Critics Roundup 1984
Fending off the ailments of the new pap, my year got divided in two.
Bill Graham, 14 Dec 1984
Fending off the ailments of the new pap, my year got divided in two. Initially, I survived through black music of all eras and elements be it superb compilations from the past like Don Covay, Jimmy Witherspoon and Huey ‘Piano’ Smith or African music and the new American sounds anointed at ‘The Pink Elephant’ turntable by Paul Webb. Then fleeing the depressive paragraphs of politics, there was a retrenchment of the imagination that need not be regressive.
For there may be new spirits simmering in London, a new opposition who’ll also see off the old/new musos, those abstractly arty synth manipulations. Between the acoustic ethic pioneered by Billy Bragg and the Pogues, evolutions from both the trash and batcave scenes, and the sense of a new ambivalent, spiritual romanticism (Frankie Goes To Knock?) next winter may show who’s recognised the new opportunities. Meanwhile women like Christine and Danielle Dax educated the emotions.
And of course, there was U2, but you know of them already?
Bill Graham
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Treacherous things, these retrospectives. A whole year’s worth hangs on whether or not I’m in a good mood at the time of writing. Bear this in mind.
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1988 was a year characterised by solid, rather than spectacular achievements. On the live front came Ario Guthrie, Joe Ely, Peter and Lorin Rowan, but pride of place must go to the home-grown splendour of Arcady, a band for the future if ever I saw one.
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End of term reviewers are a bit like film censors. As they reel in the year, there is a tendency to cut and paste according to their own prejudices and passions.
1988-12-15 - News
All the real action in ’88 was on the dancefloor, where innovation, eccentricity, joy and love could be found in abundance.
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This December 31st/January 1st when some drunk at whatever New Year’s party you happen to be gatecrashing starts mumbling sweet nothins in your ear about how bloody awful the last twelve months were for music, do me a big favour and clout him.
1988-12-15 - News
A year bedevilled by inconsistency, 1987 cruelly ruptured all the upheaval theories linking it to ’67 and ’77. Lots of brilliant singles and precious few (and few precious) albums.
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While 1987 will of course be recognised as the year U2 conquered the world, spare a thought for those whose careers begin beneath the shadow of ‘The Joshua Tree’.
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The privilege of being given space in a newspaper to pontificate on the events of the past year is afforded to very few people. As such it is a privilege. The same applies to rock criticism in general.
1987-12-31 - News
In a year that saw U2 take on the world and win hands down, with a string of superb concerts and the album to beat all in ‘The Joshua Tree’, there was much to be leased with in terms of Irish bands consolidating their reputations.
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1987 was a year to be eagle-eyed in distinguishing between headlined hype and reality.
1987-12-31 - News
It was a year of cut-backs, cut-ups, cut-offs, cock-ups, condoms, market crashes and country music! A year also where the song and anti-song vied or dominance – and both survived.
1987-12-31 - News
In 1987, it seemed as if every band inside and out of Dublin signed themselves off the dole and on with a record company.
1987-12-31 - News
Aside from “boosts for the whole country”, “taking our place among the greats” and all the other woolly notions which surrounded the Republic qualifying for germany, Stephen Roche winning the Tour de France and U2 finally cracking America, 1987 will hardly go down as one of the most memorable of rock’n’roll years …
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In a popular music world that has become increasingly schizoid and fragmented, it was appropriate that the best records came from those folk who have always boasted independence and individuality.
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A memorable year, for so many reasons, ’87 promised much but ultimately failed to deliver the musical goods we’ve been waiting for since the beginning of the decade.
1987-12-31 - News
One might have thought that such a wild and woolly year would have produced a more extraordinary selection of records to mull over in these last weeks.
1987-12-31 - News
‘That’s entertainment’ was the message of the year but not as Paul Weller intended it, for in 1986 popular music was closer to mass entertainment as Declan McManus’ pater knew it than any year since Elvis Presley swivelled his hips on the Ed Sullivan show.
1986-12-18 - News
All things considered, the past twelve months are unlikely to be considered essential in the rock’n’roll scheme of things. It was a year when few new acts came to the public eye and those that did weren’t breaking any particularly new ground.
1986-12-18 - News
There was an odd period some ten or fifteen years ago when punters would pay a few bob to go into a folk club and shut their gobs while somebody played. I can’t imagine why. Perhaps the late arrival of technology was making us romantic.
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’86 inspired the realisation that rock’n’roll now encompasses such a broad spectrum of self-contained categories (Hip-Hop, Metal, AOR, ad infinitum) operating simultaneously that the possibility of any truly revolutionary movement on the scale of ’78 would appear to be singularly remote.
1986-12-18 - News
Casting a cold eye on 1986, one must be frank that, although it was a good year, the absolute pinnacles that have marked previous years were absent. Perhaps ‘The Unforgettable Fire’ and ‘Born In The USA’, and their respective tours in 1985, not to mention Live Aid, drained a lot of emotion.
1986-12-18 - News
1986 was an excellent year for Irish bands. Single released were aplenty, but the ones that took my fancy included Brush Shiels’ elegaic 'Old Pal’, Dorian Mood’s ‘It’s A Funny Thing’, and Something Happens!’
1986-12-18 - News
In the virtual absence of the maker’s of ’85s best two LP’s (the Pogues and Mary Chain) the return of Elvis Costello was more welcome than ever.
1986-12-18 - News
1986 was a disappointing year for Irish albums, with only Blue In Heaven and Maura O’Connell distinguishing themselves on that front.
1986-12-18 - News
No sooner had the Xmas decorations been taken down than The Blades, the last vestige of one’s misspent youth, decided to call it a day with an emotional performance in the Olympic Ballroom.
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The three thirty-threes of eighty-six were the Half Biscuit’s ‘Back In The DHSS’ (whacky, witty and tv sussed) and The The’s ‘Infected’ (tense, big and scary). Iggy Pop, David Sylvian and The Housemartins accounted for many happy hours while Blue In Heaven’s ‘Explicit Material’ exuded power with a minimum of pomp.
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There have been some wonderful records in 1986, and Napoleon Dynamite’s little hands of concrete produced two of them.
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1985-12-20 - News
Reflecting on the big beat as it was delivered over the last 12 months I’m conscious less of a list of albums than of a series of events.
1985-12-20 - News
Some surprises from overseas, and several gems from the homefront – that was 1985.
1985-12-20 - News
1985 was the year of the debut album. Light A Big Fire and their explosive ‘Gunpowder’, Hoodoo Gurus’ ‘Stoneage Romeos’, The Men They Couldn’t Hang with ‘A Night Of A Thousand Candles’, and the much vaunted Jesus And Mary Chain who silenced the detractors with ‘Psychocandy’.
1985-12-20 - News
1985 has got to remember as the year when one of the most spoiled, wasteful, self-indulgent and ephemeral industries on earth suddenly woke up, not only to the urgent insistence of its conscience within the person of Bob Geldof, but to its power to actually achieve something, (to raise money and thereby save lives), given the right motivation and mechanism.
1985-12-20 - News
The first part of the year undoubtedly belonged to the Americans. Week after week the albums drifted through signalling a shift back to a more orientated form of music – no bad thing from my point of view as I’ve had it up to here with Fairlights and bloody drum machines.
1985-12-20 - News
’85 was a good year for music, though not for albums. The most interesting 12-inch singles came from John Lydon and Afrika Baambatae’s Time Zone project and The Bomb Party with ‘World Destruction’ and ’Ray Gun EP’ respectively.
1985-12-20 - News
Establishment rules O.K.! That’s the message to be drawn from ’85s long playing output! In a year which has been yawn-inducing rather than epoch-making, it speaks volumes about the state of the art that the year’s best buys were reissues of one sort or another by Echo And The Bunnymen, Velvet Underground and The Doors.
1985-12-20 - News
Occasionally one gets a hardy annual, but 1985 has been more of a hardly annual, than anything. Jazz hardly raised its head above the rafters, and only Wynton Marsalis brought forth a thing of beauty in ‘Hot House Flowers’. Miles Davis got worse, and sadly Philip Larkin, a great jazz critic, died.
1985-12-20 - News
’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
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The glum view is easily stated: finally, after eight years, the Bay City Rollers revival. The dominant pop purveyors – Duran, Wham, Spandau, Culture Club, Young, Kershaw, and Jones – regressed to the most conservative models of teen exploitation.
1984-12-14 - News
As the dust settles on another twelve months, at least one thing, if nothing else, is blindingly clear: 1984 was not the year of Frank Tovey.
1984-12-14 - News
Even with the explosion of F.G.T.H. 1984 saw the rebirth of ‘the song’ (and songwriting) and the return of rock’s most rudimentary and potent instrument, the guitar.
1984-12-14 - News
In the year of Frankie, many of the best musical moments came in the form of the 12” single.
1984-12-14 - News
The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver.
1984-12-14 - News
Such a strange and contradictory year. Mixed fortunes complemented perfectly by a bizarre range of listening choices. A disc for every mood, and every memory.
1984-12-14 - News
An unsatisfying year for albums. In this video age I’m rapidly falling victim to the 'Instant Gratification Syndrome’. Why wade through 45 mins of uneven music for the sake of one or two highlights when it’s so easy to make video and audio recordings of favourite songs.
1984-12-14 - News
In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
1984-12-14 - News
The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
1984-12-14 - News
Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
1983-12-15 - News
? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
Stephen Rapid's 1979 Could any radically different music survive – how would a home grown pop group be received?
1979-12-15 - News
Dave Fanning's 1979 Talking Heads are the most important and exciting band I’ve heard in the last four years.
1979-12-15 - News
Jack Lynch's 1979 Kevin Burke and Michael O Domhnaill’s ‘Promenade’ displayed consummate artistry on every level, rivalled only by Planxty and Van Morrison
1979-12-15 - News
PJ Curtis' 1979 My album of the year is Ry Cooder’s ‘Bop Till You Drop’, encapsulating all that has gone down since 1960 it seems, in one superb album
1979-12-15 - News
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
Liam Mackey's 1979 Released when the infant ’79 was still in the grip of winter, Graham Parker’s ‘Squeezing Out Sparks’ stood the test of time and defeated the heaviest competition.
1979-12-15 - News
Declan Lynch's 1979 The Jam will only be on their fifth pint when Tom Waits starts making eyes at his second bottle of Haig.
1979-12-15 - News
Dermot Stokes' 1979 You couldn’t call it vintage could you? Although the overall standard was … uh … OK.
1979-12-15 - News
Karl Tsigdinos' 1979 ‘Drums And Wires’ marked further development for the ever-brilliant XTC
1979-12-15 - News
The Hothouse. That phrase has been used in this paper more than once since it’s inception, to describe the London scene.
1977-12-15 - News
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