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This Isn't The Sort Of Things That Happens To Someone Like You

Having languished for decades, the short story is making a comeback with authors such as Jon McGregor leading the charge. He explains how he convinced his publisher to let him return to his first love.

Anne Sexton, 01 Mar 2012

For his fourth book, This Isn’t The Sort Of Thing That Happens To Someone Like You, Jon McGregor has returned to his first love – the short story.

“My publisher said I could!” laughs McGregor. “I started out writing short stories and initially I was quite determined not to write novels. I got an agent on the strength of some short stories, but they couldn’t sell them, so I caved in and wrote a novel.”

For several years the short story has languished in publishing limbo, a situation McGregor believes is changing.

“I think publishers are coming back around to it. In the last couple of years there have been quite a few debut books in the UK that have been short stories. When I started out ten years ago nobody was prepared to put out short stories as my debut. For a long time it just became a truism that collections of short stories don’t sell. But I always wonder if there wasn’t something slightly circular – that they weren’t selling, so they weren’t been published and promoted, so they weren’t selling.”

The further problem, notes McGregor, is that collections of short stories are sometimes published for expedient reasons instead of literary ones.

“I think what’s happened is that a novelist gets to the third or fourth book and decides to release some stories and it is a really thin anthology of stories that have been published in a magazine somewhere and some bits from the bottom drawer. I was really determined with this book to make it a book in its own right.”

While McGregor is no longer averse to writing novels, he argues that short fiction has significant creative pleasures.

“I don’t know if I prefer short stories, but I found putting this book together more satisfying creatively. With each story I was giving myself a new challenge and playing with new ideas. I guess the challenge with a novel in making it sustain itself over two or three hundred pages is less enjoyable – but ultimately more satisfying perhaps. The two are just so different.”



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