SHARON SHANNON (The Bottom Line, Manhattan)

SHARON SHANNON has become somewhat of an institution, melding styles contexts and cultures of accordion-playing around the globe. Although some may argue that the addition of vocals would give her band a commercial edge, the fact that the quartet remains purely instrumental paves the way for a greater international appeal.

Exploring avenues between classical and rock, the band display possibilities in structure that create an improvisational feel and keep the audience involved. In assemblages like the ‘Madame Maxwell Set’, which includes a classical tune, a jig and a reel, the listener is taken on a journey that glides through space and time.