One Endless Night

AS ONE of the sharpest knives in the drawer, Jimmie Dale Gilmore has long brought his skills as a writer, singer and philosopher to bear on a literate but always passionate exploration of Texas' rich seam of music.

One Endless Night sees a return towards the more traditional sound of his earliest releases. Yet there is no lack of adventure here, which is doubtless due in part to the presence of Buddy Miller as co-producer: he combines an understanding of state-of-the-art digital recording with a deep appreciation of the music.

Which, in this case, is a fine blend of country, folk and rock. Three of the songs are from departed spirits - Townes Van Zandt's 'No Lonesome Tune', Walter Hyatt's 'Georgia Rose' and Jerry Garcia's 'Ripple' - and to these Gilmore brings a mystical sense of earthiness that is entirely his own.

But that is to single out three tracks on an album that is entirely dud-free. Other highlights include the uncredited rockabilly of hidden track 'Dallas, Fort Worth', a compelling remake of 'Darcy Farrow' which would not be out of place in the folk-rock setting of a Fairport Convention album, and a take on 'Mack The Knife' that is likely to prove controversial.

The musicians involved on One Endless Night include Tammy Rogers, Byron House, Darrell Scott and guitarist Rob Gjersoe (from Gilmore's road band) as well as singers Emmylou Harris, Jim Lauderdale, Victoria Williams and Julie Miller.

One Endless Night is another landmark achievement for one of the most distinctive American artists working today.