Strawberry Alarm Clock Bestest Bits
This two-disc charity covers album offers a little something for all musical tastes and a few laughs from FM104's breakfast show.
Colm O Hare, 03 Dec 2008
Charity albums arrive thick and fast at this time of the year, most of them eminently forgettable. But this double offering from FM104’s popular breakfast show The Strawberry Alarm Clock in aid of Temple Street Children’s Hospital is one of the better ones. Subtitled Uncovered Unplugged, disc one features mainly live-in-the-studio acoustic performances from a host of homegrown heavy hitters, all of them covering well known hits by other artists.
There truly is something for everyone in the audience and then some; veterans Aslan kick things off nicely with a poignant version of U2’s ‘All I Want Is You’, The Blizzards make Sam Sparro’s ‘Black And Gold’ all their own while Republic Of Loose work up a funky groove as only they can on MGMT’s ’Electric Feel’ with Mick Pyro’s falsetto reaching impossible heights. Ham Sandwich er, ham it up on Britney’s ‘Piece Of Me’ while The Coronas are almost unrecognisable on Lionel Richie’s ballad ‘Hello’. Cathy Davey joins Director for a version of Kylie and Nick’s ‘Where The Wild Roses Go’, Ruth Anne shines on Prince’s ‘Kiss’ and Colm Lynch gives it welly on The Killers’ ‘All These Things That I’ve Done’.
Tom Baxter’s take on Amy Winehouse’s ‘Back To Black’ is pretty stunning with some impressive fretwork to boot, as is Declan O’Rourke’s commendable version of Duffy’s huge hit ‘Mercy’. Former Picturehouse man Dave Browne breezes through The Feeling’s ‘I Love It When You Call’ while Owen Brady’s version (of Jose Feliciano’s version) of The Doors’ ‘Light My Fire’ showcases his often over-looked blued eyed soul vocals. Two studio bonus tracks include Boyzone’s early hit, ‘Father & Son’ and Shayne Ward’s mega smash ‘What About Me’.
Disc two, Just Havin’ A Laugh, includes some of the most popular comedy bits from the show including Tomo the Taximan, Stan and Eddie at the Olympia, Tommy Tabloid and the hilarious highlight – Sex And The Dublin City.
Colm O Hare
Latest Related Articles For This Artist
Neat 40-tracked potted history of vital Irish indie label.
REVIEW: 2011-12-14
There's something for everyone on this mixed bag label sampler
REVIEW: 2011-06-23
Latest Related Videos For This Artist
This Warm December sounds like a few sleepy songs bashed out and recorded just for the sake of it.
2008-12-16 - REVIEW
A battle of wits and humour as well as musical talent, Duke Special and Neil Hannon put on quite a show in a musical face-off with no declared winner.
2008-10-29 - REVIEW
The ‘80s pop revival gathers apace with Nik Kershaw, T’Pau, Bananarama and – calm yourself ladies – Rick Astley making appearances in the Here and Now Christmas Party at the RDS in December.
2008-10-28 - News
Dublin is to get a new 12 Nights Of Christmas festival, which will be putting on shows in some of the city’s finest music emporiums.
2008-10-28 - News
The line-up here is practically an argument for the extinction of mankind. I mean, Keane? Even on their own they’re worse than global warming.
2007-12-07 - REVIEW
Clone impresses with this split release. Orgue Electronique’s ‘On A String’ is pure Chicago hedonism, the tight, doubling up claps setting the scene for a vicious 303 bass, while Legowelt’s subtle percussive twists and moody chords import the spirit of Nu Groove to Rotterdam.
2007-10-25 - REVIEW
The standard rarely drops below decent, and there are sustained periods of excellence, too.
2007-09-10 - REVIEW
The second split Spectral release sees James T Cotton bang the acid box, emitting low slung 303 emissions and heavy duty claps on ‘2 Keys’. He’s joined by noisemaker Mikael Stavostrand and Jonas Kopp’s version of Plan Tec’s ‘Espias Psiquicos’, a slamming analogue workout.
2007-07-20 - REVIEW
The fourth instalment sees Bee Low deliver menacing, bleepy minimalism and Antonelli and Norken & Deer conjuring up the kind of warm, widescreen chords and pads that modern techno has lacked for too long.
2007-07-04 - REVIEW
Force Of Nature’s remix of Ana’s ‘Shift’ plants a heavy, pulsing backing underneath the Japanese pop band’s floaty melodies and fey guitar lines, but Ame’s ‘Tonight’ points to cosmic disco’s future, a blend of dubbed out drums and warm house keys.
2007-07-04 - REVIEW
The soundtrack for the previous Spiderman film had a strong thread of emo and hard rock running through it. This collection has moved more towards contemporary indie-rock.
2007-05-16 - REVIEW
Alex Cortex launches the celebratory EP with the droning bass and razor sharp percussion of ‘Freakwave’ and Reade Truth dives to uncharted depths, with the spooky vocals and disjointed breaks of ‘Time To Accept’.
2007-04-30 - REVIEW
A Tribute To should’ve been a godsend: a selection of Joni’s finest tunes, sung by a host of special guests. The reality, as one might guess from the diversity of the line-up, is a rather uneven record.
2007-04-11 - REVIEW
‘I Gave You Away’ is a return to what Dear’s Audion project does best, teasing the grimiest, dankest sounds from his 303. It’s in good company here: Par Grindvik’s ‘Casio’ makes a nod to Neil Landstrum’s sheet metal ‘90s analogue techno and the organ riff at the centre of Bodycode’s ‘Exciting Ride’ is scarier than a weekend at Fred West’s.
2007-03-09 - REVIEW
‘Tuning 4’ is all about subtlety: My My’s version of Duoteque’s ‘Amarcord’ starts off innocuously, but morphs into a wave of building, droning bass. Jens Zimmermann’s version of Maximilan Skiba’s ‘Rendez Vous’ is more restrained, featuring a female vocal spliced up with fractured beats.
2007-02-05 - REVIEW
Combining new school Italo bombs like the Syd remix of Pauli vs. Tyrell’s ‘Little’ with hard to find remixes of Clone classics like Unit 4’s ‘Bodydub’, ‘Recloned’ is one for the newcomers and trainspotters alike.
2006-12-19 - REVIEW
Mobilee surprises with this remix package: Sebo K turns GummiHZ’s ‘Isolate’ into a camp vocal-led Chicago track, and Prosumer steps back in time to rework Sebo K’s ‘Moved’ as a tweaked slab of analogue techno.
2006-10-26 - REVIEW
You may think the Trenton guys are a bunch of scarf wearers fannying about on Macs in lofts in Mitte, but Till von Stein & Aera’s contribution seduces with Chicago claps and acid thunder, while Format B’s massive ‘Octopussy’ hits the listener with a junglist bassline.
2006-10-12 - REVIEW
Worthy projects do not always make for interesting music, but this is quite an exception.
2006-04-12 - REVIEW
Troy Pierce takes Chelonis Jones’s ‘Deer In The Headlights’ down an ominously dark direction. But the best remix here is Pierce, Heart Throb and Konrad Black’s version of ‘Mandarine Girl’, changing from the euphoric original into a prowling bassy affair.
2006-04-05 - REVIEW
Focusing on Motor City techno’s love of deep textures and marrying it with dubby German sparseness, the slamming yet evocative ‘Bloom’ by Keith Kemp and the chugging, hissing beats and dank acid on Ryan Crosson’s ‘Illusion’ are a fine blend of the old and the new.
2006-04-05 - REVIEW
Jacek Sienkiewicz’s ‘Time Starts…’ gets the remix treatment. Etiop represents the harder, bleepier end of glitch. There’s also a broken beat remake from 3 Channels and Chilean producer Pier Bucci (pictured). He lays down orchestral strings over a moody backing. At last, it’s minimal house with a big pair of balls.
2006-03-22 - REVIEW
Get a cross section of the Irish music industry to record/re-record tracks in their native tongue, thereby focusing the attention of the very group of people who hold the future of the language in their hands. It could have been awful, of course, a crass attempt to get down with the kids and make learning cool. Yet Ceol ‘06 manages to work on a number of levels.
2006-03-01 - REVIEW
Not as strong as its predecessor, but ‘Part 2’ is notable for Putsch 79 and Alden Tyrell’s spaced out melodic Italo and the majestic claps and nagging bass of Orgue Electronique’s electronic take on Chicago house on ‘Here I Come’.
2005-11-16 - REVIEW
Not every German producer churns out textbook minimalism and Holger Flinsch has opted for an alternate path on ‘Hexenlaub’, the highlight of this split release, where he merges skippy beats with tranced-out chords and a curious freeform jazz aesthetic.
2005-11-16 - REVIEW
Woody McBride dusts down the bandanas for the third ‘Acid’ episode. Mike Acid delivers bass sucker-punches on ‘Ultra Disko’; McBride hits hard with the pulsing tones of ‘Put A Smile On Your Face’. However, the undisputed heavyweight is Bryan Zentz, whose combination of razor-sharp claps and frequency shifting 303 lines is as inspirational as a Phuture classic.
2005-11-02 - REVIEW
Not an official release in the strictest sense, this in-store sampler serves as a timely reminder – if one were needed - of the quality, variety and commercial potential of the current batch of homegrown releases.
2005-10-26 - REVIEW
Clone is one of Europe’s finest labels and this package is the ideal catch-up release. From the Italo/electro house of Lindstrom’s ‘There Is A Drink’ and Unit 4’s ‘Body Dub’, to the robotic Chicago percussion of Orgue Elctronique’s ‘Texas, Brooklyn, Heaven’ and the ultra-rare pulsing Alden Tyrell edit of 80s legend Harold Faltermeyer’s ‘So High’, this is a near essential collection.
2005-10-06 - REVIEW
Recorded in a day across various locations by a cast of 22, Help! A Day In The Life is the second WarChild album, the objective being to raise funds for child victims of global conflict.
2005-09-27 - REVIEW
Instead of churning out tribal loops, Mark Broom realises his full potential as a producer with ‘Klick’, which alternates between plunging bass-led Detroit house sounds, fuzzy electro and cosmic, UR-style techno. He’s still got the magic.
2005-09-21 - REVIEW
Manchester electro pioneer Greg Wilson lays bare the roots of much modern electronic music on ‘Re-edited’.
2005-08-09 - REVIEW
If you are looking for classic soul music to listen to or sample, then this is a near indispensable collection: spread over two discs, it features classics from Bobby Womack, The Four Tops and my personal favourite, The Jones Girls’ ‘Nights Over Egypt’.
2005-07-01 - REVIEW
Kiltyclogher is a village of about 150 souls on the Leitrim/Fermanagh border. Over the past 80 years or so, it’s been home to a notable cluster of fiddlers: brothers Charlie and Ben Lennon, Ben’s son Maurice Lennon (of Stockton’s Wing fame), Séamus Quinn, Brian Rooney and the late John Gordon, who passed away in 2002, shortly after his contributions to this fascinating CD were recorded.
2005-06-30 - REVIEW
Seeing as Optimo show such a flagrant disregard for musical genres, it’s no surprise that their Oscarr label doesn’t follow rules either. Magic Daddy is a musical schizophrenic, assembling assorted samples and blending them with a grimy drum backing on ‘Miscreant’, while ‘Cool It!’ sounds like what would happen if the Chicago revivalists started smoking crack.
2005-06-28 - REVIEW
Marking the start of a nationwide tour, and kicking off the first night of a weekly residency at Voodoo Lounge, the Faction records inaugural bash lived up to the promise of the label's first release, Faction 001.
2005-06-23 - REVIEW
With 25,000 albums released in Ireland every year, keeping tabs on new music has become an increasingly expensive hobby. Staying abreast of what has become a fast moving, ever changing domestic scene is especially challenging. A handful of specialist shows aside, one rarely encounters bands such as The Amazing Pilots or Dry County on radio. Often checking out emerging groups means trial and error purchasing. Thank God, then, for HMV’s Irish Playlist CD. Given away free with selected titles, the HMV Playlist has established itself as a gem of a compilation album. June’s Irish Playlist is exceptional throughout.
2005-06-17 - REVIEW
It has been said that, the more opulent and distinctive the surroundings, the more memorable the gig. Correspondingly, the various performances from Other Voices: Songs From A Room are among the most delightful and remarkable committed to RTE’s archives.
2005-06-10 - REVIEW
That the Irish music industry is in its healthiest state for a while is, by now, a given and it’s probably time to stop congratulating ourselves and start figuring out where it goes next. The answer, at least according to new label Faction, is to start thinking bigger than the DIY own-label approach that has dominated of late.
2005-06-08 - REVIEW
Country or city-based compilations are usually a pretty bad idea, but, apart from one or two mental techno tracks, this collection of Irish electronic productions impresses. There’s shiny Detroit techno from Eamon Doyle and Scott Logan, crunchy, broken beats from Sunil Sharpe and Fran Hartnett and sensuous electronic sound scapes by Love Rhino, Chymera and Ping Pong.
2005-05-23 - REVIEW
I have to confess to being suspicious of charity albums, which are normally brimful of filler tracks from acts you’ve never heard of. When you’re one of the most respected writers on folk and blues though, and you decide to do something to help the Ulster Wildlife Trust you do have the advantage of being able to open a few more high class doors. Many of the tracks here are written or co-written by Harper and there are a couple George Harrison covers so there’s more of a coherence than you would ordinarily find on an album of this nature.
2005-05-23 - REVIEW
Most of the tracks on ‘Norsk 3’ are the work of Norwegian producer Hans Peter Lindstrom, so this is hardly a compilation, but these niceties are irrelevant when the epic synths, over the top melodies and electronic grooves flow through the speakers and transport you to back to the golden age of Italian disco music.
2005-05-23 - REVIEW
Andrea Parker’s Touchin’ Bass imprint digs deep to deliver underground electro that flirts with industrial and rave influences, but the real power behind these tracks is the bass, evident on the gut-wrenching low end frequencies on Eggfooyoung and Plaid’s contributions.
2005-05-17 - REVIEW
Ben Larsen’s fusion of sparse, minimal shapes and niggling 303 sounds is similar to current Poker Flat releases, but David Duriez’ ferocious, jacking Chicago mix of Moody Preachers’ ‘SP 12 Resurrection doesn’t rely on such niceties and takes Phuture’s dark, acid-soaked Windy City legacy to new extremities.
2005-05-06 - REVIEW
The title’s claim might be somewhat misleading: apart from a collaboration between Kurtis Blow and Krafty Kuts on ‘Gimme The Breaks’, this mix features a succession of run of the mill, hip-hop influenced breaks from the label’s back catalogue.
2005-04-25 - REVIEW
if the highlights include turgid trance and hard dance mush from the likes of Tiesto, Macro V and Ferry Corsten, we can only wonder at how god awful the club’s lowlights could have been.
2005-04-11 - REVIEW
Gurgling 303s and old skool techno bleeps pulses along over that bassline on Freestyle Man’s version of the Chicago classic, ‘Washing Machine’, while the remix of ‘Pajaro’, by Summer of Love is powered by a murky low end that wouldn’t sound out of place on a Sender release.
2005-04-06 - REVIEW
hotpress.com
Blogs on hotpress.com
Additional Sites on hotpress.com
- The Music Show
- The Jagermeister Freezer Sessions
- Hot Press Rock Photo
- The Philip Lynott Exhibition
- The INEC Homegrown Sessions
- HTC One Hotpress Photojournalist
- Genre Free Compilation
- MIX 13: Music Industry Xplained
- Shoot To Thrill: Make a Hot Press Cinema Ad
- Other Voices
- Best of Ireland
- The Big Break
- Hot for 2013
- Josh Ritter
- Eoin Glackin
- Bitter Rocc
Contact Us
Hot Press,
13 Trinity Street,
Dublin 2.
Rep. Of Ireland
Tel: +353 (1) 241 1500
Email:info@hotpress.ie
Click here for more contact information.
Click here to find out more about Hot Press
Hot Press always welcomes feed back so if you've got something to tell us click here.
Advertise With Us
For more detail on how to advertise with Hot Press click here or call us on +353 (1) 241 1540
©Hot Press 2012. Why be a member? | Terms of Service | Privacy Policy | About Us Jobs @ Hot Press