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Music | Interview 7 May 2004
Bowling For Ireland Patrick Hedlund
Patrick Hedlund catches up with Damien Rice and The Frames in Boston and finds they’re having more success on-stage than in the bowling alley. Additional reporting Stuart Clark

Music Review | Live 8 Jul 2003
Damien Rice in NYC Patrick Hedlund
Bravo, what an incredible night of music.

Music Review | Live 24 Jun 2003
The Frames Patrick Hedlund
Aside from their impeccable musicianship and an undeniable presence, pure and simple emotion is the key to their live genius.

Music | Interview 22 May 2003
Lady boys Patrick Hedlund
Having done serious box-office damage in the States, Our Lady Peace are now looking to conquer Europe. Mainman Raine Maida tells Patrick Hedlund why failure is not an option

Music Review | Live 6 May 2003
Radio 4 Patrick Hedlund
It was obvious that the group would have to rely more on boiled-down shreddery than quirky programming tweaks – which is precisely what came to pass in their energetic 50 minute set.

Music | Interview 1 May 2003
Sonic temple Patrick Hedlund
Drink. Girls, eh, quim? Reading’s Cooper Temple Clause get dirrty.

Music Review | Live 17 Apr 2003
Avril Lavigne Patrick Hedlund
 

Music | Interview 14 Apr 2003
Talking headbangers Patrick Hedlund
Emma Griffiths and Dave Berry are MTV’s latest double act. and, yes, they like to party hard.

Music | Interview 28 Mar 2003
Food for thought Patrick Hedlund
Terry McGuinness of Think unveils the Dublin outfit’s recipe for sonic sandwiches.

Music | Interview 21 Mar 2003
In a gaelaxy far, far away Patrick Hedlund
“Gaelic music from the far future,” is how David Bickley describes his group’s music. Patrick Hedlund meets the Hyper[Borea] mastermind

Hot Features | Commentary 14 Mar 2003
“Democracy gone mad” Patrick Hedlund
Amid scenes of near hysteria, Ireland has chosen its Eurovision entry.

Music Review | Album 13 Mar 2003
Sing The Sorrow Patrick Hedlund
The opening track on Bay Area goth/metal/punk outfit AFI’s new effort beckons us to join them in their macabre dance of thrash melodies and is the first indication of a simple hardcore album being fed to the sharks of over-production.

 

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