Of the many affecting moments in the recent Arena Pete Doherty documentary, one that sticks out was the final, lengthy shot of Doherty travelling home after a gig, singing along dreamily to Radiohead’s ‘High And Dry’. After seeing him lost in so many ways, it was rewarding to see him simply lost in music. And rewarding it is, too, to be able to write about Doherty as a musician rather than a red-top hellraiser. I’ve never really bought into all the artist of his generation stuff (The Libertines had a handful of admittedly memorable moments; Babyshambles have been pretty ropey across the board) but this might just be the turning point. For a start, it sounds like a proper record, well produced and actually featuring fully formed songs as opposed to the half-baked ideas of before. Good songs they are too, with three of the five tracks (‘The Blinding’, ‘Beg Steal Or Borrow’, ‘Sedative’] easily up there with his best work. Whether this creative upswing can continue will depend on a lot of obvious factors – this is a reminder of the living, breathing talent behind the tabloid titillation.