Twelve months ago she was a humble drama student. Now Emily Taaffe is starring in Brian Friel's adaptation of Three Sisters. No wonder she's looking so pleased
It was the play that took dramatist Tarell McCraney from obscurity to Broadway acclaim - a progression that was all the more impressive considering its minuscule budget.
What would you do if the Devil turned up on your doorstep to play cards for your soul? Joe Jackson reviews Conor McPherson's new play THE SEAFARER as it comes to the Dublin stage.
Inspired by Colm Toibin's novel about Henry James, director Liam Halligan has brought one of the horror master's most singular ghost stories, The Turn of the Screw back to the stage.
Katie Kirby may be only in her early 20s, but a healthy appetite for acting means that her appearance in Great Expectations at Dublin's The Gate will cap a prolific year.
She has won rave notices – and more than a few awards – for her turns in Bloody Sunday and Hamlet. Now Kathy Kiera Clarke is to star in The Abbey’s new production of George Farquhar’s The Recruiting Officer.
She has won rave notices for her turns in Bloody Sunday and Hamlet. Now Kathy Kiera Clarke is to star in The Abbey’s new production of The Recruiting Officer.
Born in England but of Irish descent, Lucy Gaskell got to learn first hand about the class tensions that followed the War of Independence while preparing for The Big House.
The haunting under-belly of a small-town Ireland in transition is probed in Patrick McCabe’s new play, The Revenant. The result is both a chilling piece of theatre and a barbed social commentary, says its director Joe O’Byrne.
A screwball farce with a keenly observational core, Caught In The Net examines manners and mores in the 21st Century. The play’s author Ray Cooney talks about his journey from would-be matinee idol to subversive playwright.
The iconic and infamous towers of Ballymun are the subject of Fishamble’s latest production, Noah and the Tower Flower explains the play’s author Sean McLoughlin.
It was a little piece of Off Broadway in Dublin. Now Andrew’s Lane is closing and Irish theatre shall be the poorer for its going. Pat Moylan reflects on the end of an era.
The impact of cloning on society comes under the microscope in A Number. Playing three “versions” of the same character raised unusual challenges for the play’s star, Stuart Graham.
Set in Dublin on the day that Ballymun flats were demolished, Danny and Chantelle (Still Here) is a modern love story for a modern Ireland, says playwright Philip McMahon.
Newly divorced from the Theatre Festival, this year’s Magnet Entertainment Dublin Fringe Festival is a more compact but also more diverse event than ever before.
The Dublin Theatre Festival is fast approaching its 50th anniversary, but the organisers haven’t let anticipation of next year distract them from the task in hand. There’s a rake of quality shows to check out over the coming weeks, from Ibsen to Leonard Cohen.
Under the direction of Joe Devlin, the Focus Theatre has taken on an impressive range of projects – not least two plays that tackle burning contemporary issues. Devlin tells us how he’s been carrying on the Focus tradition.
He's had his ups and downs over the course of a long and distinguished career. In a rare interview, Dwight Yoakam talks about sundered musical partnerships and explains how he's learned to love again.
Joe Penhall's Blue/Orange depicts the battle for one man's soul being fought in the arena of a psychiatric institution. The play's star George Costigan tells all.
Rough Magic, one of Ireland’s outstanding theatre ensembles, returns with a production of Shakespeare that examines the battle of the sexes in Ireland.
With the release of their acclaimed third album Flock, which went straight to No.1 in Ireland, Bell X1 have staked their claim not just to greatness, but also to potential world domination – a possibility which is reinforced considerably by their powerful showing in the Hot Press Readers’ Poll. Here, in an emotional and revealing interview, the band’s photogenic frontman Paul Noonan discusses life, art, love, death... and music.
Wilde's most famous play has been given a daring make-over. One of the stars, Tadhg Murphy, explains why Wilde would have appreciated an all-male version
Joe Jackson talks to Elizabeth Moynihan, star of the Gate’s new production of Lady Windermere’s Fan, the classic Oscar Wilde play, which, in its new 1947 setting, explores the social mores of the upper classes in post-war London.
Joe Jackson talks to Susan FitzGerald, star of Landmark Productions’ Irish premiere of Edward Albee’s The Goat, or Who Is Sylvia?, the controversial play which explores a range of taboo topics.
Joe Jackson talks to John Kilby, founding member of famed French theatre company Footsbarn, who are set to light up the George’s Dock Festival this June with Perchance To Dream, their lively and imaginative reinterpretation of Shakespeare’s most famous plays.
Joe Jackson talks to Dawn Bradfield, star of Poor Beast In The Rain, the latest instalment in playwright Billy Roche’s widely acclaimed Wexford trilogy.
Joe Jackson talks to Christopher Adlington, star of Enlightenment, the new play from Shelagh Stephenson which examines British attitudes towards the Middle East.
Joe Jackson talks to Arthur Riordan, author of Improbable Frequency, the hit musical comedy which examines Ireland’s neutrality during the Second World War in humorous and insightful fashion.
Joe Jackson talks to Arthur Riordan, author of Improbable Frequency, the hit musical comedy which examines Ireland’s neutrality during the Second World War in humorous and insightful fashion.
Veteran actor Tom Courtenay remains hugely enthusiastic about Brian Friel’s work, as he tells Joe Jackson ahead of his starring role in the Gate’s version of the playwright’s 19th century-set play, The Home Place.
Joe Jackson talks to Bernard Farrell, author of Many Happy Returns, a darkly funny Yuletide drama that explores the spiritual malaise of contemporary Irish life.
Joe Jackson talks to Peter Hanly, currently starring in the Pulitzer Prize winning play Dinner With Friends, which explores the minefield of contemporary conjugal relationships.
Joe Jackson talks to Apres Match’s Risteard Cooper, currently starring in the Abbey’s production of Frank McGuinness’ acclaimed First World War play, Observe The Sons Of Ulster Marching Towards The Somme.
The gate’s current production of Pygmalion reverses the chauvinistic aspects of both film adaptations. Actress Jeananne Crowley explains how george bernard shaw got his feminist groove back.
The relative silence of rock stars in relation to Bush’s war on Iraq has been both morally repugnant and revealing. Even Ireland’s officially designated “humanitarians” Geldof and Bono choose to focus more on the issue of Third World Debt...
Joe Jackson talks to Paul Meade, director of Tom Stoppard’s The Real Thing , the hugely successful examination of sexual politics which is currently enjoying an extended run at Andrew’s Lane Theatre.
The Price is widely regarded as playwright Arthur Miller’s most personal work. Joe Jackson speaks to actor Lorcan Cranitch about brotherly love and hate and his co-star, ex-Hill Street Blues veteran Robert Prosky
Enjoying parallels with works as diverse as Chekov’s Three Sisters and About Adam, Very Heaven looks set to be another success for dublin’s focus theatre. Joe Jackson talks to the show’s director, Bairbre Ni Chaoimh
Playwright Michael Harding explains why his newest play, Birdie Birdie, is about how “the only way to survive, as an individual or as a society, is to mind each other.”
After close to a decade of neglect, Pinter’s classic play The Birthday Party is currently enjoying a long-overdue renaissance thanks to directorial debutant, Michael Donegan
Having previously worked with directors of the stature of Danny Boyle and Anthony Minghella, and with a role as the main villain in the next Batman movie in the offing, Cillian Murphy is one of the hottest young actors around. Joe Jackson caught up with murphy to discuss his central role in Garry Hynes’ version of Synge’s famous play, the Playboy of the Western World.
Currently drawing huge crowds to The Olympia with his third Mrs. Brown play, Brendan O’Carroll nonetheless has a bone to pick with those pushing for the retention of the section 481 tax break for film-makers.
B*spoke’s Jane Brennan on Tom Murphy’s adaptation of The Drunkard – and the family connections which make this production all the more meaningful for her.
Currently reprising her role of Mrs. Johnstone in Willie Russell’s Blood Brothers, Rebecca Storm here enthuses about both the play and her own burgeoning musical career
Coming off the suck of her dark leading role in Marina Corr’s Aerial, Ingrid Craigie is happy to get up to some mischief in the Gate’s production of The Misanthrope, as she tells Joe Jackson
Druid Theatre founder Garry Hynes warns that unless the Arts Council rethink their recent funding cuts, Irish theatre – and Irish culture – could be damaged for good.
The former editor of the Sunday Tribune on the tough task of replacing Eamon Dunphy in the hottest seat in radio, The Last Word. plus: the Dunph, hook, O’Reilly, war, politics, sport, media, sex, drugs, rock’n’roll and, of course, that much-missed coiffure. Joe Jackson has the first word.
The Dublin Theatre Festival celebrates its 45th birthday in 2002 with a quality combination of classic and more recent works in musical theatre, comedy and drama
The Dublin Theatre Festival celebrates its 45th birthday in 2002 with a quality combination of classic and more recent works in musical theatre, comedy and drama
Playwright Michael Harding insists that composing and playing music has inspired his writing for the stage, a theory borne out by his latest play, Talking Through His Hat
In the second and final part of the ultimate interview, elvis talks about colonel Tom Parker, marriage to priscilla, his '68 comeback, his quest for enlightenment and the truth about his drug intake. but as he dreams of an exciting future, at 42 he doesn’t realise that the end is close at hand
*The quotes in this recreated interview are drawn from a wealth of reliable sources and involved extensive research into many rare articles and books
Imagine the scene. It is August 15th, 1977. Joe Jackson of Hot Press arrives at Graceland, to do the ultimate interview with Elvis Presley. Elvis is in the music room,seated at the piano and singing 'Blue
Eyes Cryin In The Rain'. They sit down across the table, Jackson pushes the record button - and so begins the final interview with the greatest rock'n'roll star of them all
Caitlin Murphy's darkly comic new play imagines the relationship between Joyce's daughter and Beckett's wife, one which would have been fraught with tension and sexual jealousy
As Secretary Of State in Northern Ireland, Mo Mowlam [pic left by Mick Quinn] played a crucial role in formulation and implementation of the Good Friday Agreement. It helped that she is no conventional politician but rather a warm, down-to-earth and decent individual with a genuine commitment to positive action. in both the UK and Ireland, she became by far the most popular British figure in the history of Northern politics - which may explain why, in the end, she was shafted.
Mark Doherty is best known to Irish audiences for his live stand-up shows and his television appearances on RTE's Couched, yet as Joe Jackson finds out, he's just finished writing his first play
With the general election approaching, the leader of the Labour Party offers his views on Bob Dylan, Bono, Ali Hewson, Sile De Valera, RTE, Sellafield, The Abbey Theatre, marital breakdown, the decline in power of the Catholic Church, the rise of Sinn Fein, the irrelevance of the PDs, his ambitions for Labour, and the perception of him as a smoked salmon socialist. All this, and the enduring appeal of a certain song
Rregarded as the original, manufactured boy band, once upon a time The Monkees ruled the world. Now, half of television's fab four are back and, as you might expect, they have quite a tale to tell. Joe Jackson talks to Davy Jones and Micky Dolenz
He may have an image as a political bruiser, but even if he is prepared to engage Bertie in a head-butting contest, Michael Noonan would rather win over the electorate by the more gentle art of persuasion. Joe Jackson meets the Fine Gael leader to discuss public issues and personal traumas, and discovers why he's partial to drink and Bill Clinton but opposed to Sinn Fein, the Bertie bowl and tax breaks for sports stars.
Sebastian Barry's new play Hinterland concerns the reflections of a former Taoiseach and his failed relationship with his family. Joe Jackson asks director Max Stafford-Clarke if the story is based on anyone in particular
As the new leader of the SDLP and Deputy First Minister in Northern Ireland, MARK DURKAN will have plenty to occupy his mind in 2002. Here he talks about the early death of his father, politics and paramilitaries in the North, the Dublin/Monaghan bombings, his opposition to Sellafield and membership of Greenpeace – and what Mo Mowlam might have piped into the Good Friday talks!
Words: JOE JACKSON
AIDAN KELLY’S latest stage role in blasted, as a psychotic soldier, is a far cry from his last TV role in the RTE sitcom 'TheCassidys'. Interview: JOE JACKSON
DOLORES O'RIORDAN may have the highest profile but the others are also here to remind you that THE CRANBERRIES are a group. and with the release of their new album wake up and smell the coffee, a happier, wiser, less embattled group than ever before. “all you need is love,” they assure JOE JACKSON
With his new album sex, age and death in the shops, BOB GELDOF, songwriter and performer, is back in our midst. but after the traumatic personal events of the last five years - events which inform the songs on the new record - the private man is arguably under scrutiny as never before. In this heartfelt, eloquent and, at times, angry interview with JOE JACKSON, Geldof talks about the loss of Paula Yates, the death of Michael Hutchence and his own painful journey back to happiness
With the new publication in book form of a collection of his newspaper columns, the Sinn Féin president addresses matters both personal and political. Here he offers further thoughts on Omagh, death threats and the peace process as well as on music, his late mother, his own family and his vision of a private life beyond politics.
The drink, the drugs, the fights, the sex, the loves, the hates, the hits and the Taoiseach's daughter - here are Ireland's most successful boy band as you've never heard them before.
Hearing their confessions: Joe Jackson
WITH ITS RESOUNDING ECHOES OF THE TROUBLES, THE WAR BETWEEN THE BASQUE SEPARATIST GROUP ETA AND THE SPANISH STATE REMAINS BLOODY AND SEEMINGLY INTRACTABLE. WITH HIS FIRST BOOK, DIRTY WAR, CLEAN HANDS, IRISH JOURNALIST PADDY WOODWORTH PRESENTS A COMPELLING BUT OFTEN HARROWING ACCOUNT OF HOW VIOLENCE DEFEATS POLITICS AND TERROR BEGETS TERROR. AND, REFLECTING ALSO ON HIS OWN PAST POLITICAL INVOLVEMENT WITH SINN FÉIN, HE TELLS JOE JACKSON HOW HE HAS COME AROUND TO THE VIEW THAT TALKING IS ALWAYS BETTER THAN WAR. AUTHOR PORTRAITS: CATHAL DAWSON.
One of the most distinctive and colourful characters in Dail Eireann, Junior Minister WILLIE O’DEA is also passionate about his commitment to reforming adult education. Here he talks to Joe Jackson about his brief, about Michael Noonan, Frank McCourt and “Stab City”, and about his recent outspoken comments on taxi drivers, political donations and other controversies. And, yes, he admits he did inhale and was “legless” the night he got elected
BECKETT ON FILM is one of the most ambitious cinematic projects ever. Nineteen of Samuel Beckett's plays have been made into movies, directed by and starring numerous A-list figures. To mark the occasion, JOE JACKSON talks to Bono, John Hurt and Enda Hughes about one of the 20th century's greatest dramatists
As the management force behind Boyzone, Westlife and Samantha Mumba, LOUIS WALSH is Ireland s Mr. Pop. In a candid interview with Joe Jackson he talks about his relationships with his acts, the ones that got away, the importance of the producer, the uselessness of critics and why he s unlikely to end up managing Van Morrison. Portraits: Cathal Dawson
This album will insinuate its way into your life like a woman, or man, you thought you barely liked but later realised you loved all along. Bearing in mind Sade's history as a purveyor of music to make love to, the title may make this album seem like we're in predictable territory. Not so.
Best known for his Irish Times column An Irishman s Diary, KEVIN MYERS has been denounced as arrogant, bigoted, pompous and prejudiced. And those are just the people who like his witty writing! On the occasion of the publication of a collection of his writings, the journalist they either love or loathe talks to JOE JACKSON about class, prostitution, drugs, relationships, the North, Mary Ellen Synon and more. Photography: CATHAL DAWSON
With a new novel Eclipse published to universal acclaim, the enigmatic Irish writer emerges from the deep gloomy cavern he inhabits to discuss art, sex, love, hate, humour, death and the battle of the sexes. Interview: JOE JACKSON.
Portraits of the author: CATHAL DAWSON
Having already conquered Ireland and the UK, SAMANTHA MUMBA is poised to join Britney and Christina at the top of the American pop chart. Not bad for someone who two years ago was fired from a panto by Twink! Now, with her new album Gotta Tell You ready for release, the Dublin singer talks candidly to JOE JACKSON about drugs, sex and the break-up of her parents marriage
In his latest book, the high profile psychiatrist addresses the idea of masculinity in crisis. But is it fact or fiction? And how have his own experiences as husband, father and professional informed his views? Joe Jackson asks the questions. And, oh, is size really important. Doc Shots: MYLES CLAFFEY
On a personal level, I knew Paula Yates only to the same degree many journalists might, after meeting her for a few hours for an interview and socially afterwards. But there was a feeling that you knew Paula better than that. Her name was seldom far from the headlines, and her life was lived in the glare of the celebrity spotlight. Undoubtedly it was part of a great part of her undoing.
Controversy is already swirling around the forthcoming Abbey Theatre production, Barbaric Comedies. JOE JACKSON finds out what it s all about and talks to one Irish actress who decided against appearing in the play
Van Morrison and Linda Gail Lewis
What next for Van Morrison? Already this year he's gone back to his skiffle roots with The Skiffle Sessions, hauling on board for that project the great Lonnie Donegan. And now Van-the-man returns to a time when he was Van-the-boy, digging the kind of pure country music made by Hank Williams and the frenetic rock 'n' roll sounds fashioned by Jerry Lee Lewis.
With his upwardly mobile CV and flash lifestyle trappings, VIP publisher JOHN RYAN looks like the personification of the Celtic Tiger at its most all-consuming. Not so, says the man himself, believing he has paid a high personal price for his business success. But can he take the flak as calmly as he dishes it out? JOE JACKSON finds out. Pictures: Colm Henry
DERMOT HANRAHAN, Chief Executive of Dublin's FM104, is in fighting form. He tells Joe Jackson about the station's transformation from near-insolvency to runaway success, slates the station's critics, praises Eamon Dunphy and defends late-night talk shows. Dermot-ologist: MYLES CLAFFEY
Closer, with its explicit language and nudity is one of the most controversial plays to grace the stage of Dublin's Peacock Theatre. Here one of its stars, ALI WHITE talks about her role
PHIL COULTER is far from the muzak-producing bore of caricature. Here, he talks to JOE JACKSON about family tragedy, northern politics, drink binges, having songs covered by Elvis and his experiences working with stars like Van Morrison, Siniad O Connor and Luke Kelly. Portraits: MYLES CLAFFEY
The Irish star opens up on sex, drugs, racism, crime, acting, actors and actresses, as well as slamming the Irish film industry and RTE.
Text: JOE JACKSON. Portraits: CATHAL DAWSON
Cynics may see this album as a stop-gap release designed simply to fill the void back home, while
David Gray sets out to break America with White Ladder.
PATRICK JONES is the brother of the Manics NICKY WIRE. And his new play explores similar themes to the band s music. Poetry and politics and action changed the world, he tells Joe Jackson
The recipient of a Late Late Show tribute and the outgoing presenter of The Arts Show, MIKE MURPHY avails of a timely opportunity to reflect on the highs and lows of his personal and professional life and to assure JOE JACKSON that, contrary to certain popular mythology, he is neither a marshmallow nor a flowerpot man
Angeline Ball tells Joe Jackson why she s delighted to get away from her image as that bimbo from The Commitments , with her role in The Plough And The Stars.
DEREK BELL on art, spirituality and porn! MARTIN FAY on Sean O'Riada, Carnegie Hall and drink! And PADDY MOLONEY on superstar friends, Bono's problematic vocals and his critics, inside and outside the group. Yes, it's the second and final part of JOE JACKSON'S extraordinary interview with THE CHIEFTAINS.
It s a story that has it all. Fame, drink, women, politics. Even death threats and The Mob. In a special retrospective feature JOE JACKSON explores the myth, and the reality, of THE RAT PACK, the original reservoir dogs.
PASSION MACHINE s new production aims to tell the story of seven Irish people all born in 1958. Writer PAUL MERCIER tells JOE JACKSON about the phenomena his generation have witnessed.
This is THE CHIEFTAINS as you've never encountered them before - more like mad, trad and dangerous to know than the grand-daddies of Irish traditional music. Smoking dope with Philip Lynott! Busting muscles through wild sex! Yes, it's the bits that aren't in the official biography. But, soft, not a word to Paddy, OK? Part One of an exclusive two-part interview. By JOE JACKSON.
In the second and final part of our exclusive interview, JONI MITCHELL tells her story from the ground-breaking Blue to the present day.
Having grown increasingly disenchanted with a music biz providing junk food for juveniles it took the classic songs of Billie Holiday and Etta James to restore her faith and give her own career a new lease of old life. Once a romantic always a romantic, she tells JOE JACKSON
In the second and final part of our exclusive interview, JONI MITCHELL tells her story from the ground-breaking Blue to the present day.
Having grown increasingly disenchanted with a music biz providing junk food for juveniles it took the classic songs of Billie Holiday and Etta James to restore her faith and give her own career a new lease of old life. Once a romantic always a romantic, she tells JOE JACKSON
In the second and final part of our exclusive interview, JONI MITCHELL tells her story from the ground-breaking Blue to the present day.
Having grown increasingly disenchanted with a music biz providing junk food for juveniles it took the classic songs of Billie Holiday and Etta James to restore her faith and give her own career a new lease of old life. Once a romantic always a romantic, she tells JOE JACKSON
In the second and final part of our exclusive interview, JONI MITCHELL tells her story from the ground-breaking Blue to the present day.
Having grown increasingly disenchanted with a music biz providing junk food for juveniles it took the classic songs of Billie Holiday and Etta James to restore her faith and give her own career a new lease of old life. Once a romantic always a romantic, she tells JOE JACKSON
Water From The Well is the kind of album that critics and fans of The Chieftains have been begging for since they seemed to get all tangled up in superstar collaboration albums such as Another Country, The Long Black Veil and Tears Of Stone.
Credited with being a pioneer in the field of confessional singer-songwriting, it is only now, at the age of 55, that JONI MITCHELL is able to talk openly about the private trauma behind the songs on such classic albums as Blue. On the occasion of the release of a new album Both Sides Now, that sees her revisit some former glories, the legendary Mitchell takes JOE JACKSON on a journey through her personal, and professional history.
This is part one of an exclusive two-part interview
PAUL GILLIGAN, the Chief Executive of the ISPCC, answers the organisation s critics and explains how it s putting behind it the controversies of last year. Interview: JOE JACKSON.
Having written his own obituary on his latest album, RANDY NEWMAN rises from the grave to discuss love, age, irony, honesty, the importance of melody and the tightrope act of being an idealist in pessimist's clothing. JOE JACKSON helps roll away the stone.
Shelby's got a brand new bag, okay. And look. And sales pitch. And slightly-altered style, being touted as the next Shania Twain, the new "wonder woman" out of Nashville. The truth is she's still the 'wonder woman' she was back in '93, when, with cropped hair French beret and her own big band, she released the smouldering Temptation album.
Thank God, we music critics are an insensitive lot! In ‘17 Again’, the opening cut of the first Eurythmics album in a decade, Annie Lennox looks back at the duo’s early days of fame and sings: “All the stupid papers/ And all the stupid magazines.”
As I noted in my review of her 1995 album, Your Little Secret, it is about time Melissa Etheridge stopped screaming. Musically, lyrically, politically, as a lesbian. And she sure has. But don’t, for one moment, think she’s lost her cutting edge.
Does the world need another Eric Clapton compilation? No, no, no, I hear a thousand people shriek. Especially those who, like myself, hate the saccharine soulessess of Clapton-thinks-he’s-Chris-De-Burgh songs like ‘Wonderful Tonight.’
He may not always be the critics darling, but BERNARD FARRELL remains one of Ireland s most popular and successful playwrights. Here he talks to JOE JACKSON about his regard for theatre and everyday heroes, and his contempt for snobs, suits and Celtic Tiger Ireland. Pics: Cathal Dawson
He may not always be the critics darling, but BERNARD FARRELL remains one of Ireland s most popular and successful playwrights. Here he talks to JOE JACKSON about his regard for theatre and everyday heroes, and his contempt for snobs, suits and Celtic Tiger Ireland. Pics: Cathal Dawson
He may not always be the critics darling, but BERNARD FARRELL remains one of Ireland s most popular and successful playwrights. Here he talks to JOE JACKSON about his regard for theatre and everyday heroes, and his contempt for snobs, suits and Celtic Tiger Ireland. Pics: Cathal Dawson
He may not always be the critics darling, but BERNARD FARRELL remains one of Ireland s most popular and successful playwrights. Here he talks to JOE JACKSON about his regard for theatre and everyday heroes, and his contempt for snobs, suits and Celtic Tiger Ireland. Pics: Cathal Dawson
He may not always be the critics darling, but BERNARD FARRELL remains one of Ireland s most popular and successful playwrights. Here he talks to JOE JACKSON about his regard for theatre and everyday heroes, and his contempt for snobs, suits and Celtic Tiger Ireland. Pics: Cathal Dawson
PAUL BRADY has had an embattled career. In the course of it, he has made great music, won new fans and lost old friends. He has written powerful songs, locked horns with his record company, even contemplated quitting the business entirely. Now finally, he has come to new realisations about himself and about the enduring power of love. Interview: JOE JACKSON.
Watching an Oscar Wilde play in full flight is one thing, right? As in Alan Stanford s meticulously directed version of An Ideal Husband, now running at Dublin s Gate Theatre.
Powerful evidence of both early experiences of racial prejudice and the premature ending of her relationship
with her father is still to be found in the work of
NINA SIMONE, one of the few artists alive who gives equal weight and force to the political and the personal. In this rare interview, conducted during her recent visit to Dublin, JOE JACKSON meets a lover and a fighter. Pics: CATHAL DAWSON.
At a time when public disillusionment with politicians is arguably at an all-time high, Cork Fianna Fail MEP BRIAN CROWLEY continues to buck the national trend by commanding a huge personal vote. But then, this is not a man who fits easily into any obvious political mould. A former rock singer and still a passionate music fan, he has survived a near-fatal car crash and learned to live with a permanent disability resulting from an earlier life-changing accident in his teens. Here, the man many tip to be a future President of Ireland, talks candidly to JOE JACKSON about matters personal and political. Pics: COLM HENRY.
Or how TONY BENNETT survived drugs, near-death and the mafia, to become possibly the coolest man on the planet at the age of 72. Interview: Joe Jackson.
Creativity for depression? It s an exchange he can live with, says PAUL WESTERBERG, whose days of excess with The Replacements continue to haunt his latest acclaimed solo album Suicaine Gratification. Interview: JOE JACKSON.
MARY CHAPIN CARPENTER talks to JOE JACKSON about Party Doll And Other Favourites, a Greatest Hits collection which she hopes will breathe new life into a tired format.
American music is rooted in rhythms from Africa and the longing at the soul of Irish music. Don't take my word for it. That's the gospel as quoted by Pete Seeger in Philip King's documentary series Bringing It All Back Home.
Peter Sheridan, whose book 44: A Dublin Memoir has just been published to rave reviews, on Archbishop Desmond Connell, brother Jim, Samuel Beckett and Sean O Casey, and on the two key events one, an incident of sexual abuse, the other the death of a family member around which the whole book spins . Interview: joe jackson. Pix: CATHAL DAWSON.
Joni Mitchell and Bob Dylan at Madison Square Garden? It doesn t get much
better than this. JOE JACKSON goes
backstage for a brief but revealing encounter with Joni and, from a vantage point to die for, finds two 60s legends who can still send shivers up the spine at the end of the millennium.
IT MAY be hard to explain, but we’ve all witnessed great acting – in our favourite movie, play or television programme (or simply when your lover claims that she, or he didn’t betray you, despite the fact that you caught them in the act).
He’s worked with Van, Dylan, Christy, Sinéad, The Cranberries and many other household names – but now he’s gone centre-stage himself as the composer of The General soundtrack. JOE JACKSON meets RICHIE BUCKLEY. Pix: Mick Quinn
“All men are bastards” Country star trisha yearwood firmly believed – until she met the one who would become her husband. Here, she talks to Joe Jackson about how her marriage to Robert Reynolds of The Mavericks has changed the way she looks at the opposite sex. She also discusses her rivalry with LeAnn Rimes, and the darker side of the Nashville country ’n’ western scene.
Pix: Cathal Dawson
Once a rock’n’roll performer in his youth, CONOR McPHERSON has now graduated into one of Ireland’s brightest theatrical and literary talents. Still only in his mid-20s, he’s already written the screenplay of the acclaimed Irish thriller I Went Down, as well as several acclaimed plays, This Limetree Bower and his latest effort The Weir. Here, he talks to JOE JACKSON about the mixed reception he’s received from Irish theatre critics, and the influence of rock music on his work.
Bob Dylan, Joni Mitchell, Van Morrison and Lewis Carrol may all be touchstones for the muse of sinÉad lohan, but this is one talented and increasingly successful singer-songwriter who definitely does things her way. joe jackson meets a self-confessed "spacer".
Pix: Mick Quinn
The trauma of his mother's death; the joy of his marriage to Yvonne; the truth about his sex life; the pressures of growing up in public; the importance of peer respect; the offers of a solo career; and how America might hold the key to keeping boyzone together. In his most personal and revealing interview to date, ronan keating talks to joe jackson
The trauma of his mother's death; the joy of his marriage to Yvonne; the truth about his sex life; the pressures of growing up in public; the importance of peer respect; the offers of a solo career; and how America might hold the key to keeping boyzone together. In his most personal and revealing interview to date, ronan keating talks to joe jackson
The trauma of his mother's death; the joy of his marriage to Yvonne; the truth about his sex life; the pressures of growing up in public; the importance of peer respect; the offers of a solo career; and how America might hold the key to keeping boyzone together. In his most personal and revealing interview to date, ronan keating talks to joe jackson
Siobhan MacGowan s debut album Chariot confirms that the sister of you-know-who is a force to be reckoned with in her own right. Here she tells Joe Jackson how her music charts an emotional journey from darkness into light. Pix: COLM HENRY
To Cian O Tighearnaigh of the ispcc, child abuse sexual, physical and emotional constitutes the single greatest scandal facing our country. Here he talks to Joe Jackson about the extent to which he believes the state has failed our children and why, in his opinion, mandatory reporting is an essential first step in putting things right. Pix: Colm Henry
Expelled by the Labour Party and reviled by some of his former colleagues, JOE HIGGINS is seen by his own supporters as the only genuinely socialist politician in Dail Iireann. No friend or fan of Labour, golden circles or U2, he tells JOE JACKSON that revolutionary change is not just possible but essential. Pix: Colm Henry.
THE CORRS' public image is one of unblemished beauty and soaraway success. But beneath the pop sheen lurk the darker lyrical themes of Andrea
Corr.
JOE JACKSON talks to her about the inspiration behind some of the Corrs' biggest hits, hears her anger at recent critical reaction and finds out what "Ireland's sexiest woman" really thinks about love, sex, drugs and rock 'n' roll and the whole damn thing.
As Secretary of State for Northern Ireland, MO MOWLAM M.P. has one of the toughest, most thankless jobs in British and Irish politics. The task facing her is an unenviable one: to bring together the two extremes of both traditions, however briefly, for the purposes of all-party talks. In this exclusive interview, she talks about the difficult journey to date, and the immense challenges which lie ahead of her. Our man who went to Mo:
JOE JACKSON.
Pix: COLM HENRY.
Bruised but unbowed by a turbulent campaign, the People s Coalition candidate, ADI ROCHE, discusses matters personal, political and presidential with JOE JACKSON.
From song contest to presidential contest, the most unlikely candidate for Aras an Uachtarain continues to face down her detractors in RTE, in Hot Press and elswhere and give voice to what she believes is the forgotten silent majority in this state. dana rosemary scallon interviewed by joe jackson. Pix: colm henry.
In the second and final part of his exploration of the Secret Sexual History of Elvis Presley, joe jackson describes the king s prowess as a peak performer, reveals the great loves of his life, and charts his sordid, sad and ultimately tragic decline and fall.
In the second and final part of his exploration of the Secret Sexual History of Elvis Presley, joe jackson describes the king s prowess as a peak performer, reveals the great loves of his life, and charts his sordid, sad and ultimately tragic decline and fall.
From girls-next-door to super starlets, elvis presley had em all. Yet not all his relationships with women were consummated, and there are even those who claim that none ever replaced his mother in his affections. Still, The King found plenty of outlets for his wild and boundless physical appetites, as Joe Jackson reports in this investigation into The Secret Sexual History Of Elvis Aaron Presley. Part one of a two-part Elvis confidential special.
JEAN BUTLER was at the very heart of the Riverdance phenomenon, as the original Eurovision interval set-piece was transformed into the most successful dance stage-show ever. Now, for the first time, she tells her side of that extraordinary saga. In a blistering broadside, she accuses her co-star MICHAEL FLATLEY of rampant egotism and argues that she's never been given the credit she deserves for the show's sensational impact. And then there's the question of money...
Interview: JOE JACKSON
. . . who is the sexiest of them all? Helen MIRREN, apparently, at least according to readers of the Radio Times, who recently voted her the sexiest woman on TV. Which may be flattering but possibly also does a disservice to a gifted actress who has no qualms about speaking her mind whether on nudity, money, the stage, television or even the cowardly assholes who bomb for Ireland. Interview: Joe Jackson
It may be that she will forever be associated with the Zipless Fuck, but if her new book, Of Blessed Memory, takes off like Fear Of Flying, erica jong could yet become synonymous with another hot erotic scenario, The Three Slipperies. Still creating controversy after all these years, the author talks feminism, Judaism, rock n roll, fashion and but, of course sex, with Joe Jackson.
Pix: cathal dawson
At the age of 20, kathryn harrison embarked on a full-blown sexual affair with her own father an incestuous relationship which the acclaimed author has now chronicled in detail in her latest book, The Kiss. joe jackson meets the woman who has been attacked as a mercenary slut wanting to capitalise on shock value .
Pix: colm henry.
What on earth is milky-white, squeaky-clean, God-fearin PAT BOONE doing,
wearing leather
and studs and singing heavy metal anthems? JOE JACKSON delves behind the year s most bizarre comeback to extract a rare and fascinating interview with a man who once alienated rockers and now finds himself ostracised by Christians.
Having had his fill of Eurovision and being ripped-off on the Irish circuit, Louis Walsh went for broke with the boys who would be boyzone. Now he can afford to speak his mind. JOE JACKSON is all ears.
Having had his fill of Eurovision and being ripped-off on the Irish circuit, louis walsH went for broke with the boys who would be boyzone. Now he can afford to speak his mind. JOE JACKSON is all ears.
In going back to her roots on her latest album, Nanci Griffith also shines a light on one of the great backing bands of rock n roll Buddy Holly s Crickets. Interview: Joe Jackson.
One by one, the members of CHILL Ireland s answer to the Spice Girls occupy the Hot Press hot seat. Popping the questions: JOE JACKSON. Pix: Cathal Dawson.
Author and columnist Candace Bushnell, who has been dubbed the Sharon Stone of journalism , on love, sex, drugs, drink and the dark underbelly of high society from New
York to Dublin.
Watching David Bowie on television recently one couldn't help but think of Neil Hannon. Not that he is a musical "chameleon"—to use the phrase most often applied to Bowie—but he does seem to be a person more comfortable presenting to the world a series of ever-changing poses designed to conceal rather than reveal his "real self", as in vocally situating himself somewhere between Barry White and Prince on the magnificent Charge, or satirising—while still relishing—his role as the eponymous sexist hero in Becoming More Like Alfie. Strangely enough, Neil confesses that he was thinking something similar while watching Bowie being interviewed
Fresh from the success of THE DIVINE COMEDY in the Hot Press Readers Poll, NEIL HANNON drops his guard(s) for some candid talking on love, sex, aesthetics and the whole damn thing. Interview: JOE JACKSON
With her new volume of autobiography, AGNES BERNELLE has turned the spotlight away from the stage and onto her own life illuminating both the happier and dark chapters of a turbulent personal story. Interview: JOE JACKSON. Pix: COLM HENRY
American singer-songwriter SHAWN COLVIN explains that her fourth and latest album A Few Small Repairs is about more than just her recent marital breakdown. Interview: JOE JACKSON
He may well be RTE s only living intellectual but ANDY O MAHONY, host of The Sunday Show, will long be remembered by many as the man who asked Deirdre Purcell if she ever did the bold thing with Gay Byrne. JOE JACKSON gets the self-styled closet determinist to come out of the closet. Pix: Colm Henry
You wanted the best, you got GENE SIMMONS. Here, the motormouth frontman of KISS, the world s greatest showband, talks about sex and women at length (quelle surprise), discusses his Jewish heritage, explains why Kierkegaard and Nietzsche obviously never got laid, and announces to an increasingly bemused JOE JACKSON that he Gene, that is possesses the world s smallest penis.
Beaten down by the acrimonious collapse of In Tua Nua and lifted up by a hard-fought victory over cancer, Leslie Dowdall is back with a new album and new outlook on life. “I’m just delighted to have been given a second chance,” she tells Joe Jackson. Pix: COLM HENRY.
Beaten down by the acrimonious collapse of In Tua Nua and lifted up by a hard-fought victory over cancer, leslie dowdall is back with a new album and new outlook on life. I m just delighted to have been given a second chance, she tells joe jackson. Pix: COLM HENRY.
In the second and final part of an extensive interview, director Jim Sheridan discusses his troubles with Gabriel Byrne and Noel Pearson, explains why he could marry Daniel Day-Lewis but would fail to measure up against Richard Harris, and suggests the best way forward for the embattled Irish film industry. Plus: the ouija board prophecies which seem to have shaped his life. By Joe Jackson.
In the first part of an extensive two-part interview, writer and director Jim Sheridan explains how 90% of what he creates is rooted in the tension that existed between himself and his dad. By Joe Jackson.
They may be nothing more than a tribute band but if so, they re a damn good one. JACK L and his BLACK ROMANTICS have been unanimously lauded for their Jacques Brel-inspired Wax album: The idea was to bridge the gap between Brel and Scott Walker. Now Jack L himself talks to JOE JA
t certainly would, Joe. But you can have a toot on my megaphone if you like! Gavin Friday discusses the finer points of sexual politics not to mention the post-Freudian subtext to his stunning new meisterwork Shag Tobacco with Dr Joe Jackson. Our man in the white coat concluded: Gavin s time has come. But is the world finally read
Love, sex, filth, money, sex, abortion, politics, sex, family, marriage, sex – and the whole damn thing. The BRENDAN O’CARROLL interview by JOE JACKSON. Pix: Michael Quinn.
Long gone are the days when appearing in a play in the Gaiety rather than the Abbey or Gate was seen as “slumming it”. Or that's how Ronan Smith, who plays a priest in Groundwork’s latest production of John B. Keane’s Moll, which opens on March 9th and runs till April 9, sees it anyhow.
Dail Eireann has never been short of socialist mavericks but rarely has a member of government spoken out so emphatically in favour of divorce, abortion and the shackling of the Catholic church as Democratic Left’s EAMON GILMORE. JOE JACKSON meets the agnostic Junior Minister who smoked and inhaled and reckons he'd probably make a better whoremaster than a priest. Pix: Colm Henry.
Private, reserved and self-controlled, Tanita Tikaram seriously wonders if there’s a place for her music in the world of frantic rock and frenetic rave. Interview: Joe Jackson
Nobody actually shouted “hit the bitch” during the previous Dublin run of Oleanna – as happened on Broadway – but Irish audiences were sharply divided in terms of the male and female adversaries in David Mamet’s controversial play. Personally, I found the polemical exchanges at the heart of the production a little ham-fisted.
“The world’s in a state of chassis,” to paraphrase that great, unforgettable actor whose name I can’t quite remember right now. At least, that’s the thought that struck me while entering Eamonn Doran’s Theatre in Dublin’s Crown alley (ex-Rock Garden) to see Shoot, If You Must.
He may have done time in Long Kesh for possession of explosives but Progressive Unionist leader DAVID ERVINE has left behind his terrorist past and embraced a future based on shared social democracy which, he says, the peace process can bring about. Interview: JOE JACKSON.
Dropped by Warners, but buoyed up by mega-sales of a soundtrack hit, Nick Lowe is back with a great new album, The Impossible Bird, and lots to say about Johnny Cash, Elvis Costello and a benevolent devil with the feet of a chicken. Interview: Joe Jackson.
Johnny Ray invented rock ’n’ roll. Elvis Presley marked the beginning of the downfall of popular music. The Beatles only ever wrote one great song. Cranky stuff maybe, but when the speaker is Tony Bennett – the man Sinatra called “The best singer in the business” – you have to listen. Joe Jackson does and, in this exclusive interview, hears how a Jewish-Italian New York kid grew up to be a musical legend, a respected painter and a man who, at 67, can still kick ’90s rock off MTV.
Boyzone are, irrefutably, Ireland’s first ever bona fide Pop gods. Reviled by many but dreamed about, screamed at and lusted after by far, far more, they are the men – boys – of the moment. Joe Jackson meets Louis Walsh and John Reynolds, the svengalis behind Boyzone, and asks Steve, Shane, Ronan, Mikey and Keith what it’s like when every female alive wants to shag you senseless. As if he doesn’t know.
Which is a rather cryptic way of introducing an interview by Joe Jackson with Brian Kennedy on his distaste for the macho ethos of rock and his admiration for fellow Belfast troubadour Mr. Morrison.
Boyzone are, irrefutably, Ireland s first ever bona fide Pop gods. Reviled by many but dreamed about, screamed at and lusted after by far, far more, they are the men boys of the moment. Joe Jackson meets Louis Walsh and John Reynolds, the Svengalis behind Boyzone, and asks Steve, Shane, Ronan, Mikey and Keith what it s like when every female alive wants to shag you senseless. As if he doesn t know.
Boyzone are, irrefutably, Ireland s first ever bona fide Pop gods. Reviled by many but dreamed about, screamed at and lusted after by far, far more, they are the men boys of the moment. Joe Jackson meets Louis Walsh and John Reynolds, the Svengalis behind Boyzone, and asks Steve, Shane, Ronan, Mikey and Keith what it s like when every female alive wants to shag you senseless. As if he doesn t know.
If you’re Randy Newman you’ll also need a piano, some borrowed dominants and lashings of irony. And that’s just for starters. Joe Jackson hears about the private, public and musical lives of one of American music’s most singular talents.
THE WAR between the sexes certainly seems to be dominating Dublin stages these days. In The Mai at the Peacock, the male character is slowly marginalised, and in Refugees at the Eblana, the man exists only as an object of mockery, whose prick has been removed by his wife’s knife.
Confronted by an autobiography with a dual narrator, Joe Jackson asks the real Ray Davies to stand up and testify on homosexuality, marriage, groupies, the essence of Kinkdom – and the true story of Lola.
THERE probably isn’t any other play quite as relevant to the changing political landscape in Ireland right now as A Night In November by Marie Jones. It’s currently running in Eamon Doran’s, on the site of the former Rock Garden, and focuses on the experience of a young Northern Protestant, who finds he must completely re-evaluate his life and attitudes after attending a qualifying match between the Republic of Ireland and Northern Ireland in Belfast’s Windsor Park and then following the Irish teak to New York.
Are Bono and the boys just a really good rock band or have they succeeded where the priests and politicians have failed and unlocked the neuroses of our colonial past? Joe Jackson indulges in a spot of cultural sparring with John Waters and finds the author of Race of Angels: Ireland and the Genesis of U2 well able to maintain his guard.
THE WAR between the sexes certainly seems to be dominating Dublin stages these days. In The Mai at the Peacock, the male character is slowly marginalised, and in Refugees at the Eblana, the man exists only as an object of mockery, whose prick has been removed by his wife’s knife.
Arguably, the most contentious and controversial Irish political commentator of the last 25 years, Conor Cruise O’Brien’s analysis of Anglo-Irish affairs has always followed its own unique path. However, the scepticism with which he greeted the paramilitary ceasefires as well as his hardline stand on censorship, have led some to question the relevance of this most conservative of political observers. Interview: JOE JACKSON.
Pix: COLM HENRY.
That would certainly seem to be the policy in RTE, where the hugely successful Scrap Saturday was ditched and Extra Extra promoted as A GREAT IDEA. Widely considered Ireland's most talented and controversial comedian, Dermot Morgan has suffered more than most in a climate where safety remains the bottom line. Here he talks about Teasey and Haughey, Bishop Casey's bedroom habits, Chris de Burgh's ladies in bed, the loves Labour have lost in government and what makes a legitimate target – along the way excoriating RTE for their unwillingness to take even the slightest risk in the cause of decent comedy.
Interview: Joe Jackson.
IN THE last issue of Hot Press we previewed the play which turned out to be the most universally-acclaimed production of the Dublin Theatre Festival: Marina Carr’s The Mai, which is still running at the Peacock Theatre.
A frankly rather cynical Joe Jackson (no relation) suggests that love might not be the only reason that Lisa-Marie Presley's decided to become Mrs. Michael Jackson.
As the first ever Green Party member in The Mansion House, Dublin’s current Lord Mayor, JOHN GORMLEY, is certainly unique. However, dismissed as a novelty by some and derided by others, the substance of his views as a politician have often been completely overlooked. Here, the capital’s number one citizen is unchained. Interview: JOE JACKSON. Pix: COLM HENRY.
Bono, Adam and Larry. Not to mention the self-styled King Boogaloo himself, Mr B. P. Fallon, whose new book U2: Faraway So Close offers an intimate visual and verbal diary of the band’s world-record shattering ZOO TV tour. For good measure the, um, also self-styled Mr Ramalama talks about Jimi Hendrix and the Mafia connection, toting guns with Tone Loc, giving Little Richard a hard-on, and other little, um, side voyages into other territories, man. Er, tape recorder thingy: Joe Jackson.
This year there is one striking feature of the Dublin Theatre Festival which would suggest that the Capital’s two key theatres are not making too much of an effort for the event.
John Banville places himself among some of the century’s most celebrated and notorious figures, in a frank interview which sees one of Ireland’s most revered and controversial writers musing on the raging battle between high art and popular culture, not to mention the war between the sexes . . . Tape: Joe Jackson Pix: Cathal Dawson
With the focus of world attention increasingly on Unionism and its capacity to respond positively to the IRA ceasefire, IAN PAISLEY JNR. – the son of Dr Ian Paisley – talks about culture and the Protestant identity, about his father’s emotive brand of politics, about secret deals and about ‘that petty little Fuehrer’ Albert Reynolds. Interview: Joe Jackson. Pix: COLM HENRY
Joe Jackson sneaks a peek at Wayne Studer’s new book Rock On The Wild Side, which gender-bends its way through three decades of gay imagery in rock music from Jimi Hendrix’ first kiss to George Michael’s shuttlecock.
. . . Here’s T.P. McKenna, one of Ireland’s most eminent actors – and a punk at heart. In an outspoken interview he savages Marlon Brando, Joseph Strick, Ian Paisley and Margaret Thatcher – and talks about his desire to be held in the arms of young girls again . . .
Interview: JOE JACKSON
You could hardly describe it as just another day at the office when we sent Joe Jackson to talk to the Deputy Leader of the Democratic Unionist Party, peter robinson. In a rancorous interview, they still manage to cover the party’s attitude to Catholics, homosexuals, Albert Reynolds, The Pope, the IRA, loyalist paramilitaries – oh and the small matter of an impending civil war. Pix: Colm Henry.
Think about direction, wonder why . . . It’s eleven years since Stano released his debut album Content To Write In I Dine Weathercraft. Despite his genuine originality and dedication to his art over the intervening years, he remains one of Ireland’s most enigmatic performers, more appreciated on the continent than in his homeland. Interview: Joe Jackson
IT HAS been suggested that Graham Reid’s plays are pungent with “the thick and acrid air” of Belfast. Any actor performing one of these production in The Lyric Players Theatre in Belfast at this point in time would certainly know if that statement is true.
At the time of writing indications are that Tori Amos’ ‘Cornflake Girls’ single will hit the No.1 spot in the British charts this week. Celebrations may indeed be in order – but for Tori right now there are far more burning issues to be talked through and dealt with. In an extraordinarily intimate, open and at times devastatingly honest interview, she talks about the horrific knife-point rape documented in ‘Me And A Gun’, the lingering wounds inflicted on her by the experience and the difficult healing process she has begun – including, she says, accepting the ‘prostitute’ in herself. Along the way she challenges a wide range of assumptions on love, sex, violence, religion, masturbation, feminishm, lesbianism and the main
man himself, Jesus Christ. By Joe Jackson.
Twelve months ago The Cranberries were unknown outside of the hippest rock circles, now with the platinum success of Everybody Else Is Doing It, So Why Can't We? they stand as the first Irish band to genuinely crack America since U2.
Much of the media attention given to them has focussed on Dolores O'Riordan, a singer whose unique approach to her craft underlines the defiantly independent path the group has trodden all the way to the top of the Billboard charts. Here she talks to JOE JACKSON about what by any standards has been a perfect year. .
Never met a dyke he didn’t like! Joe Jackson boogies the night away with ZRAZY, one of Irish music’s most determined combos. 1993 saw this radical lesbian dance duo release their debut album in the face of widescale indifference from the national media and here they tell of their struggle to assert their music and sexuality against overwhelming odds.
Andy Williams may have a reputation as a bland M.OR. crooner but beneath the squeaky clean showbiz facade lurks an interesting man indeed, who reveals a knowledge of modern art, a past laced with drug use and an unhealthy interest in Shirley Temple. Joe Jackson travels to Branson, Missouri to hear his confessions.
With the return of Sean's Show to Channel 4, Ireland's most successful funny man (he'll love that - Ed) is back in the spotlight. But behind the obsessive, neurotic, insecure, angst-ridden exterior of the show's central character, is there an obsessive, neurotic, insecure, angst-ridden individual? Here Sean Hughes worries over religion, dreams, sex, drugs, family and ... Christmas (aaah!). Interview: Joe Jackson.
Never met a dyke he didn t like! Joe Jackson boogies the night away with Zrazy, one of Irish music s most determined combos. 1993 saw this radical lesbian dance due release their debut album in the face of widescale indifference from the national media and here they tell of their struggle to assert their music and sexuality against overwhelming odds.
For years, Holly Johnson delayed having a HIV test. When he did, it checked positive, and Holly began a journey of self-discovery that has seen him develop enormously. Now, the former lead singer with Frankie Goes To Hollywood is proud, committed and highly politicised . . .Interview:Joe Jackson
What links Richard Harris with Linda Ronstadt, Art Garfunkel with The Supremes, and Frank Sinatra with er, Ghost Of An American Airman? Why, the music of Jimmy Webb, of course, one of the most widely-respected songwriters of all-time. Here he talks to JOE JACKSON about his friendship with Richard Harris, his encounters with Elvis and his deep-rooted love of Irish music.
IT’S PROBABLY a little too blatant to run a line of comparison between the newer, younger breed of comedians, like Sean Hughes, and comic-actors like Eamon Morrissey. However, one distinct difference is that Sean has a TV series and Eamon hasn’t.
I’ll have at least one foot in the grave – or at least that’s the dominant feeling as JOE JACKSON joins the Country Music U.S.A. crew on their visit to BRANSON – a bizarre small town in the Ozark Mountains that now rivals Nashville as a centre for country music tourism, of the blue-rinse variety.
After enjoying spectacular success in the early 1970’s, Gilbert O’Sullivan suddenly found his career brought to an involuntary halt by legal red tape that took five years to unravel. The Waterford singer–songwriter managed to survive those dark days, though, and is now back doing what he loves best – playing live and making records.
By rights that should make him a happy man, but, as Joe Jackson discovers when he locks horns with the former ‘Bisto Kid’, there are certain aspects of the past that are hard to reconcile.
Having watched Shay Healy hold tightly onto his little camera as he, and the Music City USA crew, travelled thousands of miles across the United States this summer, believe me, I know he is driven by a sometimes infuriating "fundamental impulse" to capture beauty. Plus ugliness, pain, poverty, poetry in static form or in motion and humour - in one word: America, in all its twisted glory.
DUBLIN'S OLYMPIA is one of the city's great venues for late night rock gigs that roll the music right back to its base on the streets, and among the community.
ALI HEWSON is the first time presenter of Black Wind White Land, a documentary on the devastation which has blighted Bylorus since the nuclear accident in Chernobyl. Interview: Joe Jackson.
FANS OF this column have complained that in my preview of the Dublin Theatre Festival, in the last issue of Hot Press I paid only lip service to the "most prestigious and biggest show on offer," the RSC's production of Shakespeare's A Winter's Tale (Gaiety Theatre).
WEEK AFTER week I try to remain the right side of well-mannered when some myopic PR person or director phones and says "There's a play coming up in the blah-blah-blah theatre and it's got great music that'll really appeal to your readers."
IN A recent issue of Hot Press, I hastily claimed that, given a choice of the latest country releases, I'd opt for Clint Black's album, No Time To Kill.
. . . she was reet petite! That's not true, actually. Instead, the maverick motorbike-riding DUP councillor and former Lord Mayor of Belfast talks about loyalist paramilitary violence, the assassination of prison officers, the indifference of London, his hostility to Mary Robinson, his scorn for the Official Unionist Party - and his own willingness to take up arms in the cause of keeping the six counties out of a united Ireland. Interview: JOE JACKSON. Pix: CATHAL DAWSON
MICHAEL D. Higgins obviously got under the hypersensitive skin of Sunday Independent journalists who have accelerated their systematic, and at points, paranoiac attack on the Minister since he proposed some relatively revolutionary ideas about the arts, in a recent issue of Hot Press.
In the second part of a major interview concerning his brief as Minister for Arts, Culture and the Gaeltacht - and his vision for the future of the Arts in Ireland - MICHAEL D. HIGGINS talks about the enormous potential for job creation in the related areas of film, music and heritage, the changes he would like to see in the tax-free status afforded to artists and answers his critics in relation to Section 31 of the Broadcasting Act. Interview: JOE JACKSON
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album. The Holy Ground. Interview: Joe Jackson
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album, The Holy Ground. Interview: Joe Jackson.
Or should that be Black pages? Mary Black and her long-time friend, producer and collaborator Declan Sinnott look back over ten years of solo work, and the steady progress which finds her ready to take on the world with her latest album, The Holy Ground. Interview: Joe Jackson.
WHATEVER YOU think about the subject matter of Eleanor McEvoy's breakthrough song, 'A Woman's Heart', melodically it is a pure delight. Listening to her debut album one also hears undeniable evidence of a classically trained, and gifted, composer at work.
In the first part of a two-part interview, Michael D. Higgins, Minister for Arts, Culture and the Gaeltacht, talks about his philosophy of art, about his own poetry and, more controversially, about RTE, the IRTC, the future of commercial radio - and the sustained and slanderous campaign against him in the Sunday Independent.
IN HIS interview elsewhere in this issue Michael D. Higgins points out that there is little to be gained from indulging in discussions about a Dublin/the rest of Ireland divide. However it would be fatuous to deny that while Dublin slept coiled inside smug self assurance in terms of its pivotal role in relation to the arts, regional areas such as Galway gradually became more vibrant centres of cultural life, in many ways.
He believes that country music can make people "turn their hearts away from sin." He also believes that Jerry Lee, Elvis and The Beatles failed to answer the call of Jesus and that many rock groups - U2 consPICUOUSLY not included - are now doing the devil's work. JOE JACKSON hears the gospel according to Ricky Skaggs.
BEING OUT of the country on holidays means I have yet to see the latest interpretation of Shakespeare's A Midsummer Night's Dream (Gate Theatre) but one fellow journalist did describe it as "a menopausal sex fantasy".
The author of the influential *AwopBopAlooBopAlopBamBoom*, Derryman NIK COHN has helped lay the foundations of serious rock criticism. Here, the author of the short story on which "Saturday Night Fever" was based talks about his latest book, "The Heart of The World". and tells JOE JACKSON why Elvis is King and Dylan is crap.
BERNARD FARRELL is flying in more ways than one. Speaking on the phone from Dublin Airport he's just picked up the Sunday newspapers and, following the five positive reviews his play "The Last Apache Reunion" received in the dailies, all of the Sundays are also singing its praises.
DESMOND HOGAN'S fight against both indifference and hostility towards his homosexuality has led him to Dublin, London, Berlin, North Yemen and the USA. Along the way he's produced *The Edge of the City* a collage of his observations on different cities, which is how he finds himself in the company of Joe Jackson.
IN THE FIRST PART OF A WORLD EXCLUSIVE INTERVIEW IN THE LAST ISSUE OF HOT PRESS, BONO UNVEILED THE NEW U2 ALBUM, SPOKE ABOUT ITS GENESIS IN CYBERPUNK LITERATURE AND THE BAND'S HUNGER TO PUSH ROCK'N'ROLL TO ITS LIMITS. HERE HE ELABORATES ON HOW U2 GO ABOUT WRITING THEIR SONGS AGAINST THE BACKGROUND OF GLOBAL CHAOS, HIS ARTISTIC REFERENCE POINTS OUTSIDE MUSIC, THE SUBVERSIVE POWER OF HUMOUR, AND HOW HE ADMIRES THOSE WHO 'PARTICULARLY AGGRESSIVELY' DON'T BELIEVE IN GOD. AND THEN THERE'S THE STORY ABOUT JOHNNY CASH AND THE EMU. CAN THIS MAN BE FOR SURREAL? INTERVIEW:JOE JACKSON.
...IS COMING TO TAKE YOU AWAY! WHEN JOE JACKSON WENT TO INTERVIEW BONO AT U2'S SECRET DUBLIN RECORDING BASE, HE HAD NO IDEA WHAT TO EXPECT. WHAT HE GOT WAS A CRAZY ROLLERCOASTER RIDE THROUGH THE EXTRAORDINARY WORK-IN-PROGRESS WHICH WILL BECOME U2'S FOLLOW-UP TO THE ACCLAIMED "ACHTUNG BABY!", WITH BONO AT THE WHEEL AND AN UNSEEN PRESENCE WORKING THE ACCELERATOR LIKE A DEMON. "RECORDS SHOULD BE MORE OF A TRIP," SAYS THE MAN IN THE WRAPAROUND SHADES. FASTEN YOUR SEAT BELTS THEN. THIS WILL BE NO ORDINARY RECORD. AND THIS IS NO ORDINARY INTERVIEW.
As the only Dail representative of the Green Party, newly-elected TD, Trevor Sargent, has become the most high-profile public face of Irish environmentalism at a time when the entire movement is going through a period of re-definition. In this wide-ranging interview, Sargent argues that the Greens are more than a single issue pressure group and defends the party against changes of innate conservatism and built-in obsolesence. Not surprisingly, however, he also comes out fighting on issues such as animal rights and the ongoing threat of Sellafield.
FIFTEEN YEARS after his death Elvis Presley is probably having the toughest year of his career. Not Elvis the guy who works down at the chipper or at the local A&P, obviously, but Elvis the social construct and cultural phenomenon. Elvis the quintessential folk hero.
Tori Amos has rocketed to international prominence with her album "Little Earthquakes", but behind the public success story lies the private trauma
of a young woman who was raped at the age of 22. In an uncompromisingly honest interview with Joe Jackson, Tori talks about that terrible experience, it's lasting scars and how her music has helped to set her free again.
n a career spanning 25 years in the glare of the stagelight, CHRISTY MOORE has known every emotion from insecurity, despair and vilification to adulation, triumph and the warm glow of creative fulfilment. He has dabbed in drugs, drink to excess, suffered a heart attack for his troubles and made some of the finest records that have ever been subjected to critical scrutiny in this country. Now, in a frighteningly honest interview, he tells it like it is and was. Cross-examination: JOE JACKSON. Microscopic camerawork: COLM HENRY.
As the major force in the "Club of '22", whose attempts to oust Charlie Haughey from the leadership of Fianna Fail finally resulted in Dessie O'Malley's departure to form the Progressive Democrats, Charlie McCreevy was long considered a thorn in the side of the Taoiseach by the party faithful. Ironically then, it was McCreevy himself who was to be instrumental in setting up the talks with the P.D.s following the recent election which would result in Charles J. Haughey continuing to stay in power in a new kind of coalition government.
Generally regarded as one of the most candid of Irish politicians, Charlie McCreevy here lives up to his reputation as he shoots from the hip on matters both political and personal.
One trends to be suspicious of music with too immediate an appeal. Instant attraction often leads to boredom. With Mary Black's music, however, the opposite applies.
