not a member? click here to sign up

Death Row Greatest Hits

Black America mightn’t have wanted a martyr like Tupac Shakur, but they got him anyway. This latest selection is the first of two double albums culled from Shakur’s dreadful “Makaveli” period.

Peter Murphy, 26 Apr 2001

Black America mightn’t have wanted a martyr like Tupac Shakur, but they got him anyway. This latest selection is the first of two double albums culled from Shakur’s dreadful “Makaveli” period. The best tunes boast rhythm tracks capable of backing up all the hardchaw talk – ‘Ballad Of A Dead Soulja’ for instance – but for the most part Tupac pandered to white suburbia’s fantasies of ghetto-lite. This reviewer just can’t reconcile his lip-service wishes for a better world (‘Letter 2 My Unborn’) with the gangsta cant of ‘Fuckin’ Wit The Wrong Nigga’ or the appalling Mr. Mister retread of the title track. The lack of wit in Tupac’s work, his obvious shortcomings in the flow department and the sluggish nature of the music ensure that history will remember him alongside Coolio rather than Snoop, who at least spiced up his pimp persona with droll delivery and a knowing nod to the Iceberg Slim archetype.

So, the Death Row compilation is in a different class.

You can break down the best stuff to three or four key records. Snoop’s Doggystyle was a cheerfully profane cauldron of bad comedy, LA patois and loping beats adorned with Dre’s patented Twilight Zone overlays. There are no less than seven of its tracks on here, the best being the ‘Atomic Dog’ rewrite of ‘Who Am I (What’s My Name)’, ‘Gin And Juice’ and ‘Lodi Dodi’, all of which established Snoop as a smoky-eyed vulgarian with an irresistibly slack-jawed delivery.

Dre’s The Chronic on the other hand, has long been enshrined alongside Enter The Wu-Tang (36 Chambers) and Fear Of A Black Planet as one of the top five hip-hop albums of all time.

The third pillar supporting the whole enterprise is Snoop’s Murder Was The Case soundtrack, particularly the mock gothic murder premonitions of the title tune and ‘What Would You Do’, wisely chosen as a scene-setter for Oliver Stone’s Natural Born Killers.

We await the imminent release of Suge and the re-release of the original albums with interest. Meantime, check this for size.

Artist Related Content

Latest Related Articles For This Artist

The Shortest Night

Sweet soul music from Ireland's finest...


REVIEW: 2012-07-10

Cafe Irlandaise

Irish female compilation avoids the obvious


REVIEW: 2012-02-08

Johnny Boy Would Love This… A Tribute To John Martyn

Reverential tribute to late folk singer.


REVIEW: 2011-08-23

The Winter Of Our Malcontents

Punk's not dead at Fibber Magee's


REVIEW: 2010-11-02

The Twilight saga: eclipse

Vampire juggernaut goes indie schmindie for third outing.


REVIEW: 2010-06-30

Latest Related Videos For This Artist

Contact Us

Hot Press,
13 Trinity Street,
Dublin 2.
Rep. Of Ireland
Tel: +353 (1) 241 1500

Email:info@hotpress.ie

Click here for more contact information.

Click here to find out more about Hot Press

Hot Press always welcomes feed back so if you've got something to tell us click here.

Advertise With Us

For more detail on how to advertise with Hot Press click here or call us on +353 (1) 241 1540