His Time Is Now
As The Charlatans prepare to perform their landmark Tellin’ Stories album at Castlepalooza, Tim Burgess talks about the record’s troubled origins and his foray into breakfast cereals.
Paul Nolan, 04 Sep 2012
On his way to Ireland to perform at Castlepalooza with The Charlatans, who are set to play their acclaimed 1997 album Tellin’ Stories in its entirety, Tim Burgess is enthusiastic about the record’s merits 15 years after its release.
“We’ve done it four times,” he explains. “It’s gone really well, it’s great to hear all those songs in that order. People have so many attachments to those individual songs as well that the response has been superb.”
In the middle of recording the album in 1996, The Charlatans’ keyboard player, Rob Collins, passed away in a car accident. Does that event make it a bittersweet record to revisit?
“We did it justice at the time, but I feel we’re playing it better now,” replies Tim. “I suppose after Rob passed away, a few things came into play. One was that I took a call from Jeff Barrett from Heavenly, saying that we had to support Oasis at Knebworth. Martin Duffy was offered to us as a keyboard-player by Bobby Gillespie and Primal Scream, and we were really appreciative of that. So we played Knebworth, and did the V Festival, and we asked Martin if he’d help us finish the album. After that, everyone let us have him on a sort of permanent loan.”
The post-Britpop years found Tim decamping to LA, and getting into transcendental meditation, the technique espoused by cult film director David Lynch. Has he met Lynch at any point?
“No I haven’t, but I’ve had some really nice letters from him,” responds Tim. “I’m doing a thing at the weekend and all the money’s going to the David Lynch Foundation. I have his album, Crazy Clown Time. I’ve heard a few tracks, I’ve not played it all the way through yet, but I do love it. He’s a great artist on every level so I admire him.”
Burgess’ life in LA also found him moving in unusual musical circles. At one point he struck up a friendship with Marilyn Manson bassist Twiggy Ramirez, a decidedly curious meeting of minds.
“He was around for a lot of the recording of the Wonderland album,” recalls Burgess. “But he’s a Britpop fan deep down – so is Joaquin Phoenix who I’ve also done some stuff with. Britpop has travelled far.”
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