Fourteen years after Richey Edwards disappeared without trace, THE MANIC STREET PREACHERS have summoned the courage to fashion an album from the lyrics he left behind.
Returning from an extended hiatus, Manic Street Preachers are in stridently upbeat form. In a revealing interview, they reflect on their enduring cultural imprint and talk about long lost Manic Richey Edwards.
Manic Street Preachers have turned the guitars down, but not the bile. A slimline James Dean Bradfield tells a pleasantly plump Stuart Clark why John F. Kennedy, Billy Connolly and Jesus Christ Superstar are in league with Satan. Or words to that effect.
A compilation, a new album in the works, more distressing rumours about Richey and the prospect of the greatest football song ever – Eamon Sweeney finds Nicky Wire of Manic Street Preachers with plenty to talk about
Lipstick Traces comprises two CDs of covers, live, and unreleased tracks spanning their eleven-year career of consistently strong, intellectual rock on release.
From gigs with cider punks in limerick to playing for Fidel in Havana and from the low of Richey’s disappearance to the high of performing before Wales’ victory over Italy – life has never been boring for the Manic Street Preachers. Stuart Clark listens intently as Nicky Wire discusses their defining moments
You heard it here first: the Manic Street Preachers are recording an "album of city songs" to be completed next year - and our own capital has made the final cut
On the face of it, you could take the title as indicating a reversal of the Manics' musical prejudices. Nicky Wire might've always professed a hatred of the New York school of hip, yet the opening notes of this album find his band blamming their way through a prime Velvets 4/4 and one-note piano motif ('Found That Soul').
On the face of it, you could take the title as indicating a reversal of the Manics' musical prejudices. Nicky Wire might've always professed a hatred of the New York school of hip, yet the opening notes of this album find his band blamming their way through a prime Velvets 4/4 and one-note piano motif ('Found That Soul').
