Since establishing himself as a weighty force on the British folk scene in the sixties, Glasgow-born Bert Jansch’s pioneering guitar work, penetrating songs and emotive vocal style have enthralled music fans the world over.
His fan club includes Jimmy Page and Neil Young, while stars of more recent vintage, including Noel Gallagher and Johnny Marr, have also knelt before the Jansch altar in homage to this modest maestro.
But it’s former Suede-head guitarist Bernard Butler with whom the 60-year-old Jansch has forged the closest links, joining forces across the generations on Bert’s latest album and for live gigs. Jansch first got into Butler’s solo work after the split from Suede.
“Despite the generation gap, the collaboration between us works. He’s a great guy to swap ideas with,” he maintains.
Despite his broad-minded approach which has brought collaborations with ex-Monkee Michael Nesmith, Johnny Marr, Hope Sandoval and his illustrious colleagues in Pentangle, Jansch still regards himself as a folk-singer.
“But other people don’t,” he notes. “Maybe there isn’t a separate folk-scene today. Artists like myself just play whatever venues, and you might have a folk gig one night and something else the next. My wife Lauren doesn’t like me being tagged as a folk singer, maybe because it can be a bit limiting.”
Although he may not try too hard to keep in touch with the current music scene, his eclectic instincts allow some to filter through.
“I’m listening to Candidate a lot at the minute, and also to Mazzy Star because I’ve been working with them,” he explains.
His songs have been recorded by a plethora of artists, including our own Eleanor McEvoy (his ‘Where Did My Life Go’ is on her new album) and Bert’s own music-making son Adam. Of course he doesn’t like every version of every song,
“But I really liked the way Maggie Boyle sang ‘Bird Song’ and I was knocked when Adam did ‘Morning Brings Peace Of Mind’ on a double-album of my songs by various artists called People On The Highway,” he says.
Jansch has little time for those who feel that the latter day Bob Dylans should be writing about political issues as they did in the heydays of folk-protest.
“Songwriters should write what they want. It’s not up to others to decide what Dylan should write. But I still write what you might call angry political songs, although I’m not really sure if people today want to listen to songs with messages in them.”
Whatever, there’s ample proof that fans of gritty and graphic songs from the heart are still attracted to the enduring power of Bert Jansch.

Bert Jansch and Bernard Butler play the Radisson SAS Hotel, Galway on July 22 as part of the city’s Arts Festival