stand Alone feeling shaken to the core. A fearsome, uncompromising portrait of rage, incest and slaughter, the film seemed to codify the New French Extremity, a loose subset of trangressive Gallic movies including Virginie Despentes and Coralie Trinh Thi’s Baise-moi, Christophe Honoré’s Ma mère, Claire Denis’ Trouble Every Day, and Patrice Chereau’s Intimacy.

Enter The Void opens September 24