Critics Roundup 1984
The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver.
Dermot Stokes, 14 Dec 1984
The alarm only went off half-an-hour ago, and yet here we are, looking back in anguish at a year that threatened so much and largely failed to deliver. When the shots are called its still stalwart time, with Bruce and U2 and Christy and Elvis on the turntable.
Actually, it was more of a singles and video year, with Culture Club dominating one end and Frankie dominating the other, with neither of their albums living up to the eastern promise.
There were, of course, the usual fashions, but more muted then in previous years – the new jazz movement revealing at least one touch of magic in Sade. The rest …not much.
The bedsit poets and synthesiser wimps plow their lonely furrows – there’s a lot of people who like the Alarm and Prefab Sprout and Axtec Camera,as well as their more aggressively progressive cousins, but that kind of English thing never turned a hair for me…
America, on the other hand, while still yielding its unremitting quota of garbage, unleashed new stars, R.E.M. and Rank and File, to stand alongside older music celebrities like John Hiatt and T-Bone Burnett who both released big, rawboned classic American songwriters albums – and Bob Dylan released his best LP this decade with ‘Infidels’. A welcome return.
But in America, the pinnacles were two extreme opposites: on one hand two bittersweet country classics, the ethereal Emmylou Harris inspired ‘Delia Bell’, by delia herself, and Rose Maddox’ ‘Queen Of The West’ originating with Ricky Scaggs’ Sugarhill Records, and on the other, the violent, angry, articulately bruised, ‘Born In The USA’ by Bruce Springsteen yet again standing tall over all the rest. One of the definitive depictions of living in that benighted transatlantic sprawl, and one of rock’n’roll’s enduring statements.
As it happens, 1984 will probably be remembered in the end for the huge spate of classic reissues of soul, R’n’B, Tex-Mex, cajun and rock’n’roll, not to mention current issues from the same bag – Don Covey, Los Lobos, The Nevilles, Huey Piano Smith, Dr. John, Johnny Copeland and The Staples Singers. Ace, Demon… Ah, the siren call of collectors’ music, to entice you away from all self-congratulatory garbage of the charts, sowing the seeds again of another tradition, of great lost hours in the backwoods of pop. More!!!
Dermot Stokes
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1986-12-18 - News
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1986-12-18 - News
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1986-12-18 - News
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Reflecting on the big beat as it was delivered over the last 12 months I’m conscious less of a list of albums than of a series of events.
1985-12-20 - News
Some surprises from overseas, and several gems from the homefront – that was 1985.
1985-12-20 - News
1985 was the year of the debut album. Light A Big Fire and their explosive ‘Gunpowder’, Hoodoo Gurus’ ‘Stoneage Romeos’, The Men They Couldn’t Hang with ‘A Night Of A Thousand Candles’, and the much vaunted Jesus And Mary Chain who silenced the detractors with ‘Psychocandy’.
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1985 has got to remember as the year when one of the most spoiled, wasteful, self-indulgent and ephemeral industries on earth suddenly woke up, not only to the urgent insistence of its conscience within the person of Bob Geldof, but to its power to actually achieve something, (to raise money and thereby save lives), given the right motivation and mechanism.
1985-12-20 - News
The first part of the year undoubtedly belonged to the Americans. Week after week the albums drifted through signalling a shift back to a more orientated form of music – no bad thing from my point of view as I’ve had it up to here with Fairlights and bloody drum machines.
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’85 was a good year for music, though not for albums. The most interesting 12-inch singles came from John Lydon and Afrika Baambatae’s Time Zone project and The Bomb Party with ‘World Destruction’ and ’Ray Gun EP’ respectively.
1985-12-20 - News
Establishment rules O.K.! That’s the message to be drawn from ’85s long playing output! In a year which has been yawn-inducing rather than epoch-making, it speaks volumes about the state of the art that the year’s best buys were reissues of one sort or another by Echo And The Bunnymen, Velvet Underground and The Doors.
1985-12-20 - News
Occasionally one gets a hardy annual, but 1985 has been more of a hardly annual, than anything. Jazz hardly raised its head above the rafters, and only Wynton Marsalis brought forth a thing of beauty in ‘Hot House Flowers’. Miles Davis got worse, and sadly Philip Larkin, a great jazz critic, died.
1985-12-20 - News
’85 was a remarkably stagnant year. Twelve months after the end of ’84, little seems to have changed or advanced musically and I only hope and pray we won’t be running on the same spot when ’86 ends.
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The glum view is easily stated: finally, after eight years, the Bay City Rollers revival. The dominant pop purveyors – Duran, Wham, Spandau, Culture Club, Young, Kershaw, and Jones – regressed to the most conservative models of teen exploitation.
1984-12-14 - News
As the dust settles on another twelve months, at least one thing, if nothing else, is blindingly clear: 1984 was not the year of Frank Tovey.
1984-12-14 - News
Even with the explosion of F.G.T.H. 1984 saw the rebirth of ‘the song’ (and songwriting) and the return of rock’s most rudimentary and potent instrument, the guitar.
1984-12-14 - News
In the year of Frankie, many of the best musical moments came in the form of the 12” single.
1984-12-14 - News
Such a strange and contradictory year. Mixed fortunes complemented perfectly by a bizarre range of listening choices. A disc for every mood, and every memory.
1984-12-14 - News
An unsatisfying year for albums. In this video age I’m rapidly falling victim to the 'Instant Gratification Syndrome’. Why wade through 45 mins of uneven music for the sake of one or two highlights when it’s so easy to make video and audio recordings of favourite songs.
1984-12-14 - News
In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
1984-12-14 - News
The Annual appears at this end, thankfully, to have been one without any movements, bandwagons or charabancs, with Frankie carrying that can for everyone.
1984-12-14 - News
Fending off the ailments of the new pap, my year got divided in two.
1984-12-14 - News
Boy George brought androgyny to Toy Town and made every gel wish he was their teddy-bear. Annie Lennox proved that women could take the harder part. Otherwise, Brit-pop melted down to pills and soft-soap.
1983-12-15 - News
? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
Stephen Rapid's 1979 Could any radically different music survive – how would a home grown pop group be received?
1979-12-15 - News
Dave Fanning's 1979 Talking Heads are the most important and exciting band I’ve heard in the last four years.
1979-12-15 - News
Jack Lynch's 1979 Kevin Burke and Michael O Domhnaill’s ‘Promenade’ displayed consummate artistry on every level, rivalled only by Planxty and Van Morrison
1979-12-15 - News
PJ Curtis' 1979 My album of the year is Ry Cooder’s ‘Bop Till You Drop’, encapsulating all that has gone down since 1960 it seems, in one superb album
1979-12-15 - News
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
Liam Mackey's 1979 Released when the infant ’79 was still in the grip of winter, Graham Parker’s ‘Squeezing Out Sparks’ stood the test of time and defeated the heaviest competition.
1979-12-15 - News
Declan Lynch's 1979 The Jam will only be on their fifth pint when Tom Waits starts making eyes at his second bottle of Haig.
1979-12-15 - News
Dermot Stokes' 1979 You couldn’t call it vintage could you? Although the overall standard was … uh … OK.
1979-12-15 - News
Karl Tsigdinos' 1979 ‘Drums And Wires’ marked further development for the ever-brilliant XTC
1979-12-15 - News
The Hothouse. That phrase has been used in this paper more than once since it’s inception, to describe the London scene.
1977-12-15 - News
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