Mirrorwriting

Jamie Woon is not the kind of guy who believes in rushing things. It’s a full four years since the wonderful cover of ‘Wayfaring Stranger’ alerted the public to his mercurial talent. Thankfully, it was time well spent, as is evident from the superb Mirrorwriting.
There is a caveat. The wider Dubstep scene is quickly reaching its commercial critical mass. Already, The XX and James Blake, amongst others, have hit the heights and one wonders might Woon’s window of opportunity already have passed? We’ll see.
Largely centred around his wonderfully affecting voice, the record’s style is very distinctive. Celebrated producer Burial does the honours, creating a generally sparse dynamic that combines Jamie’s dominant vocal with subtle elements of R’N’B and dubstep. The approach may be low-key but Mirrorwriting thrives on Woon’s strong, emotive songwriting and preference for uncluttered production. This record definitely rewards patient listening. It’s all about the measured build. Woon’s silky, evocative vocals haunt every track, tenderly backed by delicate synth and percussive sequences.
‘Night Air’ is the atmospheric opener, showcasing his favoured approach in all its subtle glory. Muted beats and hushed synth provide the introduction for Jamie’s delicate, soulful voice, which gradually begins to dominate proceedings.
The obvious single selection was the unfussy, R’N’B inspired tempo of ‘Lady Luck’. It’s four minutes of smooth, soulful rhythm, dominated by layered tracks of Woon’s soft tones and decorated by funky electronic patterns.
An entrancing and admirable record from an inimitable artist.