Critics will undoubtedly trip over themselves in their haste to crack jokes regarding the name of this talented indie outfit from Monaghan. I can see it now. Something along the lines of “a flawless collection of songs.” Rest assured, I refuse to fall into that trap. Like Delorentos, The Flaws deliver fast, insanely catchy riffs and passionate, raw vocals, retaining a sound that’s hard to pinpoint (it’s actually difficult to distinguish between the two bands on occasion). Paul Finn’s vocals sometimes match those of Kieran McGuinness, and there’s plenty of riveting stop-start indie action on offer.
But don’t be fooled for The Flaws have an identity of their own, which they cross with varied influences to create an intriguing and highly enjoyable record. ‘1981’ is a dreamy Cure-like number, blending drippy guitar effects with synth-wrapped musicianship to create a neatly bound and tightly produced ballad that well and truly displays the lads’ ability to impress, even when the pace dies down. However, it’s when the amps are turned back up that The Flaws really showcase their true potential and talent. Gliding bass lines and terrific drumming carry along the superb ‘Sixteen,’ while the last minute of ‘Throw Away’ prompts one to wonder what this band could be capable of in live surroundings.
Achieving Vagueness can sometimes be a little hit- and-miss, but it’s a near-certainty that time will help tighten the few loose screws and bolts here, ensuring a future of flawless output. Sorry.