Bob Geldof - The Years Of The Rat
In the first part of a major interview conducted at last year’s Music Show in the RDS, BOB GELDOF talks candidly about life as an illegal immigrant in Canada, how the Boomtown Rats took on official Ireland and then went on to duke it out with the Pistols and The Clash, and what triggered his involvement in Live Aid. Plus, a look back at Bob and the Rats on the cover of Hot Press.
Niall Stokes, 09 Feb 2011
OK Bob, we’re not gonna pick right through your childhood here you’ll be glad to know – but after you left school you went to Canada and based yourself in Vancouver for a time. Why’d you do that?
Bob Geldof: I’d been working on the M23 in England driving heavy equipment, specifically a big green thing with an engine front and back and a scoop in the middle, that was my speciality and, it was great money and you could listen to music as you went along, I had this big, sort-of tape recorder that I used to listen to music with. I’d heard about jobs in the Arctic Circle, driving these things, digging gold, but they just had men up there and men just drank and fought so the requirement was you had to have a girl with you, and I’d just been dumped (laughs), and she went back to Dublin and so I came back and I got a job down in Ballsbridge in the abbatoir, and while I was there I tried to woo my errant lover with… offal. And you know, the kidneys, the livers, but I think it was the sausages that turned her. And she decided to come back to my loving arms, and we set off for Canada.
Were you writing songs at that stage?
While I’d been in the meat factory I’d written ‘Rat Trap’, about a couple of guys that worked there and a guy called Paul. Anyway, we set off for Canada, went across on the Greyhound, the usual, and I got to Vancouver and I was an illegal immigrant, so while I was getting my illegal papers together, which is quite easy, I mean, I’m sure everyone’s done it, you just send a self-addressed envelope to yourself and you go to the National Insurance and say ‘Look this is where I’m living’ and they give you a National Insurance Card, it takes about a month – and so that was my route up to, and beyond Whitehorse, up in the Yukon, and I was going up there. This was 1973, ‘74. And the deal was they paid you a lot of money, about the equivalent of three grand a week now, or four grand a week. They trained the girls to drive the same stuff on half pay and then after six months they were on full-pay. And you’d work three weeks and they gave you a ten-day break in Florida and flew you back, so… excellent… I was quite happy to be there for the rest of my life with the mosquitos.
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Niall Stokes
Latest Articles by Niall Stokes
The two latest entries to Today FM’s Poetic Champions Compose series arrived a decade apart and certainly made their mark. We plunder the Hot Press vaults once more to reflect on two of the greatest offerings from Van Morrison and The Boomtown Rats.
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In the second part of a major interview, conducted at The Music Show in the RDS, Bob Geldof talks about Band Aid, Live Aid, Paula Yates, the death of his father Bob Snr. and his new solo album, How To Compose Popular Songs That Will Sell.
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2011-01-24
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2006-11-15 - Interview
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2006-03-30 - News
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2006-02-17 - Interview
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2005-07-12 - Interview
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2005-06-03 - Interview
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2005-05-17 - REVIEW
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2005-05-05 - REVIEW
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2005-02-10 - News
It's the way that the movie business works. It took 15 years to raise the money to make the biopic of Ray Charles life. It got done in the end, as they say, but Ray himself couldn't wait around to see its release: he died at the age of 73, in June of last year.
2005-01-20 - REVIEW
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2005-01-10 - Interview
Last night began a momentous chapter for the world’s biggest band. For U2, it was the first live airing and radio/internet broadcast of material from their eleventh studio album, How To Dismantle An Atomic Bomb. For those in attendance, it was an opportunity as rare as they come. The location: Dublin, Ireland. More specifically, at the album’s birthplace, in their Hanover Quay studios. Hot Press editor Niall Stokes was in attendance to feel the impact and capture the aftershock. [photos by John Dardis, courtesy of U2]
2004-11-17 - News
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2004-11-10 - REVIEW
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2004-09-02 - REVIEW
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2004-02-16 - REVIEW
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but who knows how long the struggle in Iraq will go on?
2003-04-23 - Interview
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2002-06-10 - Interview
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2002-05-23 - REVIEW
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2001-12-06 - Interview
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2001-12-06 - Interview
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2001-09-13 - Frontlines
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2000-12-15 - Interview
Niall Stokes: With this record you took on responsibilities as a group which were significantly greater than had been the case before, in terms of shaping the record, being involved in production. How did that affect the process?
2000-12-07 - Interview
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2000-12-07 - Interview
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2000-12-07 - Interview
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2000-12-07 - Interview
By any standards, The Corrs are an extraordinary phenomenon. It won't be long before the combined global sales of their albums to date top the 20 million mark. In Ireland alone, by the end of the year, they will have sold over a million records - at which point they may well have established themselves as the biggest-selling Irish act of all time on home turf.
2000-12-07 - Interview
SINEAD O'CONNOR has been many things - bona fide pop star, tabloid target, controversial activist, mother and priest. But, above all, she is one of Ireland's most compelling musicians. With a new album due for release, she talks to NIALL STOKES about love, sex, the Church, fame, racism and why "it's important to make it soul music." Pictures: MYLES CLAFFEY
2000-05-25 - Interview
He scored his first hit single as lead singer with Them in 1965, with Baby Please Don t Go . In 1968, he released his debut solo album Astral Weeks, which is widely regarded among critics as one of the most important and complete records of the past 50 years. But these are just two early landmarks in a remarkable career which finds Van Morrison still on top of his game 40 years since he made his debut with his own skiffle group, The Sputkniks, at a school concert in Orangefield in Belfast. In an exclusive interview, carried out for the RTE television series From A Whisper To A Scream, and published in the run-up to Van s latest Irish dates, he talks to Niall Stokes.
2000-03-02 - Interview
You look up 'skiffle' in the Chambers 20th Century Dictionary and it says "a strongly accented jazz type of folk music, played by guitar, drums and often unconventional instruments etc. popular about 1957".
2000-01-20 - REVIEW
Well done, Desmond! Most people in Ireland will be well aware of the controversy which has erupted following the speech which Archbishop Desmond Connell of Dublin gave recently concerning the church s teaching on contraception
1999-03-31 - Frontlines
The Corrs Talk On Corners was the biggest-selling album of 1998 in the UK. So far it s shifted 6 million copies worldwide and rising. And now the band are set to embark on their American campaign, with who knows what ultimate destination at journey s end. So they ve had it easy, eh? It s all a big marketing scam, masterminded by the moguls in the American record company that signed them? We thought you d like to know so we put these and other accusations to someone who should know, their manager of nine years, john hughes. And got some interesting answers too. Interview: niall stokes.
1999-03-03 - Interview
Having made his name in the folk arena with Emmet Spiceland, Planxty and The Bothy Band, DONAL LUNNY went electric with the ground-breaking Moving Hearts. In the second part of a wide-ranging interview reflecting on all of the major characters and plots in Irish music since the folk revival blossomed in the '60s, he talks about the demise of the Hearts, the impact of Riverdance, Shane MacGowan, Sharon Shannon, Altan, Coolfin – and what he'd like to do with Sheryl Crow. Tape: NIALL STOKES
1998-09-30 - Interview
It s been a long, long way from there to here and DONAL LUNNY has been at the centre of things every step of the journey. He has achieved enormous acclaim and considerable success with Planxty, The Bothy Band and Moving Hearts. Now with the launch of his latest band and their eponymously titled album COOLFIN, he takes time out to reflect on all of the major figures who have contributed to the extraordinary revival of folk and traditional music that has taken place over the past 30 years. He also recalls the highs and the lows the heartbreak, the good times and the great music that he himself has enjoyed as one of Ireland s finest and most influential musicians. Interview: Niall Stokes. Pics: Colm Henry
1998-09-16 - Interview
The Republic of Ireland's pallid 2-0 defeat by Argentina in last week's international friendly showed that MICK McCARTHY's time and resources are becoming increasingly limited, as Yugoslavia and Croatia loom over the horizon in the Euro 2000 qualifiers. NIALL STOKES asks: "What is to be done?"
1998-04-15 - Frontlines
The initial rumours were that it was going to be a rock n roll record . Then subsequent whispers hinted at everything from trip-hop to techno to ambient. But U2 s eighth studio album, Pop, is all of these things and more. It s the first album since 1983 that they ve made without the assistance of Brian Eno, it s been a long time in the making roughly a full year, all told and it s selling like the proverbial warm buns. Here, NIALL STOKES talks to BONO and ADAM CLAYTON, as well as co-producers FLOOD, HOWIE B and THE EDGE, about its lengthy genesis and what the band hoped to accomplish in creating it. Pix: STEPHANE SEDNAOUI .
1997-03-19 - Interview
The news of Rory Gallagher s tragic death has sent seismic shock waves through the music world. Here was a man who managed to combine the gift of being an authentic creative genius with the even rarer gift of being a genuinely decent, honourable human being. Over the next six pages, Hot Press pays tribute to both the legend and the person, with contributions from the stars, friends, fans and colleagues who were touched by the Gallagher magic, and takes a trip through the backpages of an extraordinary career.
1995-06-28 - Interview
NIALL STOKES takes a very personal journey back through the music and memories of a friendship with a man he was proud to have known THE DRIVE to Cork was a lonely one. Ry Cooder on the deck, that sweet slide guitar shooting off tracers: the memories, stacked up like a vast rack of on-line CDs, kept slipping in and out of the engagement slot. No need ever to press the play button. Now and then I had to hold back the tears as the music of past friendship flooded the car and, with it, a terrible awareness of all the things that might have, but hadn't, been done.
1995-05-31 - Interview
Irish music is now better-placed than ever before to give the world what it wants to hear. Niall Stokes reports on the upbeat post-MIDEM mood.
1995-02-22 - News
Niall Stokes and Eoghan Harris – the article the Sunday Times refused to print
1994-02-23 - Frontlines
The end of the Republic of Ireland’s World Cup qualifying campaign was deeply unimpressive, not so much for the poverty of the results as for the manner in which they were achieved. And just when everyone was breathing a collective sigh of relief at the whisker-fine nature of our qualification, worse was to follow with the news of Niall Quinn’s critical knee injury. So what is the best way forward for Jack Charlton’s embattled troops? Analysis: Niall Stokes
1993-12-15 - Frontlines
When Pat Kenny steps before the cameras every Saturday, he attracts an audience-rating which is increasingly likely to threaten the long-standing supremacy of The Late Late Show in Irish broadcasting. But despite his popularity, the host of Kenny Live remains something of an enigma. In the first part of a wide-ranging interview he talks about everything from his first kiss to, well, the meaning of life. Interview: Niall Stokes
1993-10-20 - Frontlines
They go together like a horse and carriage. You can't have one without the other - or words to that effect. In fact, however, even rock 'n' roll has yet to invent an erotic language that does justice to the breadth and complexity of human desire. In pushing out the boundaries, madonna has taken on the role of sexual pioneer, and done it with courage and no little success. Niall Stokes weighs up the evidence . . .
1993-09-22 - Frontlines
When Siniad O Connor tore up a picture of the pope on the Saturday Night Live television show in the US recently, she unleashed a storm which has been swirling around her ever since, causing her at one point to announce her premature retirement from the music industry. One month on, bruised and weary she may be but Siniad is neither downhearted nor repentant. Having declared war on the Roman Catholic Church she is determined to keep taking the battle to the real enemy. Interview: Niall Stokes.
1992-11-19 - Interview
There is no question about it. He may look as if he's been dipped in a bottle of red ink but it is Adam who stands there bollock naked before the camera and the world on the back sleeve of the latest, long playing opus from the band whose name begins with U and ends with 2. And is that Eve who hovers topless behind Bono on the front?
1991-11-14 - REVIEW
It was a year when all manner of ecological malaise seemed to come home to roost. In particular the Sudan was in turmoil, putting our own nasty little problems of smog, toxic waste and criminal fish kills into sharp relief –
1988-12-15 - News
From a darkened studio in Artane to the bright lights of Top Of The Pops and beyond that 'Orinoco Flow' has taken Enya and all who sail with her on an unprecedented voyage of discovery. Niall Stokes joins the key figures as the flow swells into a torrent of success and is pleased to report that nobody on board is in danger of losing their bearings.
1988-11-17 - Interview
Nearly a decade after the release of their debut single, U2 are widely regarded as the No. 1 rock band in the world. But the album and the film "Rattle And Hum" depict another kind of reality entirely. Larry, Adam and The Edge talk to Niall Stokes.
1988-09-22 - Interview
Having already achieved a degree of acclaim with her soundtracks for The Frog Prince and The Celts -- with the release of her first fully-fledged solo album, Watermark , Enya seems set for the type of accolades reserved for major-league artists. Niall Stokes unveils the creative trinity behind the finished meisterwerk, talks to Enya and her collaborators Roma and Nicky Ryan, and ponders the question:what will commerce do to this thing of beauty?
1988-09-22 - Interview
The privilege of being given space in a newspaper to pontificate on the events of the past year is afforded to very few people. As such it is a privilege. The same applies to rock criticism in general.
1987-12-31 - News
On the release of "The Joshua Tree", Niall Stokes and Bill Graham talk to Bono, Larry, Adam and The Edge about the making of U2's tour de force.
1987-03-26 - Interview
Amid rumours and press reports that his career could be at an end, Larry Mullen reveals the truth about the extent of an injury to his hand that is becoming a common problem for rock drummers. Interview: Niall Stokes
1986-09-11 - Interview
Niall Stokes sees U2 light up Madison Square Garden in New York.
1985-04-12 - REVIEW
Niall Stokes sees U2 light up Madison Square Garden in New York.
1985-04-12 - Interview
It's hard to believe that it's so long since John Fogerty's last album. In the intervening time span, rumour and speculation flared intermittently about a new album in the marking - yet Fogerty, one of rock'n'roll's most tantalisingly enigmatic recluses remained silent.
1985-02-01 - REVIEW
In a mediocre year, there was one album which offered a complete vindication of our continuing belief in the power of rock’n’roll. Just one – but that one is enough.
1984-12-14 - News
Bob Dylan at Slane - The music, the magic, the mayhem and so much more...
1984-07-27 - Interview
After his divorce from Moving Hearts, dejection must have seemed almost like a friend to Christy Moore.
1984-06-15 - REVIEW
An occasion, a night to remember, an unrepeatable experience.
1983-04-15 - REVIEW
It is because we’ve been force fed dogma all our lives that there is such a reaction against organised religion among young people in Ireland.
1983-03-18 - REVIEW
Too often the assumption remains that seriousness, that angst, comprises the central ingredient in great songwriting.
1983-01-21 - REVIEW
? weighed the pleasure and the music itself was too often forced into the background by economic and business considerations.
1982-12-15 - News
As Clannad storm the charts, Niall Stokes reports on perhaps the most outstanding success story of the year
1982-09-17 - Interview
The time has come when we can no longer pretend that we’re in control. An incipient sense of cosmic disorder, for the past year gnawing away at the fringes of our collective consciousness, has suddenly become devastatingly palpable.
1982-08-06 - REVIEW
This is the point at which we finally jettison any attempt to lumpen Rory Gallagher with the HM crew, new or old.
1982-04-02 - REVIEW
Niall Stokes talks to Bono and The Edge about their 1982 Hot Press Poll victory.
1982-03-05 - Interview
The story of how Paul Brady was transformed from a superlative folk artist into a superlative rock artist in a blinding flash of light (well, fifteen years actually). Today's reading is by Niall Stokes.
1981-05-23 - Interview
There's a new star in the charts tonight, and throughout the land there is much rejoicing (especially in some of the more fashionable areas of London). One of punks more pathetic jokes, Adam Ant, forsakes his past of seedy night clubs.
1980-12-20 - REVIEW
ABBA have seldom been acknowledged by those who arbitrate or presume to arbitrate on matters of rock taste. Apart from a brief flirtation about five years ago, rock culture – in as much as the phrase actually signifies anything concrete – has continued to stick them with the legacy of their Eurovision success.
1980-11-22 - REVIEW
Somebody is onto something, that's for certain. To begin with the name has a touch of magic. Dexy's Midnight Runners suggests something illicit, even apart from the drug reference. It's both strong and open, pointed and evocative. And in the end it's accurate because it registers the desired connection – Dexy's Midnight Runners are a soul band.
1980-07-19 - REVIEW
Niall Stokes' 1979 My own album of the year was the Radiators ‘Ghostown’
1979-12-15 - News
The last year has been one of ups and downs for Thin Lizzy. Brian Downey elaborates for Niall Stokes
1979-10-04 - Interview
Searchlight On The Future. View From The Rear: Brian Downey. Occasional Angles: Phil Lynott. In the middle: Niall Stokes
1978-07-21 - Interview
On the surface, it might seem that Thin Lizzy have their eyes and hearts and minds on only one thing- the present.
1978-07-20 - Interview
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