Chelsea Wolfe, live at The Sugar Club

Statuesque and striking, Wolfe has only a violinist and keyboard player for company. She instantly captivates with an opening salvo of ethereal folk numbers from her current album, Unknown Rooms: A Collection Of Acoustic Songs. Her graceful voice both heals and devastates on the dark, haunting ‘Flatlands’ and ‘Boyfriend’.

She trades acoustic guitar for electric, returning with an axe-man and drummer for the second half of the performance, made up almost exclusively of tracks from 2011’s Apokalypsis LP. Huge walls of sound are slowly constructed, with elements of drone-metal, noise and blues drowning out Wolfe’s folkie timbre. The deafening climax of ‘Pale On Pale’ is drenched in reverb and enormous, swelling vocal loops. She’ll need a bigger venue next time.