Critics Roundup 1985
’85 was a good year for music, though not for albums. The most interesting 12-inch singles came from John Lydon and Afrika Baambatae’s Time Zone project and The Bomb Party with ‘World Destruction’ and ’Ray Gun EP’ respectively.
Paul O'Mahony, 20 Dec 1985
’85 was a good year for music, though not for albums. The most interesting 12-inch singles came from John Lydon and Afrika Baambatae’s Time Zone project and The Bomb Party with ‘World Destruction’ and ’Ray Gun EP’ respectively. Two new video-techniques provided fascinating viewing: the spot-colour treatment to Dire Straits ‘Money For Nothing’ and the animated-film mix of A-Ha’s ‘Take On Me’. Needless to say, both made obscene profits!
On the local stage, The Gorehounds and Something Happens! rattled the rafters, while A House, Fallen Angels, Assassin and London-based Driveshaft look likely outfits for ’86. Lloyd Cole at The Stadium, Adrian Legg at The Baggot, Squeeze at Croke Park, The Kinks at the RDS provided the memorable live moments of the year, whilst The Underground and Ivy Rooms Mega-Bash Thingles encouraged the grass-roots of Dublin rock. Watch out for the continued growth of Dee C. Lee, the emergence of Lee Aaron and our own Sinead O’Connor. American teenage talent, Charlie Sexton, will also unleash his pop prowess. Last year, I mentioned Madonna and you laughed. See what happened since!
And so to the best of the rather lukewarm Vinyl Year ’85: Adrian Legg: ‘Fretmelt’; Various: ‘Repo Man – The Soundtrack’; Rogue Male: ‘First Visit’; The Waterboys ‘This Is The Sea’; Y&T: ‘Open Fire – Live’; Prefab Sprout: ‘Steve McQueen’; The Cure: ‘The Head On The Door’; Rough Cut: ‘Rough Cutt’; Accept: ‘Metal Heart’; Run DMC: ‘King Of Rock’.
Paul O'Mahony
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1986-12-18 - News
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Reflecting on the big beat as it was delivered over the last 12 months I’m conscious less of a list of albums than of a series of events.
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Some surprises from overseas, and several gems from the homefront – that was 1985.
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1985 was the year of the debut album. Light A Big Fire and their explosive ‘Gunpowder’, Hoodoo Gurus’ ‘Stoneage Romeos’, The Men They Couldn’t Hang with ‘A Night Of A Thousand Candles’, and the much vaunted Jesus And Mary Chain who silenced the detractors with ‘Psychocandy’.
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1985 has got to remember as the year when one of the most spoiled, wasteful, self-indulgent and ephemeral industries on earth suddenly woke up, not only to the urgent insistence of its conscience within the person of Bob Geldof, but to its power to actually achieve something, (to raise money and thereby save lives), given the right motivation and mechanism.
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The first part of the year undoubtedly belonged to the Americans. Week after week the albums drifted through signalling a shift back to a more orientated form of music – no bad thing from my point of view as I’ve had it up to here with Fairlights and bloody drum machines.
1985-12-20 - News
Establishment rules O.K.! That’s the message to be drawn from ’85s long playing output! In a year which has been yawn-inducing rather than epoch-making, it speaks volumes about the state of the art that the year’s best buys were reissues of one sort or another by Echo And The Bunnymen, Velvet Underground and The Doors.
1985-12-20 - News
Occasionally one gets a hardy annual, but 1985 has been more of a hardly annual, than anything. Jazz hardly raised its head above the rafters, and only Wynton Marsalis brought forth a thing of beauty in ‘Hot House Flowers’. Miles Davis got worse, and sadly Philip Larkin, a great jazz critic, died.
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’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
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As the dust settles on another twelve months, at least one thing, if nothing else, is blindingly clear: 1984 was not the year of Frank Tovey.
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Even with the explosion of F.G.T.H. 1984 saw the rebirth of ‘the song’ (and songwriting) and the return of rock’s most rudimentary and potent instrument, the guitar.
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In the year of Frankie, many of the best musical moments came in the form of the 12” single.
1984-12-14 - News
The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver.
1984-12-14 - News
Such a strange and contradictory year. Mixed fortunes complemented perfectly by a bizarre range of listening choices. A disc for every mood, and every memory.
1984-12-14 - News
An unsatisfying year for albums. In this video age I’m rapidly falling victim to the 'Instant Gratification Syndrome’. Why wade through 45 mins of uneven music for the sake of one or two highlights when it’s so easy to make video and audio recordings of favourite songs.
1984-12-14 - News
In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
1984-12-14 - News
The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
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Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
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? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
Stephen Rapid's 1979 Could any radically different music survive – how would a home grown pop group be received?
1979-12-15 - News
Dave Fanning's 1979 Talking Heads are the most important and exciting band I’ve heard in the last four years.
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Jack Lynch's 1979 Kevin Burke and Michael O Domhnaill’s ‘Promenade’ displayed consummate artistry on every level, rivalled only by Planxty and Van Morrison
1979-12-15 - News
PJ Curtis' 1979 My album of the year is Ry Cooder’s ‘Bop Till You Drop’, encapsulating all that has gone down since 1960 it seems, in one superb album
1979-12-15 - News
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
Liam Mackey's 1979 Released when the infant ’79 was still in the grip of winter, Graham Parker’s ‘Squeezing Out Sparks’ stood the test of time and defeated the heaviest competition.
1979-12-15 - News
Declan Lynch's 1979 The Jam will only be on their fifth pint when Tom Waits starts making eyes at his second bottle of Haig.
1979-12-15 - News
Dermot Stokes' 1979 You couldn’t call it vintage could you? Although the overall standard was … uh … OK.
1979-12-15 - News
Karl Tsigdinos' 1979 ‘Drums And Wires’ marked further development for the ever-brilliant XTC
1979-12-15 - News
The Hothouse. That phrase has been used in this paper more than once since it’s inception, to describe the London scene.
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