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Out on his own
In which Bob reflets on his solo albums.
Jackie Hayden, 28 Mar 2006
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Bob Geldof recently received the freedom of the city of Dublin. But three decades ago, when Geldof first crashed the Irish entertainment scene, with his band, The Boomtown Rats, he was a thorn in the side of both politicians and priests in a notoriously conservative country.
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Throughout the pioneering events of Band Aid, Live Aid and Live 8, Bob Geldof has repeatedly achieved the impossible, twisting the arms and consciences of self-absorbed rock stars to get them to think beyond their egos and stimulating recalcitrant politicians and a jaded media into doing things that are not really difficult at all but thinking makes them so.
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The Live 8 concerts will take place simultaneously in five cities across the globe on July 2
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The Boomtown Rats came burning out of Dublin in the late ‘70s, railing against the Irish establishment to the audible gasps of the nation’s more conservative elements. With their remastered back catalogue having been recently reissued, Bob Geldof here looks back on a period of notoriety, controversy and personal angst, and also reflects on his ongoing efforts to highlight the issue of Fathers’ Rights. Interview by Peter Murphy. Photography by Mark Harrison.
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Long before boomtime Ireland there was boomtown Ireland, a country where the national symbol was not a tiger but a rat. to coincide with the release of the best of the boomtown rats, Bob Geldof looks back to the tepid Irish scene of the mid-’70s from which the rats emerged, biting, snarling and laughing, to take on the establishment, Britain and, almost, the world.
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With his new album sex, age and death in the shops, BOB GELDOF, songwriter and performer, is back in our midst. but after the traumatic personal events of the last five years - events which inform the songs on the new record - the private man is arguably under scrutiny as never before. In this heartfelt, eloquent and, at times, angry interview with JOE JACKSON, Geldof talks about the loss of Paula Yates, the death of Michael Hutchence and his own painful journey back to happiness
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