Critics Roundup 1988
It’s official 1988 was a great year for music because it finally returned guitar-based pop to the chars where it belongs. Forget the turgid (Fl Acid House invasion which was merely a minimalist retread of early ’70s disco (what’s the betting on House Sucks badges in ’89?).
Tony Clayton-Lea, 15 Dec 1988
It’s official 1988 was a great year for music because it finally returned guitar-based pop to the chars where it belongs. Forget the turgid (Fl Acid House invasion which was merely a minimalist retread of early ’70s disco (what’s the betting on House Sucks badges in ’89?). No, for me the year was won by band like Voice Of The Beehive, The Primitives, and REM. Guitar pop music at its best, all three bands have a way with melody that is in turn breathtaking and plaintive.
R.E.M.’s ‘Green’ arrived late in the year, and is my No. 1 – but my most listened to album of the past ten months is Everything But The Girl’s ‘Idelwild’. A bittersweet classic, it sucks you in and blows you out in soft, whispering bubbles and is readily quite faultless. Space prevents me from waxing lyrical about Voice Of The Beehive, The Colorblind James Experience, Something Happens! and Prefab Sprout. Suffice to say, that if you haven’t heard these albums yet, do so pronto. You won’t be let down. Ultimately however, 1988– excellent music notwithstanding – was a year of hype: Acid House, Hothouse Flowers, Rattle and Hum (the movie, the book, the philosophy, etc … ) People most likely to in ’89? The Stunning, and Bintti (I kid you not …)
Tony Clayton-Lea
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1988 was a year characterised by solid, rather than spectacular achievements. On the live front came Ario Guthrie, Joe Ely, Peter and Lorin Rowan, but pride of place must go to the home-grown splendour of Arcady, a band for the future if ever I saw one.
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On the surface 1988 was a promising year for Irish music with memorable vinyl provided by The Stars Of Heaven, Something Happens!, A House, Cypress Mine! and the sadly defunct Microdisney – but beneath that veneer, all is not as well as it might seem.
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1988-12-15 - News
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This December 31st/January 1st when some drunk at whatever New Year’s party you happen to be gatecrashing starts mumbling sweet nothins in your ear about how bloody awful the last twelve months were for music, do me a big favour and clout him.
1988-12-15 - News
A year bedevilled by inconsistency, 1987 cruelly ruptured all the upheaval theories linking it to ’67 and ’77. Lots of brilliant singles and precious few (and few precious) albums.
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The privilege of being given space in a newspaper to pontificate on the events of the past year is afforded to very few people. As such it is a privilege. The same applies to rock criticism in general.
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In a year that saw U2 take on the world and win hands down, with a string of superb concerts and the album to beat all in ‘The Joshua Tree’, there was much to be leased with in terms of Irish bands consolidating their reputations.
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Lazy, hazy days indeed. While The Master of the Universe made his glorious presence felt in Dublin, Stock, Aiken and Waterman belched out a ghastly amount of dirge in London, working puppets like the god-awful Rick Astley to the bone in an effort to combat the wave of hip-ho and house music that gripped the city in the summer.
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In 1987, it seemed as if every band inside and out of Dublin signed themselves off the dole and on with a record company.
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In a popular music world that has become increasingly schizoid and fragmented, it was appropriate that the best records came from those folk who have always boasted independence and individuality.
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A memorable year, for so many reasons, ’87 promised much but ultimately failed to deliver the musical goods we’ve been waiting for since the beginning of the decade.
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One might have thought that such a wild and woolly year would have produced a more extraordinary selection of records to mull over in these last weeks.
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‘That’s entertainment’ was the message of the year but not as Paul Weller intended it, for in 1986 popular music was closer to mass entertainment as Declan McManus’ pater knew it than any year since Elvis Presley swivelled his hips on the Ed Sullivan show.
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1986 was an excellent year for Irish bands. Single released were aplenty, but the ones that took my fancy included Brush Shiels’ elegaic 'Old Pal’, Dorian Mood’s ‘It’s A Funny Thing’, and Something Happens!’
1986-12-18 - News
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1986-12-18 - News
1986 was a disappointing year for Irish albums, with only Blue In Heaven and Maura O’Connell distinguishing themselves on that front.
1986-12-18 - News
No sooner had the Xmas decorations been taken down than The Blades, the last vestige of one’s misspent youth, decided to call it a day with an emotional performance in the Olympic Ballroom.
1986-12-18 - News
The three thirty-threes of eighty-six were the Half Biscuit’s ‘Back In The DHSS’ (whacky, witty and tv sussed) and The The’s ‘Infected’ (tense, big and scary). Iggy Pop, David Sylvian and The Housemartins accounted for many happy hours while Blue In Heaven’s ‘Explicit Material’ exuded power with a minimum of pomp.
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There have been some wonderful records in 1986, and Napoleon Dynamite’s little hands of concrete produced two of them.
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Reflecting on the big beat as it was delivered over the last 12 months I’m conscious less of a list of albums than of a series of events.
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Some surprises from overseas, and several gems from the homefront – that was 1985.
1985-12-20 - News
1985 was the year of the debut album. Light A Big Fire and their explosive ‘Gunpowder’, Hoodoo Gurus’ ‘Stoneage Romeos’, The Men They Couldn’t Hang with ‘A Night Of A Thousand Candles’, and the much vaunted Jesus And Mary Chain who silenced the detractors with ‘Psychocandy’.
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1985 has got to remember as the year when one of the most spoiled, wasteful, self-indulgent and ephemeral industries on earth suddenly woke up, not only to the urgent insistence of its conscience within the person of Bob Geldof, but to its power to actually achieve something, (to raise money and thereby save lives), given the right motivation and mechanism.
1985-12-20 - News
The first part of the year undoubtedly belonged to the Americans. Week after week the albums drifted through signalling a shift back to a more orientated form of music – no bad thing from my point of view as I’ve had it up to here with Fairlights and bloody drum machines.
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’85 was a good year for music, though not for albums. The most interesting 12-inch singles came from John Lydon and Afrika Baambatae’s Time Zone project and The Bomb Party with ‘World Destruction’ and ’Ray Gun EP’ respectively.
1985-12-20 - News
Establishment rules O.K.! That’s the message to be drawn from ’85s long playing output! In a year which has been yawn-inducing rather than epoch-making, it speaks volumes about the state of the art that the year’s best buys were reissues of one sort or another by Echo And The Bunnymen, Velvet Underground and The Doors.
1985-12-20 - News
Occasionally one gets a hardy annual, but 1985 has been more of a hardly annual, than anything. Jazz hardly raised its head above the rafters, and only Wynton Marsalis brought forth a thing of beauty in ‘Hot House Flowers’. Miles Davis got worse, and sadly Philip Larkin, a great jazz critic, died.
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’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
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The glum view is easily stated: finally, after eight years, the Bay City Rollers revival. The dominant pop purveyors – Duran, Wham, Spandau, Culture Club, Young, Kershaw, and Jones – regressed to the most conservative models of teen exploitation.
1984-12-14 - News
As the dust settles on another twelve months, at least one thing, if nothing else, is blindingly clear: 1984 was not the year of Frank Tovey.
1984-12-14 - News
Even with the explosion of F.G.T.H. 1984 saw the rebirth of ‘the song’ (and songwriting) and the return of rock’s most rudimentary and potent instrument, the guitar.
1984-12-14 - News
In the year of Frankie, many of the best musical moments came in the form of the 12” single.
1984-12-14 - News
The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver.
1984-12-14 - News
Such a strange and contradictory year. Mixed fortunes complemented perfectly by a bizarre range of listening choices. A disc for every mood, and every memory.
1984-12-14 - News
An unsatisfying year for albums. In this video age I’m rapidly falling victim to the 'Instant Gratification Syndrome’. Why wade through 45 mins of uneven music for the sake of one or two highlights when it’s so easy to make video and audio recordings of favourite songs.
1984-12-14 - News
In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
1984-12-14 - News
The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
1984-12-14 - News
Fending off the ailments of the new pap, my year got divided in two.
1984-12-14 - News
Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
1983-12-15 - News
? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
Stephen Rapid's 1979 Could any radically different music survive – how would a home grown pop group be received?
1979-12-15 - News
Dave Fanning's 1979 Talking Heads are the most important and exciting band I’ve heard in the last four years.
1979-12-15 - News
Jack Lynch's 1979 Kevin Burke and Michael O Domhnaill’s ‘Promenade’ displayed consummate artistry on every level, rivalled only by Planxty and Van Morrison
1979-12-15 - News
PJ Curtis' 1979 My album of the year is Ry Cooder’s ‘Bop Till You Drop’, encapsulating all that has gone down since 1960 it seems, in one superb album
1979-12-15 - News
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
Liam Mackey's 1979 Released when the infant ’79 was still in the grip of winter, Graham Parker’s ‘Squeezing Out Sparks’ stood the test of time and defeated the heaviest competition.
1979-12-15 - News
Declan Lynch's 1979 The Jam will only be on their fifth pint when Tom Waits starts making eyes at his second bottle of Haig.
1979-12-15 - News
Dermot Stokes' 1979 You couldn’t call it vintage could you? Although the overall standard was … uh … OK.
1979-12-15 - News
Karl Tsigdinos' 1979 ‘Drums And Wires’ marked further development for the ever-brilliant XTC
1979-12-15 - News
The Hothouse. That phrase has been used in this paper more than once since it’s inception, to describe the London scene.
1977-12-15 - News
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