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L.A. Confidential

With the unpleasant tabloid scrutiny she’s been under recently, it’s easy to forget that Sinéad O’Connor is one of Ireland’s most powerful creative musical forces. Her soon-to-be-released new album, How About I Be Me (And You Be You?), already has critics purring with delight. When Sinéad travelled to the City of Angels to perform at a pre-Golden Globe event, Olaf Tyaransen went with her to report on the latest chapter in her remarkable life.

Olaf Tyaransen, 08 Feb 2012

“Well now, they’re hardly going to fucking throw me out, are they?” she observes.

I light her cigarette. David rushes over as Sinéad cheekily waltzes off in a haze of smoke. “Does she know that she can’t smoke here?” he asks.

“Yes, David, I think she does.”

“Oh!”

The soundcheck is a complete revelation. Composer and pianist Brian Byrne looks nervous, as do cellist Steve Erdodie and violinist Jennifer Curtis. The sound engineer also has his work cut out for him. Sinead, it transpires, has forgotten to bring her own microphone from Dublin. “Ah, fuck it!” she snarls, scratching her head distractedly. “My brand new Neumann. I wouldn’t mind, but I left it beside the front door.” No matter. Suddenly all of Sinéad’s vulnerabilities disappear and she comes across as a formidable artist in total control of all around her.

Over the course of the next hour, the ensemble runs through ‘Lay Your Head Down’ at least ten times. Sinéad fully deconstructs the song like a bootboy academic, line by line, verse by verse, laying down exactly how it should be performed.

“This line here is the emotional highpoint,” she tells Byrne. “So you play this bit softly and I’ll sing up.”

Her voice is one that instantly forgives all other transgressions. It’s the soulful voice of an angel that’s been tormented by demons, and transcended them. I suspect that at times Sinéad would prefer to be happy rather than supremely gifted, but it’s not her choice to make. I feel strangely proud watching her perform, glad to be her travelling companion. When I tell her this in the elevator back up to the room, she deliberately deflates the praise by farting loudly in the lift.

“Sinéad!” I protest. “Stop that!”

She laughs uproariously. “Don’t you know that girls fart too, Olaffy? Farts are God’s way of showing that He has a sense of humour.”

Back in the hotel suite, Dylan is playing loudly and the room is thick with smoke when David arrives with a requested hair clippers. Sinéad examines her scalp in a mirror. “Do you think I need to shave my head?” she asks. We reassure her that she looks great.



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