Guest of the nation
Current toppermost of the poppermost Enrique Iglesias joins Westlife, the Cranberries and (possibly, ssh!) U2 and the Corrs at this year's Meteor Awards
The Hot Press Newsdesk, 18 Feb 2002
Enrique Iglesias has been confirmed as the special guest at this year's Meteor Music Awards which take place in The Point on March 4th.
Julio's nipper joins an all-star cast of performers including Westlife, Gabrielle, The Cranberries, Ronan Keating, Lighthouse Family, Samantha Mumba, Muse and – allegedly – U2 and The Corrs.
Presenting the various awards are David Gray, Adrian Dunbar, John Hurt, Craig Doyle, Maria Doyle-Kennedy, Keith Duffy, Brendan O'Carroll and Brian Kennedy.
hotpress.com is tipping Iglesias to walk off with 'Lucky Bastard Of The Year' - the Latin crooner not only at number one on both sides of the Atlantic, but currently squiring Anna Kournikova.
The Hot Press Newsdesk
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Establishment rules O.K.! That’s the message to be drawn from ’85s long playing output! In a year which has been yawn-inducing rather than epoch-making, it speaks volumes about the state of the art that the year’s best buys were reissues of one sort or another by Echo And The Bunnymen, Velvet Underground and The Doors.
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In the year of Frankie, many of the best musical moments came in the form of the 12” single.
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The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver.
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Such a strange and contradictory year. Mixed fortunes complemented perfectly by a bizarre range of listening choices. A disc for every mood, and every memory.
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An unsatisfying year for albums. In this video age I’m rapidly falling victim to the 'Instant Gratification Syndrome’. Why wade through 45 mins of uneven music for the sake of one or two highlights when it’s so easy to make video and audio recordings of favourite songs.
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In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
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The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
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Fending off the ailments of the new pap, my year got divided in two.
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Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
1983-12-15 - News
? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
Stephen Rapid's 1979 Could any radically different music survive – how would a home grown pop group be received?
1979-12-15 - News
Dave Fanning's 1979 Talking Heads are the most important and exciting band I’ve heard in the last four years.
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Jack Lynch's 1979 Kevin Burke and Michael O Domhnaill’s ‘Promenade’ displayed consummate artistry on every level, rivalled only by Planxty and Van Morrison
1979-12-15 - News
PJ Curtis' 1979 My album of the year is Ry Cooder’s ‘Bop Till You Drop’, encapsulating all that has gone down since 1960 it seems, in one superb album
1979-12-15 - News
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
Liam Mackey's 1979 Released when the infant ’79 was still in the grip of winter, Graham Parker’s ‘Squeezing Out Sparks’ stood the test of time and defeated the heaviest competition.
1979-12-15 - News
Declan Lynch's 1979 The Jam will only be on their fifth pint when Tom Waits starts making eyes at his second bottle of Haig.
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Dermot Stokes' 1979 You couldn’t call it vintage could you? Although the overall standard was … uh … OK.
1979-12-15 - News
Karl Tsigdinos' 1979 ‘Drums And Wires’ marked further development for the ever-brilliant XTC
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The Hothouse. That phrase has been used in this paper more than once since it’s inception, to describe the London scene.
1977-12-15 - News
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